OperaV1, PascalFrancis, Corpus, bibRecord, 000224

Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung

Identifieur interne : 000224 ( PascalFrancis/Corpus ); précédent : 000223; suivant : 000225

Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung

Auteurs : Jörg Rössel

Source :

Soziale Welt [ 0038-6073 ] ; 2009.

RBID : Francis:10-0137499

Descripteurs français

Pascal (Inist)
- Art, Capital culturel, Musique, Bourdieu (P.), Transmission culturelle, Relation intergénérationnelle, Genre de vie, Réception culturelle, Opéra, Recherche empirique.

English descriptors

KwdEn :
- Art, Bourdieu (P.), Cultural Transmission, Cultural capital, Cultural reception, Empirical Research, Intergenerational relation, Lifestyle, Music, Opera.

Abstract

Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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C01	`01`		`ENG`	@0 Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.
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C03	`07`	`S`	`FRE`	`@0 Genre de vie @5 07`
C03	`07`	`S`	`ENG`	`@0 Lifestyle @5 07`
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Format Inist (serveur)

NO :	FRANCIS 10-0137499 INIST
ET :	(Cultural Capital and Music Reception. An Empirical Test of Bourdieu's Theory of Art Perception)
GT :	Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung
AU :	RÖSSEL (Jörg)
AF :	Soziologisches Institut Universität Zürich Andreasstrasse 15/8050 Zürich/Allemagne (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	Soziale Welt; ISSN 0038-6073; Allemagne; Da. 2009; Vol. 60; No. 3; 239-257, 333 [20 p.]; Abs. anglais; Bibl. 2 p.1/4
LA :	Allemand
EA :	Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.
CC :	52160; 521
FD :	Art; Capital culturel; Musique; Bourdieu (P.); Transmission culturelle; Relation intergénérationnelle; Genre de vie; Réception culturelle; Opéra; Recherche empirique
ED :	Art; Cultural capital; Music; Bourdieu (P.); Cultural Transmission; Intergenerational relation; Lifestyle; Cultural reception; Opera; Empirical Research
LO :	INIST-24817.354000186624950010
ID :	10-0137499

Links to Exploration step

Francis:10-0137499

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<front><div type="abstract" xml:lang="en">Bourdieu's theory of classes explains the reproduction of class structures along processes of intergenerational transmission of cultural capital and their manifestation in lifestyles. Against his approach, it has been argued that lifestyles and especially the reception of art, which is central to Bourdieu's theory, do not depend on the endowment of a person with cultural capital. This article sets out to test the relevance of cultural capital for art reception using the example of the perception of opera music. In contrast to most studies in this field, the presented research does not focus on the musical genres favored by persons, but on their reception and appreciation of them. Data on the endowment of persons with cultural capital as well as on their mode of listening to music were collected in an audience survey among opera visitors. The empirical results indicate that there are a greater number of forms of music reception than assumed in Bourdieu's theory of art perception with its focus on a decoding and analytical appreciation of art. However, the strength of the analytic mode of listening to music can be explained very well by the person's endowment with cultural capital.</div>
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Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung

Kulturelles Kapital und Musikrezeption: Eine empirische Überprüfung von Bourdieus Theorie der Kunstwahrnehmung

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri