Book Review: Tonal Pitch Space
Identifieur interne : 002662 ( Istex/Corpus ); précédent : 002661; suivant : 002663Book Review: Tonal Pitch Space
Auteurs : Emmanuel Bigand ; David TemperleySource :
- Musicae scientiae [ 1029-8649 ] ; 2003.
English descriptors
- Teeft :
- Algebraic, Algebraic model, Analytical examples, Animation, Atonal music, Attraction model, Attractions model, Basic space, Bharucha, Bigand, Book reviews, Book reviews krumhansl, Brain activity, Brain area, Certain number, Challenge tpst, Chopin prelude, Chord, Chord distance, Chord unit, Chord units, Chordal, Chordal level, Chords tones, Cognition, Cognitive, Cognitive psychology, Cognitive reality, Crucial contribution, Current work, Decorative notes, Diatonic, Diatonic chords, Diatonic level, Diatonic music, Different keys, Different regions, Distance calculation, Distance value, Distant keys, Dominant chord, Early stage, Empirical data, Event hierarchies, Event hierarchy, Experimental conditions, Experimental methods, Experimental psychology, Final component, First movement, First part, Further issue, Generative theory, Global structure, Grouping structure, Gttm, Harmonic, Harmonic context, Harmonic expectancy, Harmonic function, Harmonic process, Harmonic processes, Harmonic progression, Harmonic sequence, Harmonic sequences, Harmonic structure, Harmonic structures, Harmonic tension, Hierarchic structure, Hierarchical, Hierarchical model, Hierarchical nature, Hierarchical segmentation, Hierarchical tree, Hierarchy, Human perception, Interesting implications, Ipem toolbox, Journal ofexperimental psychology, Knowledge representation, Krumhansl, Leman, Lerdahl, Lerdahl addresses, Local structures, Local tonic, Long chord sequences, Main tonic, Major chord, Major chords, Major prelude, Major sonata, Melodic attraction, Melodic expectation, Melodic process, Melodic tension, Mental representation, Metrical structure, Minor chords, Music cognition, Music perception, Music processing, Music psychology, Music theory, Musical events, Musical expectancy, Musical keys, Musical structure, Musical tension, Musical time, Neuroscientific research, Next page, Other factors, Other hand, Other keys, Other words, Overall structure, Oxford university press, Piano sonata, Pineau, Pitch, Pitch class, Pitch class level, Pitch space, Pivot region, Progression, Prolongarional reduction, Prolongation, Prolongational, Prolongational importance, Prolongational reduction, Prolongational structure, Psychological terms, Psychology ofmusic, Quantification, Real time, References bharucha, Regional discontinuity, Regional space, Regional spaces, Ronal, Ronal hierarchy, Scale degree, Second chord, Sequential, Sequential model, Shortest path, Spatial representation, Spatial representations, Stability conditions, Stable pitches, String quartet, Structural notes, Superordinate event, Supplementary level, Target chord, Third chords, Tillmann, Time span reduction, Tonal, Tonal distance, Tonal distances, Tonal hierarchies, Tonal hierarchy, Tonal music, Tonal pitch space, Tonal pitch space distance, Tonal pitch space distances, Tonal pitch space theory, Tonal space, Tonic, Tonic chord, Tonic chords, Tonic levels, Tonic tone, Tpst, Tree structure, Triad, Triadic level, Unstable pitches, Virtual attraction, Western harmony, Western music, Western music repertoire.
