Teeft.i
Exploration
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Exploration
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Serveur d'exploration Debussy - Exploration (Accueil)

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List of bibliographic references indexed by Triad

Number of relevant bibliographic references: 21.
[0-20] [0 - 20][0 - 21][20-20][20-40]
Ident.Authors (with country if any)Title
000096 (2011) Michael J. PuriMemory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000152 (2010) Kenneth Smith‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000219 (2009) J M Gibson [États-Unis]The birth of the blues: how physics underlies music
000316 (2008) Dmitri Tymoczko [États-Unis]Scale Theory, Serial Theory and Voice Leading
000371 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000372 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000380 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000383 (2007) Allen ForteAlban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
000473 (2006) Ben Earle [Royaume-Uni]Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
000728 (2004) Michael Russ‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project
000730 (2004) Anthony PopleUsing Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000758 (2004) Daniel HarrisonMax Reger Introduces Atonal Expressionism
000858 (2003) Emmanuel Bigand ; David TemperleyBook Review: Tonal Pitch Space
000899 (2002) Arved AshbyReading Berg
000A63 (2000) Annie K. YihAnalysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
000A64 (2000) Michael RussAccounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud
000B26 (1999) Derrick PuffettBruckner’s Way: The Adagio of the Ninth Symphony
000F61 (1992) William Forde Thompson [Canada] ; Shulamit Mor [Canada]A perceptual investigation of polytonality
001387 (1983) Mary Louise Serafine [États-Unis]Cognition in music
001939 (1969) Thomas MaccluskeyRock in its Elements
001C53 (1960) Dorothy D. HornMusic Theory for High School Students

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