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Acoustic characteristics of modern Greek Orthodox Church music.

Identifieur interne : 000236 ( PubMed/Checkpoint ); précédent : 000235; suivant : 000237

Acoustic characteristics of modern Greek Orthodox Church music.

Auteurs : Dimitrios S. Delviniotis [Grèce]

Source :

RBID : pubmed:23830784

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English descriptors

Abstract

Some acoustic characteristics of the two types of vocal music of the Greek Orthodox Church Music, the Byzantine chant (BC) and ecclesiastical speech (ES), are studied in relation to the common Greek speech and the Western opera.

DOI: 10.1016/j.jvoice.2013.03.011
PubMed: 23830784


Affiliations:


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pubmed:23830784

Le document en format XML

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<title xml:lang="en">Acoustic characteristics of modern Greek Orthodox Church music.</title>
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<name sortKey="Delviniotis, Dimitrios S" sort="Delviniotis, Dimitrios S" uniqKey="Delviniotis D" first="Dimitrios S" last="Delviniotis">Dimitrios S. Delviniotis</name>
<affiliation wicri:level="1">
<nlm:affiliation>Department of Informatics and Telecommunications, University of Athens, Ilisia, Athens, Greece. ddelvis@di.uoa.gr</nlm:affiliation>
<country xml:lang="fr">Grèce</country>
<wicri:regionArea>Department of Informatics and Telecommunications, University of Athens, Ilisia, Athens</wicri:regionArea>
<wicri:noRegion>Athens</wicri:noRegion>
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<title xml:lang="en">Acoustic characteristics of modern Greek Orthodox Church music.</title>
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<name sortKey="Delviniotis, Dimitrios S" sort="Delviniotis, Dimitrios S" uniqKey="Delviniotis D" first="Dimitrios S" last="Delviniotis">Dimitrios S. Delviniotis</name>
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<nlm:affiliation>Department of Informatics and Telecommunications, University of Athens, Ilisia, Athens, Greece. ddelvis@di.uoa.gr</nlm:affiliation>
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<title level="j">Journal of voice : official journal of the Voice Foundation</title>
<idno type="e-ISSN">1873-4588</idno>
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<date when="2013" type="published">2013</date>
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<term>Eastern Orthodoxy</term>
<term>Greece</term>
<term>Humans</term>
<term>Male</term>
<term>Music</term>
<term>Singing</term>
<term>Speech Acoustics</term>
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<div type="abstract" xml:lang="en">Some acoustic characteristics of the two types of vocal music of the Greek Orthodox Church Music, the Byzantine chant (BC) and ecclesiastical speech (ES), are studied in relation to the common Greek speech and the Western opera.</div>
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<Day>06</Day>
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<Volume>27</Volume>
<Issue>5</Issue>
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<Year>2013</Year>
<Month>Sep</Month>
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<Title>Journal of voice : official journal of the Voice Foundation</Title>
<ISOAbbreviation>J Voice</ISOAbbreviation>
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<ArticleTitle>Acoustic characteristics of modern Greek Orthodox Church music.</ArticleTitle>
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<Abstract>
<AbstractText Label="OBJECTIVES" NlmCategory="OBJECTIVE">Some acoustic characteristics of the two types of vocal music of the Greek Orthodox Church Music, the Byzantine chant (BC) and ecclesiastical speech (ES), are studied in relation to the common Greek speech and the Western opera.</AbstractText>
<AbstractText Label="STUDY DESIGN" NlmCategory="METHODS">Vocal samples were obtained, and their acoustic parameters of sound pressure level (SPL), fundamental frequency (F0), and the long-time average spectrum (LTAS) characteristics were analyzed.</AbstractText>
<AbstractText Label="METHOD" NlmCategory="METHODS">Twenty chanters, including two chanters-singers of opera, sang (BC) and read (ES) the same hymn of Byzantine music (BM), the two opera singers sang the same aria of opera, and common speech samples were obtained, and all audio were analyzed.</AbstractText>
<AbstractText Label="RESULTS" NlmCategory="RESULTS">The distribution of SPL values showed that the BC and ES have higher SPL by 9 and 12 dB, respectively, than common speech. The average F0 in ES tends to be lower than the common speech, and the smallest standard deviation (SD) of F0 values characterizes its monotonicity. The tone-scale intervals of BC are close enough to the currently accepted theory with SD equal to 0.24 semitones. The rate and extent of vibrato, which is rare in BC, equals 4.1 Hz and 0.6 semitones, respectively. The average LTAS slope is greatest in BC (+4.5 dB) but smaller than in opera (+5.7 dB). In both BC and ES, instead of a singer's formant appearing in an opera voice, a speaker's formant (SPF) was observed around 3300 Hz, with relative levels of +6.3 and +4.6 dB, respectively.</AbstractText>
<AbstractText Label="CONCLUSIONS" NlmCategory="CONCLUSIONS">The two vocal types of BM, BC, and ES differ both to each other and common Greek speech and opera style regarding SPL, the mean and SD of F0, the LTAS slope, and the relative level of SPF.</AbstractText>
<CopyrightInformation>Copyright © 2013 The Voice Foundation. Published by Mosby, Inc. All rights reserved.</CopyrightInformation>
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<LastName>Delviniotis</LastName>
<ForeName>Dimitrios S</ForeName>
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<Affiliation>Department of Informatics and Telecommunications, University of Athens, Ilisia, Athens, Greece. ddelvis@di.uoa.gr</Affiliation>
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<Keyword MajorTopicYN="N">Byzantine chant</Keyword>
<Keyword MajorTopicYN="N">Byzantine music</Keyword>
<Keyword MajorTopicYN="N">Ecclesiastical speech</Keyword>
<Keyword MajorTopicYN="N">Greek Orthodox Church Music</Keyword>
<Keyword MajorTopicYN="N">Long-time average spectrum</Keyword>
<Keyword MajorTopicYN="N">Scale-tone intervals</Keyword>
<Keyword MajorTopicYN="N">Singer's formant</Keyword>
<Keyword MajorTopicYN="N">Singing</Keyword>
<Keyword MajorTopicYN="N">Speaker's formant</Keyword>
<Keyword MajorTopicYN="N">Spectrum slope</Keyword>
<Keyword MajorTopicYN="N">Vibrato</Keyword>
<Keyword MajorTopicYN="N">Western opera</Keyword>
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