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DOI: 10.1177/102986490300700107
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ISTEX:D5BB7702830142E7C692475AC00CBD3AE9AD0DDELe document en format XML
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and Bharucha, 1992, 1998</json:string><json:string>Tillmann et al., 2000</json:string><json:string>Bharucha and Stoeckig, 1986, 1987</json:string><json:string>Huron and Parncutt, 1993</json:string><json:string>Shepard, 1982</json:string><json:string>Tillmann and Bigand, 1996</json:string><json:string>Lerdahl, 1988</json:string><json:string>Blood and Zarorre, 2001</json:string><json:string>Krumhansl and Kessler, 1982</json:string><json:string>Bigand et al., 1999</json:string><json:string>Sloboda, 1986</json:string><json:string>Bigand, Parncutt and Lerdahl, 1996</json:string><json:string>Krumhansl, Bharucha and Castellano, 1982</json:string><json:string>Regnault, Bigand and Besson, 2001</json:string><json:string>Leman, 1995</json:string><json:string>Longuet-Higgins, 1978</json:string><json:string>Melen and Deliege, 1995</json:string><json:string>Bigand and Pineau, 1997</json:string><json:string>Leman, Lessaffre and Tanghe, 2000</json:string><json:string>Karno and Konecni, 1992</json:string><json:string>Dibben, 1994</json:string><json:string>Koelsch et al., 2002</json:string><json:string>Maess, Koelsch, Gunter and Friederici, 2001</json:string><json:string>Bharucha, 1984b</json:string><json:string>Bharucha, 1987</json:string><json:string>Patel, Gibson, Ratner, Besson and Holcomb, 1998</json:string><json:string>Parncutt and Bregman, 2000</json:string><json:string>Tekman and Bharucha, 1998</json:string><json:string>Bigand and Lerdahl, 1992</json:string><json:string>Bharucha and Bigand, 2000</json:string><json:string>Meyer, 1973</json:string><json:string>Bharucha, 1984a</json:string><json:string>Bigand and Parncutt, 1999</json:string><json:string>Lerdahl, 1991</json:string><json:string>Levinson, 1997</json:string><json:string>Bigand, 1993a</json:string><json:string>Leman, Lesaffre and Koen, 2001</json:string><json:string>Lerdahl and ]ackendoff, 1983</json:string><json:string>Lerdahl, 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scheme="https://publisher-list.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage UK: London, England</pubPlace><availability><licence><p>© 2003 European Society for the Cognitive Sciences of Music</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</p></availability><date>2003</date></publicationStmt><notesStmt><note type="book-reviews" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-PBH5VBM9-4">book-reviews</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note><note>Lerdahl Fred , Tonal Pitch Space . Oxford: Oxford University Press, 2001. ISBM0-19-505834-8. pp.</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Book Review: Tonal Pitch Space</title><author xml:id="author-0000"><persName><forename type="first">Emmanuel</forename><surname>Bigand</surname></persName></author><author xml:id="author-0001"><persName><forename type="first">David</forename><surname>Temperley</surname></persName></author><idno type="istex">D5BB7702830142E7C692475AC00CBD3AE9AD0DDE</idno><idno type="ark">ark:/67375/M70-SSLVXRF2-S</idno><idno type="DOI">10.1177/102986490300700107</idno><idno type="article-id">10.1177_102986490300700107</idno></analytic><monogr><title level="j">Musicae scientiae</title><idno type="pISSN">1029-8649</idno><idno type="eISSN">2045-4147</idno><idno type="publisher-id">MSX</idno><idno type="PublisherID-hwp">spmsx</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage UK: London, England</pubPlace><date type="published" when="2003"></date><biblScope unit="volume">7</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="121">121</biblScope><biblScope unit="page" to="155">155</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2003</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="2003">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/D5BB7702830142E7C692475AC00CBD3AE9AD0DDE/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="book-review" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="publisher-id">MSX</journal-id><journal-id journal-id-type="hwp">spmsx</journal-id><journal-title>Musicae Scientiae</journal-title><issn pub-type="ppub">1029-8649</issn><publisher><publisher-name>SAGE Publications</publisher-name><publisher-loc>Sage UK: London, England</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1177/102986490300700107</article-id><article-id pub-id-type="publisher-id">10.1177_102986490300700107</article-id><article-categories><subj-group