Accounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud
Identifieur interne : 000A64 ( Main/Exploration ); précédent : 000A63; suivant : 000A65Accounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud
Auteurs : Michael RussSource :
- Music Analysis [ 0262-5245 ] ; 2000-07.
English descriptors
- Teeft :
- American musicological society, Atonal, Atonal music, Atonality, Blackwell, Blackwell publishers, Blues scale, Clarinet, Clarinet sonatina, David beach jonathan bernard, Deborah mawer, Diatonic, Diatonic scale, Early music, First movement, First subject, Genera theory, Generic, Genus, Harmonic, Harmonic species, James baker, Jonathan dunsby, Kennett, Linear sets, Machines agricoles, Major scale, Mawer, Michael russ, Milhaud, Modality, Music analysis, Music theory, Musical analysis, Musical text, Octatonic, Octatonic model, Octatonic scale, Opening bars, Other genera, Other hand, Other words, Particular genus, Pentatonic scale, Piano part, Pitch content, Pitch interval, Pitch space, Primary tone, Progenitor, Progression, Referential sonority, Richard taruskin, Right hand, Rochester press, Rus, Same point, Same time, Second subject, Segmentation, Single genus, Small samples, Sonata principles, Sonatina, Sonority, Square brackets, Subset, Supragenus, Symmetrical scales, Third place, Total chromaticism, Transitional music, Triad, Upper line, Wilful misreading, Yale university press.
Url:
DOI: 10.1111/1468-2249.00118
Affiliations:
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Le document en format XML
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