Book Review: Tonal Pitch Space

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Book Review: Tonal Pitch Space

Auteurs : Emmanuel Bigand ; David Temperley

Source :

• Musicae scientiae [ 1029-8649 ] ; 2003.

RBID : ISTEX:D5BB7702830142E7C692475AC00CBD3AE9AD0DDE

English descriptors

• Teeft :
  • Algebraic, Algebraic model, Analytical examples, Animation, Atonal music, Attraction model, Attractions model, Basic space, Bharucha, Bigand, Book reviews, Book reviews krumhansl, Brain activity, Brain area, Certain number, Challenge tpst, Chopin prelude, Chord, Chord distance, Chord unit, Chord units, Chordal, Chordal level, Chords tones, Cognition, Cognitive, Cognitive psychology, Cognitive reality, Crucial contribution, Current work, Decorative notes, Diatonic, Diatonic chords, Diatonic level, Diatonic music, Different keys, Different regions, Distance calculation, Distance value, Distant keys, Dominant chord, Early stage, Empirical data, Event hierarchies, Event hierarchy, Experimental conditions, Experimental methods, Experimental psychology, Final component, First movement, First part, Further issue, Generative theory, Global structure, Grouping structure, Gttm, Harmonic, Harmonic context, Harmonic expectancy, Harmonic function, Harmonic process, Harmonic processes, Harmonic progression, Harmonic sequence, Harmonic sequences, Harmonic structure, Harmonic structures, Harmonic tension, Hierarchic structure, Hierarchical, Hierarchical model, Hierarchical nature, Hierarchical segmentation, Hierarchical tree, Hierarchy, Human perception, Interesting implications, Ipem toolbox, Journal ofexperimental psychology, Knowledge representation, Krumhansl, Leman, Lerdahl, Lerdahl addresses, Local structures, Local tonic, Long chord sequences, Main tonic, Major chord, Major chords, Major prelude, Major sonata, Melodic attraction, Melodic expectation, Melodic process, Melodic tension, Mental representation, Metrical structure, Minor chords, Music cognition, Music perception, Music processing, Music psychology, Music theory, Musical events, Musical expectancy, Musical keys, Musical structure, Musical tension, Musical time, Neuroscientific research, Next page, Other factors, Other hand, Other keys, Other words, Overall structure, Oxford university press, Piano sonata, Pineau, Pitch, Pitch class, Pitch class level, Pitch space, Pivot region, Progression, Prolongarional reduction, Prolongation, Prolongational, Prolongational importance, Prolongational reduction, Prolongational structure, Psychological terms, Psychology ofmusic, Quantification, Real time, References bharucha, Regional discontinuity, Regional space, Regional spaces, Ronal, Ronal hierarchy, Scale degree, Second chord, Sequential, Sequential model, Shortest path, Spatial representation, Spatial representations, Stability conditions, Stable pitches, String quartet, Structural notes, Superordinate event, Supplementary level, Target chord, Third chords, Tillmann, Time span reduction, Tonal, Tonal distance, Tonal distances, Tonal hierarchies, Tonal hierarchy, Tonal music, Tonal pitch space, Tonal pitch space distance, Tonal pitch space distances, Tonal pitch space theory, Tonal space, Tonic, Tonic chord, Tonic chords, Tonic levels, Tonic tone, Tpst, Tree structure, Triad, Triadic level, Unstable pitches, Virtual attraction, Western harmony, Western music, Western music repertoire.

Url:

• https://api.istex.fr/document/D5BB7702830142E7C692475AC00CBD3AE9AD0DDE/fulltext/pdf

DOI: 10.1177/102986490300700107

Affiliations:

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