Harmonia mundi < Harmonic < Harmonic alterations

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List of bibliographic references indexed by Harmonic

Number of relevant bibliographic references: 39.
[0-20] [0 - 20][0 - 39][20-38][20-40]

Ident.	Authors (with country if any)	Title
000099 (2011)	Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie]	Educational Possibilities of the Project Colour Visualization of Music
000152 (2010)	Kenneth Smith	‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000219 (2009)	J M Gibson [États-Unis]	The birth of the blues: how physics underlies music
000228 (2009)		Musicological approaches to musical semiotics
000233 (2009)	Robert Hasegawa	Gérard Grisey and the ‘Nature’of Harmony
000311 (2008)	Imogen Parker	The time of music: the music of time
000313 (2008)	Amy Bauer	The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000314 (2008)	Philip Alperson [États-Unis]	The Instrumentality of Music
000318 (2008)	Catherine Pickstock	Messiaen and Deleuze
000371 (2007)	Michael Russ	Some Observations on Pm,n Relations within Set Classes
000372 (2007)	Daniel K. L. Chua	Rioting with Stravinsky: a Particular Analysis of the Rite of Spring
000379 (2007)	Mark Anson-Cartwright	Elision and the Embellished Final Cadence in J. S. Bach's Preludes
000380 (2007)	Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]	Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000382 (2007)	Arnold Whittall [Royaume-Uni]	Allen Forte in Music Analysis
000453 (2006)	Edward Venn	‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000465 (2006)	Brian Alegant ; John Levey	Octatonicism in Luigi Dallapiccola's Twelve‐Note Music
000472 (2006)	David Neumeyer [États-Unis]	Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000591 (2005)	Daniel M. Grimley [Royaume-Uni]	‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
000728 (2004)	Michael Russ	‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project
000730 (2004)	Anthony Pople	Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000758 (2004)	Daniel Harrison	Max Reger Introduces Atonal Expressionism

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