OperaV1, PascalFrancis, Corpus, bibRecord, 000575

Interpretive activism and the political uses of Verdi's operas in the 1840s

Identifieur interne : 000575 ( PascalFrancis/Corpus ); précédent : 000574; suivant : 000576

Interpretive activism and the political uses of Verdi's operas in the 1840s

Auteurs : Peter Stamatov

Source :

American sociological review [ 0003-1224 ] ; 2002.

RBID : Francis:521-03-12110

Descripteurs français

Pascal (Inist)
- Activisme, Outil, Sociologie politique, Siècle 19, Opéra, Interprétation, Mouvement social, Concept, Mobilisation, Culture, Musique classique, Verdi (G.).

English descriptors

KwdEn :
- Activism, Century 19, Classical Music, Concept, Culture, Interpretation, Mobilization, Opera, Political Sociology, Social movement, Tool.

Abstract

The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized interpretations of cultural objects

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

A01	`01`	`1`		`@0 0003-1224`
A03		`1`		`@0 Am. sociol. rev.`
A05				`@2 67`
A06				`@2 3`
A08	`01`	`1`	`ENG`	`@1 Interpretive activism and the political uses of Verdi's operas in the 1840s`
A11	`01`	`1`		`@1 STAMATOV (Peter)`
A14	`01`			`@1 University of California, Los Angeles @3 USA @Z 1 aut.`
A20				`@1 345-366`
A21				`@1 2002`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 22326 @5 354000108779010020`
A44				`@0 0000 @1 © 2003 INIST-CNRS. All rights reserved.`
A45				`@0 3 p.3/4`
A47	`01`	`1`		`@0 521-03-12110`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 American sociological review`
A66	`01`			`@0 USA`
A68	`01`	`1`	`FRE`	`@1 Activisme interprétatif et les utilisations politiques des opéras de Verdi dans les années 1840`
C01	`01`		`ENG`	@0 The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized interpretations of cultural objects
C02	`01`	`S`		`@0 52137 @1 XI`
C02	`02`	`S`		`@0 521`
C03	`01`	`S`	`FRE`	`@0 Activisme @5 01`
C03	`01`	`S`	`ENG`	`@0 Activism @5 01`
C03	`02`	`S`	`FRE`	`@0 Outil @5 02`
C03	`02`	`S`	`ENG`	`@0 Tool @5 02`
C03	`03`	`S`	`FRE`	`@0 Sociologie politique @5 03`
C03	`03`	`S`	`ENG`	`@0 Political Sociology @5 03`
C03	`04`	`S`	`FRE`	`@0 Siècle 19 @2 ND @5 04`
C03	`04`	`S`	`ENG`	`@0 Century 19 @2 ND @5 04`
C03	`05`	`S`	`FRE`	`@0 Opéra @5 05`
C03	`05`	`S`	`ENG`	`@0 Opera @5 05`
C03	`06`	`S`	`FRE`	`@0 Interprétation @5 06`
C03	`06`	`S`	`ENG`	`@0 Interpretation @5 06`
C03	`07`	`S`	`FRE`	`@0 Mouvement social @5 07`
C03	`07`	`S`	`ENG`	`@0 Social movement @5 07`
C03	`08`	`S`	`FRE`	`@0 Concept @5 08`
C03	`08`	`S`	`ENG`	`@0 Concept @5 08`
C03	`09`	`S`	`FRE`	`@0 Mobilisation @5 09`
C03	`09`	`S`	`ENG`	`@0 Mobilization @5 09`
C03	`10`	`S`	`FRE`	`@0 Culture @5 10`
C03	`10`	`S`	`ENG`	`@0 Culture @5 10`
C03	`11`	`S`	`FRE`	`@0 Musique classique @5 11`
C03	`11`	`S`	`ENG`	`@0 Classical Music @5 11`
C03	`12`	`S`	`FRE`	`@0 Verdi (G.) @2 NF @4 INC @5 31`
N21				`@1 097`
N82				`@1 PSI`

Format Inist (serveur)

NO :	FRANCIS 521-03-12110 INIST
FT :	(Activisme interprétatif et les utilisations politiques des opéras de Verdi dans les années 1840)
ET :	Interpretive activism and the political uses of Verdi's operas in the 1840s
AU :	STAMATOV (Peter)
AF :	University of California, Los Angeles/Etats-Unis (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	American sociological review; ISSN 0003-1224; Etats-Unis; Da. 2002; Vol. 67; No. 3; Pp. 345-366; Bibl. 3 p.3/4
LA :	Anglais
EA :	The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized interpretations of cultural objects
CC :	52137; 521
FD :	Activisme; Outil; Sociologie politique; Siècle 19; Opéra; Interprétation; Mouvement social; Concept; Mobilisation; Culture; Musique classique; Verdi (G.)
ED :	Activism; Tool; Political Sociology; Century 19; Opera; Interpretation; Social movement; Concept; Mobilization; Culture; Classical Music
LO :	INIST-22326.354000108779010020
ID :	521

