Musical Sound as a Model for Husserlian Intuition and Time-Consciousness
Identifieur interne : 000834 ( Main/Merge ); précédent : 000833; suivant : 000835Musical Sound as a Model for Husserlian Intuition and Time-Consciousness
Auteurs : F. J. SmithSource :
- Journal of Phenomenological Psychology [ 0047-2662 ] ; 1973.
English descriptors
- Teeft :
- Amalgamation verschmelzung, Audial perception, Carl stumpf, Classic greek, Classic musicology, Conscious activity, Consonance, Fundamental stratum, Husserl, Individual moments, John cage, Logical investigations, Mental activity, Middle ages, Middle ground, Middle voice, Modern languages, Music theory, Musical aesthetics, Musical composition, Musical consciousness, Musical experience, Musical fantasy, Musical form, Musical model, Musical moment, Musical phrase, Musical proportionality, Musical sound, Musical time, Musical tonality, Musical tone, Musicologist, Musicology, Negative feelings, Other words, Passive, Passive intentionality, Passive synthesis, Passivity, Phenomenal time, Phenomenological, Phenomenological method, Phenomenology, Pure perception, Sense data, Single tone, Speculum musicae, Stumpf, Symphonic form, Temporal, Temporal sequence, Time consciousness, Tonal duration, Tonal psychology, Tonality, Twentieth century, Voice parts.
Url:
DOI: 10.1163/156916273X00046
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ISTEX:336FD85A1980A94FB4E2DBC566FFCC031157C15ALe document en format XML
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