Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung
Identifieur interne : 000337 ( PascalFrancis/Curation ); précédent : 000336; suivant : 000338Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung
Auteurs : Jörg Rössel [Allemagne]Source :
- Soziale Welt [ 0038-6073 ] ; 2009.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Musique.
English descriptors
- KwdEn :
Abstract
Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.
pA |
|
---|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000224
Links to Exploration step
Francis:10-0137499Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="GER" level="a">Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung</title>
<author><name sortKey="Rossel, Jorg" sort="Rossel, Jorg" uniqKey="Rossel J" first="Jörg" last="Rössel">Jörg Rössel</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Soziologisches Institut Universität Zürich Andreasstrasse 15</s1>
<s2>8050 Zürich</s2>
<s3>DEU</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Allemagne</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">10-0137499</idno>
<date when="2009">2009</date>
<idno type="stanalyst">FRANCIS 10-0137499 INIST</idno>
<idno type="RBID">Francis:10-0137499</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000224</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000337</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="GER" level="a">Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung</title>
<author><name sortKey="Rossel, Jorg" sort="Rossel, Jorg" uniqKey="Rossel J" first="Jörg" last="Rössel">Jörg Rössel</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Soziologisches Institut Universität Zürich Andreasstrasse 15</s1>
<s2>8050 Zürich</s2>
<s3>DEU</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Allemagne</country>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Soziale Welt</title>
<title level="j" type="abbreviated">Soz. Welt</title>
<idno type="ISSN">0038-6073</idno>
<imprint><date when="2009">2009</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Soziale Welt</title>
<title level="j" type="abbreviated">Soz. Welt</title>
<idno type="ISSN">0038-6073</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Art</term>
<term>Bourdieu (P.)</term>
<term>Cultural Transmission</term>
<term>Cultural capital</term>
<term>Cultural reception</term>
<term>Empirical Research</term>
<term>Intergenerational relation</term>
<term>Lifestyle</term>
<term>Music</term>
<term>Opera</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Art</term>
<term>Capital culturel</term>
<term>Musique</term>
<term>Bourdieu (P.)</term>
<term>Transmission culturelle</term>
<term>Relation intergénérationnelle</term>
<term>Genre de vie</term>
<term>Réception culturelle</term>
<term>Opéra</term>
<term>Recherche empirique</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Musique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0038-6073</s0>
</fA01>
<fA03 i2="1"><s0>Soz. Welt</s0>
</fA03>
<fA05><s2>60</s2>
</fA05>
<fA06><s2>3</s2>
</fA06>
<fA08 i1="01" i2="1" l="GER"><s1>Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>RÖSSEL (Jörg)</s1>
</fA11>
<fA14 i1="01"><s1>Soziologisches Institut Universität Zürich Andreasstrasse 15</s1>
<s2>8050 Zürich</s2>
<s3>DEU</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA20><s2>239-257, 333 [20 p.]</s2>
</fA20>
<fA21><s1>2009</s1>
</fA21>
<fA23 i1="01"><s0>GER</s0>
</fA23>
<fA24 i1="01"><s0>eng</s0>
</fA24>
<fA43 i1="01"><s1>INIST</s1>
<s2>24817</s2>
<s5>354000186624950010</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2010 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>2 p.1/4</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>10-0137499</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Soziale Welt</s0>
</fA64>
<fA66 i1="01"><s0>DEU</s0>
</fA66>
<fA68 i1="01" i2="1" l="ENG"><s1>Cultural Capital and Music Reception. An Empirical Test of Bourdieu's Theory of Art Perception</s1>
</fA68>
<fC01 i1="01" l="ENG"><s0>Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.</s0>
</fC01>
<fC02 i1="01" i2="S"><s0>52160</s0>
<s1>XIV</s1>
</fC02>
<fC02 i1="02" i2="S"><s0>521</s0>
</fC02>
<fC03 i1="01" i2="S" l="FRE"><s0>Art</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="S" l="ENG"><s0>Art</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="S" l="FRE"><s0>Capital culturel</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="S" l="ENG"><s0>Cultural capital</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="S" l="FRE"><s0>Musique</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="S" l="ENG"><s0>Music</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="S" l="FRE"><s0>Bourdieu (P.)</s0>
<s2>NF</s2>
<s2>FA</s2>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="S" l="ENG"><s0>Bourdieu (P.)</s0>
<s2>NF</s2>
<s2>FA</s2>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="S" l="FRE"><s0>Transmission culturelle</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="S" l="ENG"><s0>Cultural Transmission</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="S" l="FRE"><s0>Relation intergénérationnelle</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="S" l="ENG"><s0>Intergenerational relation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="S" l="FRE"><s0>Genre de vie</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="S" l="ENG"><s0>Lifestyle</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE"><s0>Réception culturelle</s0>
<s2>NI</s2>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG"><s0>Cultural reception</s0>
<s2>NI</s2>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="S" l="FRE"><s0>Opéra</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="S" l="ENG"><s0>Opera</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="S" l="FRE"><s0>Recherche empirique</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="S" l="ENG"><s0>Empirical Research</s0>
<s5>10</s5>
</fC03>
<fN21><s1>088</s1>
</fN21>
</pA>
</standard>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000337 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000337 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= PascalFrancis |étape= Curation |type= RBID |clé= Francis:10-0137499 |texte= Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung }}
![]() | This area was generated with Dilib version V0.6.21. | ![]() |