Links to Exploration step

Francis:521-03-12110

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Interpretive activism and the political uses of Verdi's operas in the 1840s</title>
<author><name sortKey="Stamatov, Peter" sort="Stamatov, Peter" uniqKey="Stamatov P" first="Peter" last="Stamatov">Peter Stamatov</name>
<affiliation><inist:fA14 i1="01"><s1>University of California, Los Angeles</s1>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">521-03-12110</idno>
<date when="2002">2002</date>
<idno type="stanalyst">FRANCIS 521-03-12110 INIST</idno>
<idno type="RBID">Francis:521-03-12110</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000575</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Interpretive activism and the political uses of Verdi's operas in the 1840s</title>
<author><name sortKey="Stamatov, Peter" sort="Stamatov, Peter" uniqKey="Stamatov P" first="Peter" last="Stamatov">Peter Stamatov</name>
<affiliation><inist:fA14 i1="01"><s1>University of California, Los Angeles</s1>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">American sociological review</title>
<title level="j" type="abbreviated">Am. sociol. rev.</title>
<idno type="ISSN">0003-1224</idno>
<imprint><date when="2002">2002</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">American sociological review</title>
<title level="j" type="abbreviated">Am. sociol. rev.</title>
<idno type="ISSN">0003-1224</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Activism</term>
<term>Century 19</term>
<term>Classical Music</term>
<term>Concept</term>
<term>Culture</term>
<term>Interpretation</term>
<term>Mobilization</term>
<term>Opera</term>
<term>Political Sociology</term>
<term>Social movement</term>
<term>Tool</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Activisme</term>
<term>Outil</term>
<term>Sociologie politique</term>
<term>Siècle 19</term>
<term>Opéra</term>
<term>Interprétation</term>
<term>Mouvement social</term>
<term>Concept</term>
<term>Mobilisation</term>
<term>Culture</term>
<term>Musique classique</term>
<term>Verdi (G.)</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized interpretations of cultural objects</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0003-1224</s0>
</fA01>
<fA03 i2="1"><s0>Am. sociol. rev.</s0>
</fA03>
<fA05><s2>67</s2>
</fA05>
<fA06><s2>3</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>Interpretive activism and the political uses of Verdi's operas in the 1840s</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>STAMATOV (Peter)</s1>
</fA11>
<fA14 i1="01"><s1>University of California, Los Angeles</s1>
<s3>USA</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA20><s1>345-366</s1>
</fA20>
<fA21><s1>2002</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>22326</s2>
<s5>354000108779010020</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2003 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>3 p.3/4</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>521-03-12110</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>American sociological review</s0>
</fA64>
<fA66 i1="01"><s0>USA</s0>
</fA66>
<fA68 i1="01" i2="1" l="FRE"><s1>Activisme interprétatif et les utilisations politiques des opéras de Verdi dans les années 1840</s1>
</fA68>
<fC01 i1="01" l="ENG"><s0>The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized interpretations of cultural objects</s0>
</fC01>
<fC02 i1="01" i2="S"><s0>52137</s0>
<s1>XI</s1>
</fC02>
<fC02 i1="02" i2="S"><s0>521</s0>
</fC02>
<fC03 i1="01" i2="S" l="FRE"><s0>Activisme</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="S" l="ENG"><s0>Activism</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="S" l="FRE"><s0>Outil</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="S" l="ENG"><s0>Tool</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="S" l="FRE"><s0>Sociologie politique</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="S" l="ENG"><s0>Political Sociology</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="S" l="FRE"><s0>Siècle 19</s0>
<s2>ND</s2>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="S" l="ENG"><s0>Century 19</s0>
<s2>ND</s2>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="S" l="FRE"><s0>Opéra</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="S" l="ENG"><s0>Opera</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="S" l="FRE"><s0>Interprétation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="S" l="ENG"><s0>Interpretation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="S" l="FRE"><s0>Mouvement social</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="S" l="ENG"><s0>Social movement</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="S" l="FRE"><s0>Concept</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="S" l="ENG"><s0>Concept</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="S" l="FRE"><s0>Mobilisation</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="S" l="ENG"><s0>Mobilization</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="S" l="FRE"><s0>Culture</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="S" l="ENG"><s0>Culture</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="S" l="FRE"><s0>Musique classique</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="S" l="ENG"><s0>Classical Music</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="S" l="FRE"><s0>Verdi (G.)</s0>
<s2>NF</s2>
<s4>INC</s4>
<s5>31</s5>
</fC03>
<fN21><s1>097</s1>
</fN21>
<fN82><s1>PSI</s1>
</fN82>
</pA>
</standard>
<server><NO>FRANCIS 521-03-12110 INIST</NO>
<FT>(Activisme interprétatif et les utilisations politiques des opéras de Verdi dans les années 1840)</FT>
<ET>Interpretive activism and the political uses of Verdi's operas in the 1840s</ET>
<AU>STAMATOV (Peter)</AU>
<AF>University of California, Los Angeles/Etats-Unis (1 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
<SO>American sociological review; ISSN 0003-1224; Etats-Unis; Da. 2002; Vol. 67; No. 3; Pp. 345-366; Bibl. 3 p.3/4</SO>
<LA>Anglais</LA>
<EA>The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized interpretations of cultural objects</EA>
<CC>52137; 521</CC>
<FD>Activisme; Outil; Sociologie politique; Siècle 19; Opéra; Interprétation; Mouvement social; Concept; Mobilisation; Culture; Musique classique; Verdi (G.)</FD>
<ED>Activism; Tool; Political Sociology; Century 19; Opera; Interpretation; Social movement; Concept; Mobilization; Culture; Classical Music</ED>
<LO>INIST-22326.354000108779010020</LO>
<ID>521</ID>
</server>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000575 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000575 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    PascalFrancis
   |étape=   Corpus
   |type=    RBID
   |clé=     Francis:521-03-12110
   |texte=   Interpretive activism and the political uses of Verdi's operas in the 1840s
}}

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024

	Serveur d'exploration sur l'opéra
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur l'opéra

Interpretive activism and the political uses of Verdi's operas in the 1840s

Interpretive activism and the political uses of Verdi's operas in the 1840s

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri