Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites

Identifieur interne : 000576 ( PascalFrancis/Corpus ); précédent : 000575; suivant : 000577

De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites

Auteurs : Hans Alma ; Hetty Zock

Source :

RBID : Francis:527-03-10849

Descripteurs français

English descriptors

Abstract

We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

pA  
A01 01  1    @0 0028-212X
A03   1    @0 Ned. theol. tijdschr.
A05       @2 57
A06       @2 1
A08 01  1  DUT  @1 De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites
A11 01  1    @1 ALMA (Hans)
A11 02  1    @1 ZOCK (Hetty)
A14 01      @1 Fac. der Godgeleerdheid, Postbus 9515 @2 2300 RA Leiden @3 NLD @Z 1 aut.
A14 02      @1 Rijksuniversiteit Groningen @3 NLD @Z 2 aut.
A20       @1 49-61
A21       @1 2003
A23 01      @0 DUT
A24 01      @0 eng
A43 01      @1 INIST @2 24255 @5 354000107468580040
A44       @0 0000 @1 © 2003 INIST-CNRS. All rights reserved.
A47 01  1    @0 527-03-10849
A60       @1 P
A61       @0 A
A64 01  1    @0 Nederlandsch theologisch tijdschrift
A66 01      @0 NLD
A68 01  1  ENG  @1 The impact of a religious opera on a secular audience: An empirical research project on dialogues des Carmélites
A99       @0 ref. et notes dissem.
C01 01    ENG  @0 We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.
C02 01  R    @0 5271322 @1 IV
C02 02  R    @0 527
C03 01  R  FRE  @0 Influence @5 01
C03 01  R  ENG  @0 Influence @5 01
C03 02  R  FRE  @0 Art @5 02
C03 02  R  ENG  @0 Art @5 02
C03 03  R  FRE  @0 Dialogues des Carmélites @2 NB @4 INC @5 31
C03 04  R  FRE  @0 Opéra @2 NI @4 INC @5 32
N21       @1 090
N82       @1 PSI

Format Inist (serveur)

NO : FRANCIS 527-03-10849 INIST
ET : (The impact of a religious opera on a secular audience: An empirical research project on dialogues des Carmélites)
OT : De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites
AU : ALMA (Hans); ZOCK (Hetty)
AF : Fac. der Godgeleerdheid, Postbus 9515/2300 RA Leiden/Pays-Bas (1 aut.); Rijksuniversiteit Groningen/Pays-Bas (2 aut.)
DT : Publication en série; Niveau analytique
SO : Nederlandsch theologisch tijdschrift; ISSN 0028-212X; Pays-Bas; Da. 2003; Vol. 57; No. 1; Pp. 49-61; Abs. anglais
LA : Néerlandais
EA : We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.
CC : 5271322; 527
FD : Influence; Art; Dialogues des Carmélites; Opéra
ED : Influence; Art
LO : INIST-24255.354000107468580040
ID : 527

