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30769-4113:2008:Solomos M:les:operations:mentales
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12211-6249:2013:Mireanu M:the:spectacle:of
12196-6966:2013:God Y R:quantal:elements:in
12192-6255:2013:Franchi S:the:past:present
11969-2269:2014:Pouradier M:la:presence:de
11868-4394:2013:Dostal M:evolutionary:music:composition
11868-0305:2009:Thalmann F:the:bigbang:rubette
11868-0305:2009:Milmeister G:overview:of:music
11773-0120:2017:Basso Fossali P:le:geste:et
11754-0194:2013:Jones E:eighteenth:century:english
11754-0194:2013:De La Matter K:ancient:drama:in
11753-1934:2001:Soucacos P:indications:and:selection
11749-9755:2008:Prior N:putting:a:glitch
11748-1708:2011:Carroll T:neural:adaptations:to
11745-9737:2010:Gruais I:modelling:of:sonic
11615-5262:2012:Gritzalis D:formal:analysis:for
11615-4150:2002:Vorlova S:enantioselective:hydrolysis:of
11590-5896:2012:Corcuff M:modularity:and:proportions
11590-5896:2009:Capanna A:music:and:architecture
11590-5896:2006:Leopold C:sound:sights:an
11590-5896:2001:Vianello M:alessandra:capanna:le
11590-5896:2001:Curcio L:nexus:relationships:between
11590-5896:2001:Capanna A:iannis:xenakis:architect
11590-5896:2000:Capanna A:willy:boesiger:and
11590-5896:1999:Salingaros N:architecture:patterns:and
11567-7354:2003:Maruani J:science:and:music
11529-7489:2007:Lott B:apa:and:the
11526-2375:2016:Crawford C:the:impact:of
11477-3708:2013:Xenakis S:spaces:of:contestation
11470-4129:2003:Obrist H:moving:interventions:curating
11470-4129:2002:Cubitt S:visual:and:audiovisual
11434-9922:2012:Heister H:invariance:and:variance
11387-5841:2004:Michel J:a:point:process
11380-7501:2010:Codognet P:ambient:sound:spaces
11368-6267:2006:Miller S:visual:music:and
11354-8565:1999:Coyle R:joel:chadabe:electric
11350-0775:1978:Fradier G:the:georges:pompidou
11183-1693:1994:Solomos M:les:trois:sonorites
11155-4339:1994:Malloch S:an:investigation:of
11154-2799:1996:Chermant J:automatic:image:analysis
11144-0821:2002:Delume C:de:la:fluidite
11084-4945:2000:Kostroma A:reconstructing:mikhail:matiushin
11055-1360:2000:Barletta V:ten:year:index
11055-1360:1994:Blonder L:conversational:discourse:in
11055-050X:1994:Weinstein C:cognitive:remediation:strategies
11040-3590:2014:Narad M:parent:teacher:agreement
11029-8649:2008:Traube C:book:review:musimathics
11029-8649:2008:Marconi L:michel:imberty:la
11029-8649:2003:Baroni M:the:macroform:in
11029-8649:2002:Pearce M:motivations:and:methodologies
11029-8649:2002:Ockelford A:the:magical:number
11029-8649:2000:Nicolas F:book:review:fractals
11029-8649:1998:Mesnage M:book:review:music
11020-2226:1978:Fradier G:nouveaux:musees:nouvelles
10994-3870:2013:Xenakis S:criminalite:organisee:et
10988-3754:1987:Chemillier M:monoide:libre:et
10963-9969:2013:Kalaitzaki A:biocompatible:nanodispersions:as
10959-8022:1993:Galletta D:an:empirical:study
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10954-6553:2012:Xenakis S:a:new:dawn
10951-5666:2012:Penny S:art:and:robotics
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10951-5666:2011:Gresham Lancaster S:relationships:of:sonification
10951-5666:2011:Gena P:apropos:sonification:a
10951-5666:2011:Barrass S:the:aesthetic:turn
10951-5224:1980:Mellers W:music:and:musical
10947-6539:1999:Lehn J:dynamic:combinatorial:chemistry
10942-2056:2006:Polyzois D:the:oblique:high
10938-5509:1990:Risset J:the:computer:music
10938-5509:1989:Risset J:the:computer:music
10936-8051:2009:Beris A:digit:and:hand
10936-8051:2003:Spahn G:complications:in:high
10932-8092:2006:Brusco N:a:system:for
10929-8215:2004:Solomos M:xenakis:thought:through
10929-8215:2004:Agon C:formal:aspects:of
10929-8215:2003:Agon C:formal:aspects:of
10929-6212:2010:Phan R:analyzing:the:secure
10929-6212:2010:Noll J:g:service:continuity
10925-4994:2010:Xenakis S:pride:and:prejudice
10898-1221:1996:Helmuth M:granular:synthesis:composition
10898-1221:1996:Farrett P:intelligent:musical:instrument
10891-4486:1990:Clignet R:on:artistic:property
10749-4467:2002:Solomos M:xenakis:s:early
10731-7239:1993:Frazer J:the:architectural:relevance
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10570-6084:2004:Whitley J:archaeology:in:greece
10425-0494:1967:Bowskill D:drama:in:secondary
10392-1921:2005:Ladjali C:varius:multiplex:multiformis
10392-1921:1971:Kowzan T:music:and:the
10392-1921:1970:Friedmann G:the:role:and
10368-2048:1986:Leach S:the:photoelectron:spectrum
10343-6993:2003:Stern M:alles:mathematik:von
10343-6993:2002:Papadopoulos A:mathematics:and:music
10343-2521:2006:Knight D:geographies:of:the
10340-0352:1986:Line M:uap:and:audiovisual
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10302-766X:2010:Shamri R:eosinophils:in:innate
10295-3722:2009:Solomos M:la:generation:de
10270-4676:2001:Ellul J:remarks:on:technology
10266-7681:2001:Soucacos P:indications:and:selection
10266-464X:1991:Bradby D:a:theatre:of
10265-0517:1999:Salgado A:a:beginning:singer
10265-0517:1999:Parry Jones G:instrumental:teaching:a
10265-0517:1999:Hoskyns J:primary:music:later
10265-0517:1999:Crozier R:the:cambridge:companion
10265-0517:1999:Cox G:music:in:american
10265-0517:1994:Terry P:musical:notation:in
10265-0517:1986:Chatburn T:european:musicians:in
10265-0517:1984:Gamble T:imagination:and:understanding
10263-2764:2008:Pickstock C:messiaen:and:deleuze
10262-5245:2012:Dickson I:towards:a:grammatical
10262-5245:2009:Christiaens J:l:orizzonte:filosofico
10262-5245:2007:Davies B:the:structuring:of
10262-5245:2004:Beard D:the:endless:parade
10261-1430:2010:Shryane J:a:small:utopia
10261-1430:2009:Tjora A:the:groove:in
10260-9991:1996:Fulkova M:art:and:music
10255-7614:2006:Schippers H:as:if:a
10255-7614:1986:Sulz J:xviith:isme:world
10255-7614:1986:Gammeltoft Hansen H:european:music:year
10255-7614:1984:Dobbs J:music:for:a
10255-7614:1983:Bracanin P:webern:and:varese
10172-7389:2011:Blanchard P:structural:analysis:of
10169-7439:1997:Geladi P:data:and:sound
10169-2607:2001:Viceconti M:hide:a:new
10167-9287:1989:Parmentier C:how:to:make
10167-7411:2009:Levinson J:philosophy:and:music
10167-7411:2009:Guanti G:teaching:the:aesthetics
10167-6393:1993:Sundberg J:how:can:music
10162-0436:1979:Malhotra V:weber:s:concept
10160-4953:2008:Dubnjakovic A:electroacoustic:music:updating
10149-7634:1996:Tomie A:locating:reward:cue
10148-639X:2005:Shinohara M:fluctuations:in:motor
10148-639X:2002:Hornby T:motoneurons:a:preferred
10148-639X:1994:Bischoff C:reference:values:of
10147-2011:2009:Plax M:the:novelty:of
10141-6790:2013:Shaw Iller S:state:of:play
10141-5492:2010:Zoumpanioti M:esterification:of:phenolic
10138-9130:2017:Georges P:western:classical:music
10105-2896:2011:Barnes P:pathophysiology:of:allergic
10098-7913:1998:Dilevko J:quebec:periodicals:an
10094-0496:2004:Feld S:doing:anthropology:in
10093-934X:1989:Blonder L:the:effects:of
10093-061X:1975:Boisard G:re:pertoire:des
10077-8923:2001:Mcadams S:similarity:invariance:and
10077-8923:1986:Drife J:breast:development:in
10075-8450:1982:Risset J:stochastic:processes:in
10047-2662:1973:Smith F:musical:sound:as
10044-0124:2010:Giroud V:crises:and:renewal
10044-0124:1999:Kipnis I:keyboard:cabbages:and
10040-2982:2010:Wai Ling C:plainchants:as:coloured
10040-2982:2007:Wheatley J:the:sound:of
10040-2982:2007:Smigel E:james:tenney:remembers
10040-2982:2007:Gilmore B:on:claude:vivier
10040-2982:2007:Dingle C:forgotten:offerings:messiaen
10040-2982:2006:Whittall A:other:planets:the
10040-2982:2006:Talbot J:the:collected:letters
10040-2982:2006:Lister R:the:cambridge:history
10040-2982:2006:Conway P:london:barbican:centre
10040-2982:2005:Venn E:thomas:ades:s
10040-2982:2005:Venn E:maxwell:davies:naxos
10040-2982:2005:Venn E:birtwistle:complete:piano
10040-2982:2005:Turner C:xenakis:his:life
10040-2982:2005:Stein R:new:york:carnegie
10040-2982:2005:Silverman J:polyphony:amp:complexity
10040-2982:2005:Seter R:jerusalem:and:tel
10040-2982:2005:Rickards G:music:by:women
10040-2982:2005:Rickards G:berlin:hindemith:s
10040-2982:2005:Potter K:zagreb:iscm:festival
10040-2982:2005:Miller M:five:london:reports
10040-2982:2005:Miller M:eli:zion:music
10040-2982:2005:Miller M:chamber:music:by
10040-2982:2005:Lister R:boston:milton:babbitt
10040-2982:2005:Lister R:boston:amp:new
10040-2982:2005:Johnson D:edinburgh:lyell:cresswell
10040-2982:2005:Johnson B:voices:in:the
10040-2982:2005:Johnson B:david:diamond:string
10040-2982:2005:Harris R:anthony:gilbert:on
10040-2982:2005:Gilmore B:dubendorf:radulescu:s
10040-2982:2005:Gibbs A:london:morley:college
10040-2982:2005:Foreman L:malcolm:arnold:rogue
10040-2982:2005:Foreman L:london:barbican:taneyev
10040-2982:2005:Davies B:joan:guinjoan:concertos
10040-2982:2005:Davies B:fracture:and:form
10040-2982:2005:Conway P:pascal:dusapin:round
10040-2982:2005:Conway P:john:tavener:round
10040-2982:2005:Conway P:birmingham:norg:skempton
10040-2982:2005:Conway P:birmingham:cbso:centre
10040-2982:2005:Barlow J:the:music:of
10040-2982:2005:Barlow J:st:albans:guy
10040-2982:2005:Barlow J:london:st:john
10040-2982:2005:Bailey B:concertos:for:the
10040-2982:2005:Anderson M:three:bbc:premieres
10040-2982:2005:Anderson M:london:royal:opera
10040-2982:2005:Anderson M:london:conway:hall
10040-2982:2005:Anderson M:estonian:composers:combined
10040-2982:2004:Whittall A:olga:neuwirth:s
10040-2982:2004:Weeks J:de:coding:skin
10040-2982:2004:Walton C:fragmente:zur:musikalischen
10040-2982:2004:Venn E:sing:ariel:essays
10040-2982:2004:Sutherland R:tubin:the:symphonist
10040-2982:2004:Sutherland R:hans:joachim:hespos
10040-2982:2004:Stein R:london:royal:albert
10040-2982:2004:Stadlen S:recent:michael:finnissy
10040-2982:2004:Stadlen S:michael:finnissy:s
10040-2982:2004:Silverman J:reply:to:michael
10040-2982:2004:Short M:letter:to:the
10040-2982:2004:Schluren C:yogaku:japanese:music
10040-2982:2004:Rickards G:skalkottas:greek:dances
