De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites
Identifieur interne : 000576 ( PascalFrancis/Corpus ); précédent : 000575; suivant : 000577De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites
Auteurs : Hans Alma ; Hetty ZockSource :
- Nederlandsch theologisch tijdschrift [ 0028-212X ] ; 2003.
Descripteurs français
- Pascal (Inist)
English descriptors
Abstract
We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
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Format Inist (serveur)
NO : | FRANCIS 527-03-10849 INIST |
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ET : | (The impact of a religious opera on a secular audience: An empirical research project on dialogues des Carmélites) |
OT : | De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites |
AU : | ALMA (Hans); ZOCK (Hetty) |
AF : | Fac. der Godgeleerdheid, Postbus 9515/2300 RA Leiden/Pays-Bas (1 aut.); Rijksuniversiteit Groningen/Pays-Bas (2 aut.) |
DT : | Publication en série; Niveau analytique |
SO : | Nederlandsch theologisch tijdschrift; ISSN 0028-212X; Pays-Bas; Da. 2003; Vol. 57; No. 1; Pp. 49-61; Abs. anglais |
LA : | Néerlandais |
EA : | We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word. |
CC : | 5271322; 527 |
FD : | Influence; Art; Dialogues des Carmélites; Opéra |
ED : | Influence; Art |
LO : | INIST-24255.354000107468580040 |
ID : | 527 |
Links to Exploration step
Francis:527-03-10849Le document en format XML
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<front><div type="abstract" xml:lang="en">We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.</div>
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<ET>(The impact of a religious opera on a secular audience: An empirical research project on dialogues des Carmélites)</ET>
<OT>De uitwerking van een religieuze opera op een seculier publiek. Een empirisch onderzoek naar Dialogues des Carmélites</OT>
<AU>ALMA (Hans); ZOCK (Hetty)</AU>
<AF>Fac. der Godgeleerdheid, Postbus 9515/2300 RA Leiden/Pays-Bas (1 aut.); Rijksuniversiteit Groningen/Pays-Bas (2 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
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<EA>We researched the impact of Poulenc's opera Dialogues des Carmélites as performed in the Amsterdam opera house, March 2002. The main question was: What feelings and associations does this explicitly religious opera evoke in the allegedly secular audience and performers? The audience was asked to fill in a questionnaire, and eight 'performers' (singers, musical and dramatic director) were interviewed. A striking result was that the opera was experienced as highly moving and recognisable, irrespective of the religious affiliation and religious commitment of the interviewees. Religious commitment turned out to be the variable that is significant with respect to evoking existential/religious feelings. It is concluded that art may influence religious sensibility, in the broad sense of the word.</EA>
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