Links to Exploration step

Francis:527-03-10849

Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="DUT" level="a">De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites</title>
<author>
<name sortKey="Alma, Hans" sort="Alma, Hans" uniqKey="Alma H" first="Hans" last="Alma">Hans Alma</name>
<affiliation>
<inist:fA14 i1="01">
<s1>Fac. der Godgeleerdheid, Postbus 9515</s1>
<s2>2300 RA Leiden</s2>
<s3>NLD</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author>
<name sortKey="Zock, Hetty" sort="Zock, Hetty" uniqKey="Zock H" first="Hetty" last="Zock">Hetty Zock</name>
<affiliation>
<inist:fA14 i1="02">
<s1>Rijksuniversiteit Groningen</s1>
<s3>NLD</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">INIST</idno>
<idno type="inist">527-03-10849</idno>
<date when="2003">2003</date>
<idno type="stanalyst">FRANCIS 527-03-10849 INIST</idno>
<idno type="RBID">Francis:527-03-10849</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000576</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="DUT" level="a">De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites</title>
<author>
<name sortKey="Alma, Hans" sort="Alma, Hans" uniqKey="Alma H" first="Hans" last="Alma">Hans Alma</name>
<affiliation>
<inist:fA14 i1="01">
<s1>Fac. der Godgeleerdheid, Postbus 9515</s1>
<s2>2300 RA Leiden</s2>
<s3>NLD</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author>
<name sortKey="Zock, Hetty" sort="Zock, Hetty" uniqKey="Zock H" first="Hetty" last="Zock">Hetty Zock</name>
<affiliation>
<inist:fA14 i1="02">
<s1>Rijksuniversiteit Groningen</s1>
<s3>NLD</s3>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series>
<title level="j" type="main">Nederlandsch theologisch tijdschrift</title>
<title level="j" type="abbreviated">Ned. theol. tijdschr.</title>
<idno type="ISSN">0028-212X</idno>
<imprint>
<date when="2003">2003</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<title level="j" type="main">Nederlandsch theologisch tijdschrift</title>
<title level="j" type="abbreviated">Ned. theol. tijdschr.</title>
<idno type="ISSN">0028-212X</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Art</term>
<term>Influence</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>Influence</term>
<term>Art</term>
<term>Dialogues des Carmélites</term>
<term>Opéra</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.</div>
</front>
</TEI>
<inist>
<standard h6="B">
<pA>
<fA01 i1="01" i2="1">
<s0>0028-212X</s0>
</fA01>
<fA03 i2="1">
<s0>Ned. theol. tijdschr.</s0>
</fA03>
<fA05>
<s2>57</s2>
</fA05>
<fA06>
<s2>1</s2>
</fA06>
<fA08 i1="01" i2="1" l="DUT">
<s1>De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites</s1>
</fA08>
<fA11 i1="01" i2="1">
<s1>ALMA (Hans)</s1>
</fA11>
<fA11 i1="02" i2="1">
<s1>ZOCK (Hetty)</s1>
</fA11>
<fA14 i1="01">
<s1>Fac. der Godgeleerdheid, Postbus 9515</s1>
<s2>2300 RA Leiden</s2>
<s3>NLD</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA14 i1="02">
<s1>Rijksuniversiteit Groningen</s1>
<s3>NLD</s3>
<sZ>2 aut.</sZ>
</fA14>
<fA20>
<s1>49-61</s1>
</fA20>
<fA21>
<s1>2003</s1>
</fA21>
<fA23 i1="01">
<s0>DUT</s0>
</fA23>
<fA24 i1="01">
<s0>eng</s0>
</fA24>
<fA43 i1="01">
<s1>INIST</s1>
<s2>24255</s2>
<s5>354000107468580040</s5>
</fA43>
<fA44>
<s0>0000</s0>
<s1>© 2003 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA47 i1="01" i2="1">
<s0>527-03-10849</s0>
</fA47>
<fA60>
<s1>P</s1>
</fA60>
<fA61>
<s0>A</s0>
</fA61>
<fA64 i1="01" i2="1">
<s0>Nederlandsch theologisch tijdschrift</s0>
</fA64>
<fA66 i1="01">
<s0>NLD</s0>
</fA66>
<fA68 i1="01" i2="1" l="ENG">
<s1>The impact of a religious opera on a secular audience: An empirical research project on dialogues des Carmélites</s1>
</fA68>
<fA99>
<s0>ref. et notes dissem.</s0>
</fA99>
<fC01 i1="01" l="ENG">
<s0>We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.</s0>
</fC01>
<fC02 i1="01" i2="R">
<s0>5271322</s0>
<s1>IV</s1>
</fC02>
<fC02 i1="02" i2="R">
<s0>527</s0>
</fC02>
<fC03 i1="01" i2="R" l="FRE">
<s0>Influence</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="R" l="ENG">
<s0>Influence</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="R" l="FRE">
<s0>Art</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="R" l="ENG">
<s0>Art</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="R" l="FRE">
<s0>Dialogues des Carmélites</s0>
<s2>NB</s2>
<s4>INC</s4>
<s5>31</s5>
</fC03>
<fC03 i1="04" i2="R" l="FRE">
<s0>Opéra</s0>
<s2>NI</s2>
<s4>INC</s4>
<s5>32</s5>
</fC03>
<fN21>
<s1>090</s1>
</fN21>
<fN82>
<s1>PSI</s1>
</fN82>
</pA>
</standard>
<server>
<NO>FRANCIS 527-03-10849 INIST</NO>
<ET>(The impact of a religious opera on a secular audience: An empirical research project on dialogues des Carmélites)</ET>
<OT>De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites</OT>
<AU>ALMA (Hans); ZOCK (Hetty)</AU>
<AF>Fac. der Godgeleerdheid, Postbus 9515/2300 RA Leiden/Pays-Bas (1 aut.); Rijksuniversiteit Groningen/Pays-Bas (2 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
<SO>Nederlandsch theologisch tijdschrift; ISSN 0028-212X; Pays-Bas; Da. 2003; Vol. 57; No. 1; Pp. 49-61; Abs. anglais</SO>
<LA>Néerlandais</LA>
<EA>We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.</EA>
<CC>5271322; 527</CC>
<FD>Influence; Art; Dialogues des Carmélites; Opéra</FD>
<ED>Influence; Art</ED>
<LO>INIST-24255.354000107468580040</LO>
<ID>527</ID>
</server>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000576 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000576 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    PascalFrancis
   |étape=   Corpus
   |type=    RBID
   |clé=     Francis:527-03-10849
   |texte=   De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024