| Ident. | Authors (with country if any) | Title |
|---|
| 000007 (2016) |
Elliana Kirsh [États-Unis] ; Stephanie R C. Zacharias [États-Unis] ; Alessandro De Alarcon [États-Unis] ; Dimitar Deliyski [États-Unis] ; Meredith Tabangin [États-Unis] ; Sid Khosla [États-Unis] | Vertical Phase Difference and Glottal Efficiency in Musical Theater and Opera Singers. |
| 000027 (2016) |
Michel Habib [France] ; Chloé Lardy [France] ; Tristan Desiles [France] ; Céline Commeiras [France] ; Julie Chobert [France] ; Mireille Besson [France] | Music and Dyslexia: A New Musical Training Method to Improve Reading and Related Disorders |
| 000032 (2016) |
Elvira Brattico [Danemark, Finlande] ; Brigitte Bogert [Finlande] ; Vinoo Alluri [Finlande, Suisse] ; Mari Tervaniemi [Finlande] ; Tuomas Eerola [Royaume-Uni] ; Thomas Jacobsen [Allemagne] | It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons |
| 000103 (2015) |
Alice Chirico [Italie] ; Silvia Serino [Italie] ; Pietro Cipresso [Italie] ; Andrea Gaggioli [Italie] ; Giuseppe Riva [Italie] | When music “flows”. State and trait in musical performance, composition and listening: a systematic review |
| 000114 (2015) |
Xin Xie | The impact of musical training and tone language experience on talker identification |
| 000136 (2015) |
Christopher C. Heffner [États-Unis] ; L. Robert Slevc [États-Unis] | Prosodic Structure as a Parallel to Musical Structure |
| 000163 (2015) |
Jayaganesh Swaminathan [États-Unis] ; Christine R. Mason [États-Unis] ; Timothy M. Streeter [États-Unis] ; Virginia Best [États-Unis] ; Gerald Kidd Jr [États-Unis] ; Aniruddh D. Patel [États-Unis] | Musical training, individual differences and the cocktail party problem |
| 000164 (2015) |
Clément François [Espagne] ; Jennifer Grau-Sánchez [Espagne] ; Esther Duarte [Espagne] ; Antoni Rodriguez-Fornells [Espagne] | Musical training as an alternative and effective method for neuro-education and neuro-rehabilitation |
| 000165 (2015) |
M. C. Fonseca-Mora [Espagne] ; Pilar Jara-Jiménez [Espagne] ; María G Mez-Domínguez [Espagne] | Musical plus phonological input for young foreign language readers |
| 000166 (2015) |
Jan A. F. Coebergh [Pays-Bas, Royaume-Uni] ; R. F. Lauw [Pays-Bas] ; R. Bots [Pays-Bas] ; I. E. C. Sommer [Pays-Bas] ; J. D. Blom [Pays-Bas] | Musical hallucinations: review of treatment effects |
| 000167 (2015) |
Be Focseneanu [Roumanie] ; G. Marian [Roumanie] | Musical hallucinations – a challenge for psychiatric therapeutical management. Case report
|
| 000168 (2015) |
Han Wu [République populaire de Chine] ; Xiaohui Ma [République populaire de Chine] ; Linjun Zhang [République populaire de Chine] ; Youyi Liu [République populaire de Chine] ; Yang Zhang [États-Unis] ; Hua Shu [République populaire de Chine] | Musical experience modulates categorical perception of lexical tones in native Chinese speakers |
| 000169 (2015) |
David M. Greenberg [Royaume-Uni] ; Simon Baron-Cohen [Royaume-Uni] ; David J. Stillwell [Royaume-Uni] ; Michal Kosinski [États-Unis] ; Peter J. Rentfrow [Royaume-Uni] | Musical Preferences are Linked to Cognitive Styles |
| 000186 (2015) |
Léo Varnet [France] ; Tianyun Wang [France] ; Chloe Peter [France] ; Fanny Meunier [France] ; Michel Hoen [France] | How musical expertise shapes speech perception: evidence from auditory classification images |
| 000195 (2015) |
Iliza M. Butera [États-Unis] | From Notes to Vowels: Neural Correlations between Musical Training and Speech Processing |
| 000199 (2015) |
Paul Elvers [Allemagne] ; Diana Omigie [Allemagne] ; Wolfgang Fuhrmann [Autriche] ; Timo Fischinger [Allemagne] | Exploring the musical taste of expert listeners: musicology students reveal tendency toward omnivorous taste |
| 000214 (2015) |
Alexandre Lehmann [Canada] ; Sébastien Paquette [Canada] | Cross-domain processing of musical and vocal emotions in cochlear implant users |
| 000220 (2015) |
Gerry Veenstra | Class Position and Musical Tastes: A Sing-Off between the Cultural Omnivorism and Bourdieusian Homology Frameworks. |
| 000235 (2015) |
Rony Alfandary [Israël] | An Instance of Emotional Absence of a Father Traumatized by War-Clinical Material and Musical Illustration. |
| 000238 (2015) |
David Huron | Affect induction through musical sounds: an ethological perspective |
| 000244 (2015) |
P. Vas J Zsef | A Theory Upon Origin of Implicit Musical Language |
| 000248 (2015) |
Louise Mccabe [Royaume-Uni] ; Corinne Greasley-Adams [Royaume-Uni] ; Katy Goodson [Royaume-Uni] | 'What I want to do is get half a dozen of them and go and see Simon Cowell': Reflecting on participation and outcomes for people with dementia taking part in a creative musical project. |