10040-2982:2004:Rickards G:margaret:brouwer:chen
10040-2982:2004:Rickards G:lace:knots:and
10040-2982:2004:Rapoport P:sorabji:songs:for
10040-2982:2004:Rapoport P:roger:sessions:how
10040-2982:2004:Palmer P:john:jeffreys:curlew
10040-2982:2004:Palmer P:frederic:rapin:musik
10040-2982:2004:Matthews D:deal:festival:pavel
10040-2982:2004:Macdonald H:ridout:cello:concertos
10040-2982:2004:Macdonald C:hindemith:die:harmonie
10040-2982:2004:Lister R:london:royal:albert
10040-2982:2004:Lister R:black:mountain:college
10040-2982:2004:Lack G:salzburg:festival:hans
10040-2982:2004:Lack G:nmc:s:ancora
10040-2982:2004:Jones N:ranging:over:the
10040-2982:2004:Johnson S:macmillan:and:macrae
10040-2982:2004:Johnson B:schuman:symphony:no
10040-2982:2004:Johnson B:schreker:das:spielwerk
10040-2982:2004:Johnson B:rorem:symphonies:nos
10040-2982:2004:Johnson B:geirr:tviett:s
10040-2982:2004:Holloway R:the:cambridge:companion
10040-2982:2004:Hold T:a:e:gowden
10040-2982:2004:Hewett I:composer:in:interview
10040-2982:2004:Head R:london:trinity:college
10040-2982:2004:Graubart M:schoenberg:s:string
10040-2982:2004:Fallon R:recent:messiaen:releases
10040-2982:2004:Doran M:vaughan:williams:the
10040-2982:2004:Craggs S:letter:to:the
10040-2982:2004:Conway P:thea:musgrave:round
10040-2982:2004:Conway P:john:mccabe:cd
10040-2982:2004:Conway P:birmingham:param:vir
10040-2982:2004:Chase S:ordinary:matters:christian
10040-2982:2004:Barlow J:london:globe:theatre
10040-2982:2004:Anderson M:tallinn:estonian:music
10040-2982:2004:Anderson M:norwegian:orchestral:music
10040-2982:2004:Anderson M:london:st:john
10040-2982:2004:Anderson M:london:royal:albert
10040-2982:2004:Anderson M:lindberg:concerto:for
10040-2982:2004:Anderson M:estonian:music:on
10040-2982:2003:Wright D:the:art:of
10040-2982:2003:Warnaby J:rzewski:piano:works
10040-2982:2003:Taylor M:pickard:string:quartets
10040-2982:2003:Sutherland R:parmegiani:capture:ephemere
10040-2982:2003:Smith M:from:parry:to
10040-2982:2003:Silverman J:what:price:freedom
10040-2982:2003:Rickards G:no:title:required
10040-2982:2003:Rapoport P:wyshnegradsky:etude:on
10040-2982:2003:Quinn P:leo:ornstein:a
10040-2982:2003:Kersey J:torke:rapture:percussion
10040-2982:2003:Kersey J:talbot:similarities:between
10040-2982:2003:Kersey J:bermel:soul:garden
10040-2982:2003:Johnson B:barber:toccata:festiva
10040-2982:2003:Hockings E:lachenmann:schwankungen:am
10040-2982:2003:Gritten A:markevitch:complete:orchestral
10040-2982:2003:Cromar M:stockhausen:michael:s
10040-2982:2003:Burton Page P:the:life:and
10040-2982:2000:Pugin T:through:the:spectrum
10040-2982:1998:Lukomsky V:the:eucharist:in
10040-2982:1998:Harley J:the:string:quartets
10040-2982:1997:Searby M:ligeti:the:postmodernist
10040-2982:1997:Seabrook M:dark:fire:simon
10040-2982:1996:Pace I:the:panorama:of
10040-2982:1996:Moody I:mensagens:portuguese:music
10040-2982:1996:Delaere M:karel:goeyvaerts:a
10040-2982:1995:Hockings E:helmut:lachenmann:s
10040-2982:1995:Dingle C:charm:and:simplicity
10040-2982:1993:Warnaby J:dieter:schnebel:and
10040-2982:1993:Fox C:british:music:at
10040-2982:1993:Anderson J:robin:holloway:in
10040-2982:1991:Stenzl J:york:holler:s
10040-2982:1991:Macdonald I:letters:to:the
10040-2982:1990:Warnaby J:james:wood:s
10040-2982:1989:Polin C:conversations:in:leningrad
