Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung
Identifieur interne : 000209 ( PascalFrancis/Checkpoint ); précédent : 000208; suivant : 000210Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung
Auteurs : Jörg Rössel [Allemagne]Source :
- Soziale Welt [ 0038-6073 ] ; 2009.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Musique.
English descriptors
- KwdEn :
Abstract
Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.
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