subj-group-type="heading"><subject>Book Review</subject></subj-group></article-categories><title-group><article-title>Book Review: Tonal Pitch Space</article-title></title-group><contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Bigand</surname><given-names>Emmanuel</given-names></name><xref ref-type="corresp" rid="corresp1-102986490300700107">7</xref></contrib><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Temperley</surname><given-names>David</given-names></name><xref ref-type="corresp" rid="corresp2-102986490300700107">11</xref></contrib></contrib-group><author-notes><corresp id="corresp1-102986490300700107"><label>(7)</label> Address for correspondence: Emmanuel Bigand, Universlté de Bourgogne 6 boulevard Gabriel, 21000DIJon, (33) 03 80 39 57 82, FAX:(33) 03 80 57, e-mail: <email xlink:href="Bigand@u-bourgogne.fr" xlink:type="simple">Bigand@u-bourgogne.fr</email></corresp><corresp id="corresp2-102986490300700107"><label>(11)</label> Address for correspondence: David Temperley Eastman School of Music 26 Gibbs st. Rochester, NY, 14604, USA e-mail: <email xlink:href="dtemp@theory.esm.rochester.edu" xlink:type="simple">dtemp@theory.esm.rochester.edu</email></corresp></author-notes><pub-date pub-type="epub-ppub"><month>3</month><year>2003</year></pub-date><volume>7</volume><issue>1</issue><issue-title>Themed issue: Fred Lerdahl's Pitch Space: Perpetual and theoretical issues</issue-title><fpage>121</fpage><lpage>155</lpage><product xlink:type="simple"><person-group person-group-type="author"><name name-style="western"><surname>Lerdahl</surname><given-names>Fred</given-names></name></person-group>, <source><italic>Tonal Pitch Space</italic></source>. <publisher-loc>Oxford</publisher-loc>: <publisher-name>Oxford University Press</publisher-name>, <year>2001</year>. <isbn>ISBM0-19-505834-8</isbn>. <page-count count="411"></page-count> pp.</product><permissions><copyright-statement>© 2003 European Society for the Cognitive Sciences of Music</copyright-statement><copyright-year>2003</copyright-year><copyright-holder content-type="sage">European Society for the Cognitive Sciences of Music</copyright-holder></permissions><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>cover-date</meta-name><meta-value>Spring 2003</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><ref-list><title>References</title><ref id="bibr1-102986490300700107"><citation citation-type="journal" xlink:type="simple"><person-group person-group-type="author"><name name-style="western"><surname>Bharucha</surname><given-names>J. 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Oxford: Oxford University Press, 2001. ISBM0-19-505834-8. pp.</note><relatedItem type="host"><titleInfo><title>Musicae scientiae</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><originInfo><publisher>Oxford University Press. </publisher><place><placeTerm type="text">Oxford</placeTerm></place></originInfo><identifier type="ISSN">1029-8649</identifier><identifier type="eISSN">2045-4147</identifier><identifier type="PublisherID">MSX</identifier><identifier type="PublisherID-hwp">spmsx</identifier><part><date>2003</date><detail type="title"><title>Themed issue: Fred Lerdahl's Pitch Space: Perpetual and theoretical issues</title></detail><detail type="volume"><caption>vol.</caption><number>7</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>121</start><end>155</end></extent></part></relatedItem><relatedItem type="reviewOf"><titleInfo><title>Tonal Pitch Space</title></titleInfo><name type="personal"><namePart type="given">Fred</namePart><namePart type="family">Lerdahl</namePart><role><roleTerm type="text">author</roleTerm></role></name><originInfo><publisher>Oxford University Press. </publisher><place><placeTerm type="text">Oxford</placeTerm></place></originInfo><identifier type="ISBN">ISBM0-19-505834-8</identifier><part><date>2001</date></part></relatedItem><identifier type="istex">D5BB7702830142E7C692475AC00CBD3AE9AD0DDE</identifier><identifier type="ark">ark:/67375/M70-SSLVXRF2-S</identifier><identifier type="DOI">10.1177/102986490300700107</identifier><identifier type="ArticleID">10.1177_102986490300700107</identifier><accessCondition type="use and reproduction" contentType="copyright">© 2003 European Society for the Cognitive Sciences of Music</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource><recordOrigin>© 2003 European Society for the Cognitive Sciences of Music</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/D5BB7702830142E7C692475AC00CBD3AE9AD0DDE/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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