10040-2982:1988:Porter A:nixon:in:china
10040-2982:1988:Barrett R:richard:emsley:a
10040-2982:1987:Drew D:eisler:and:austrian
10040-2982:1986:Hill P:authenticity:in:contemporary
10040-2982:1985:Olmstead A:the:plum:d
10040-2982:1985:Conen H:an:interview:with
10040-2982:1982:Schonberger E:the:apollonian:clockwork
10040-2982:1982:Macdonald C:an:american:in
10040-2982:1981:Panufnik A:homage:to:bela
10040-2982:1980:Mavrodin A:what:the:conductor
10040-2982:1976:Routh F:a:sacred:tetralogy
10040-2982:1976:Hill P:letters:to:the
10040-2982:1976:Foreman L:ginastera:a:discography
10040-2982:1975:Takahashi Y:letters:to:the
10040-2982:1975:Ottaway H:looking:again:at
10040-2982:1975:Hill P:xenakis:and:the
10040-2982:1973:Denisov E:the:compositional:process
10040-2982:1970:Xenakis I:towards:a:metamusic
10040-2982:1969:Westrup J:letters:to:the
10040-2982:1969:Slonimsky N:alexander:tcherepnin:septuagenarian
10040-2982:1969:Keller H:the:contemporary:problem
10040-2982:1968:Souster T:xenakis:s:nuits
10040-2982:1968:Jolly C:kodalya:a:personal
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10040-2982:1967:Payne A:billy:budd:on
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10040-2982:1966:Dennis B:metamorphosis:in:modern
10038-9145:2013:Schmidt H:der:architekt:geschichte
10038-4283:1996:Porter R:performances:and:individuating
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10027-4631:2004:Sprout L:messiaen:jolivet:and
10027-4631:1997:Kahn D:john:cage:silence
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10027-4631:1986:Appleton J:reviews:of:books
10027-4631:1982:Morgan R:music:of:the
10027-4631:1982:Bryant C:quarterly:book:list
10027-4631:1979:Appleton J:commentary:i:electronic
10027-4631:1978:Kramer J:moment:form:in
10027-4631:1978:Bryant C:quarterly:book:list
10027-4631:1976:Perle G:reviews:of:books
10027-4631:1976:Morgan R:reviews:of:books
10027-4631:1974:Chittum D:philadelphia:electronic:music
10027-4631:1972:Newsom J:quarterly:book:list
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10027-4631:1968:Stone K:reviews:of:records
10027-4631:1968:Newsom J:quarterly:book:list
10027-4631:1968:Henahan D:reviews:of:records
10027-4631:1965:Von Lewinski W:the:variety:of
10027-4631:1965:Slonimsky N:new:music:in
10027-4631:1965:Jarocinski S:polish:music:after
10027-4631:1965:Custer A:contemporary:music:in
10027-4631:1965:Charles D:entr:acte:formal
10027-4631:1964:Stone K:reviews:of:records
10027-4321:2007:Larrick G:a:concise:history
10027-4321:2007:Howell J:echoes:of:women
10027-4321:2007:Barron J:the:new:blue
10027-4321:1997:Sinor J:the:ideas:of
10027-4321:1986:Sinor J:the:ideas:of
10027-4321:1981:Nadeau R:modern:music:the
10027-4321:1977:De Young D:music:literature:for
10027-4321:1977:Cope D:the:mechanics:of
10027-4321:1976:Read G:extending:the:tonal
10027-4321:1975:Burgess N:the:teaching:of
10027-4321:1973:Isaac C:varese:a:looking
10027-4321:1973:Intravaia L:how:to:develop
10027-4321:1973:Ernst D:so:you:can
10027-4321:1973:Bradshaw M:formalized:music:thought
10027-4321:1972:Levine B:a:composer:s
10027-4321:1969:Kubik G:an:american:composer
10027-4321:1968:Callaway F:the:isme:conference
10027-4321:1966:Frackenpohl A:contemporary:music:in
10027-4224:2010:Winters B:filmmusik:beitr:zu
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