Serveur d'exploration Debussy - Exploration (Accueil)

Index « Teeft.i » - entrée « Diatonic »
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Diary week < Diatonic < Diatonic bell sets  Facettes :

List of bibliographic references indexed by Diatonic

Number of relevant bibliographic references: 19.
Ident.Authors (with country if any)Title
000040 (2013) Bernard GatesA Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera
000219 (2009) J M Gibson [États-Unis]The birth of the blues: how physics underlies music
000316 (2008) Dmitri Tymoczko [États-Unis]Scale Theory, Serial Theory and Voice Leading
000318 (2008) Catherine PickstockMessiaen and Deleuze
000371 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000372 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000380 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000472 (2006) David Neumeyer [États-Unis]Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000591 (2005) Daniel M. Grimley [Royaume-Uni]‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
000595 (2005) Doug Martin [États-Unis]The Cambridge Companion to Debussy
000728 (2004) Michael Russ‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project
000730 (2004) Anthony PopleUsing Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000840 (2003) Roger WibberleyReview: Counterpoint, Composition, and Musica Ficta
000858 (2003) Emmanuel Bigand ; David TemperleyBook Review: Tonal Pitch Space
000899 (2002) Arved AshbyReading Berg
000A63 (2000) Annie K. YihAnalysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
000A64 (2000) Michael RussAccounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud
000B26 (1999) Derrick PuffettBruckner’s Way: The Adagio of the Ninth Symphony
000F61 (1992) William Forde Thompson [Canada] ; Shulamit Mor [Canada]A perceptual investigation of polytonality

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