| 000264 (2014-12-05) |
Marco Giuliani [France] | Identity, evolution and internal organization of poetical-musical programmes in Renaissance Italian madrigal and canzonette prints "di diversi aurori" |
| 000325 (2014) |
Allan Vurma | Timbre-induced pitch shift from the perspective of Signal Detection Theory: the impact of musical expertise, silence interval, and pitch region |
| 000360 (2014) |
Mcneel G. Jantzen ; Bradley M. Howe ; Kelly J. Jantzen | Neurophysiological evidence that musical training influences the recruitment of right hemispheric homologues for speech perception |
| 000365 (2014) |
Peter Ym Woo ; Lianne Ny Leung ; Sharon Tm Cheng ; Kwong-Yau Chan | Monoaural musical hallucinations caused by a thalamocortical auditory radiation infarct: a case report |
| 000387 (2014) |
Ewa A. Miendlarzewska [Suisse] ; Wiebke J. Trost [Suisse] | How musical training affects cognitive development: rhythm, reward and other modulating variables |
| 000412 (2014) |
Ana Luísa Pinho [Portugal] ; Örjan De Manzano ; Peter Fransson [Suède] ; Helene Eriksson ; Fredrik Ullén | Connecting to Create: Expertise in Musical Improvisation Is Associated with Increased Functional Connectivity between Premotor and Prefrontal Areas |
| 000418 (2014) |
Aniruddh D. Patel [États-Unis] | Can nonlinguistic musical training change the way the brain processes speech? The expanded OPERA hypothesis. |
| 000528 (2013) |
Gavin M. Bidelman [États-Unis] ; Stefanie Hutka [Canada] ; Sylvain Moreno [Canada] | Tone Language Speakers and Musicians Share Enhanced Perceptual and Cognitive Abilities for Musical Pitch: Evidence for Bidirectionality between the Domains of Language and Music |
| 000556 (2013) |
Hugo Cogo-Moreira [Brésil] ; Clara Regina Brandão De Vila [Brésil] ; George B. Ploubidis [Royaume-Uni] ; Jair De Jesus Mari [Brésil] | Pathway Evidence of How Musical Perception Predicts Word-Level Reading Ability in Children with Reading Difficulties |
| 000564 (2013) |
Baptiste Fauvel [France] ; Mathilde Groussard [France] ; Francis Eustache [France] ; Béatrice Desgranges [France] ; Hervé Platel [France] | Neural implementation of musical expertise and cognitive transfers: could they be promising in the framework of normal cognitive aging? |
| 000567 (2013) |
Jennifer Zuk [États-Unis] ; Paulo E. Andrade [Brésil] ; Olga V. C. A. Andrade [Brésil] ; Martin Gardiner [États-Unis] ; Nadine Gaab [États-Unis] | Musical, language, and reading abilities in early Portuguese readers |
| 000568 (2013) |
Erika Skoe [États-Unis] ; Nina Kraus [États-Unis] | Musical training heightens auditory brainstem function during sensitive periods in development |
| 000569 (2013) |
Julie Chobert [France] ; Mireille Besson [France] | Musical Expertise and Second Language Learning |
| 000585 (2013) |
Manuela M. Marin [Autriche] ; Joydeep Bhattacharya [Royaume-Uni] | Getting into the musical zone: trait emotional intelligence and amount of practice predict flow in pianists |
| 000598 (2013) |
Elika Bergelson [États-Unis] ; Michael Shvartsman [États-Unis] ; William J. Idsardi [États-Unis] | Differences in Mismatch Responses to Vowels and Musical Intervals: MEG Evidence |
| 000604 (2013) |
Isabel Trujillo-Pozo [Espagne] ; Isabel Martín-Monz N [Espagne] ; Rafael Rodríguez-Romero [Espagne] | Brain lateralization and neural plasticity for musical and cognitive abilities in an epileptic musician |
| 000765 (2012) |
Adam Tierney [États-Unis] ; Fred Dick [Royaume-Uni] ; Diana Deutsch [États-Unis] ; Marty Sereno [Royaume-Uni] | Speech versus Song: Multiple Pitch-Sensitive Areas Revealed by a Naturally Occurring Musical Illusion |
| 000772 (2012) |
Brenda Hanna-Pladdy [États-Unis] ; Byron Gajewski [États-Unis] | Recent and Past Musical Activity Predicts Cognitive Aging Variability: Direct Comparison with General Lifestyle Activities |
| 000785 (2012) |
Robert J. Zatorre [Canada] ; Shari R. Baum [Canada] | Musical Melody and Speech Intonation: Singing a Different Tune |
| 000813 (2012) |
Patrick C. M. Wong [États-Unis] ; Valter Ciocca [Canada] ; Alice H. D. Chan [Singapour] ; Louisa Y. Y. Ha [États-Unis] ; Li-Hai Tan [République populaire de Chine] ; Isabelle Peretz [Canada] | Effects of Culture on Musical Pitch Perception |
| 000831 (2012) |
Cheol-Ho Jeong [Danemark] ; Pierre Marie ; Jonas Brunskog ; Claus M Ller Petersen | Audience noise in concert halls during musical performances. |
| 000A37 (2011) |
Aniruddh D. Patel [États-Unis] | Why would Musical Training Benefit the Neural Encoding of Speech? The OPERA Hypothesis |
| 000A50 (2011) |
Peter J. Rentfrow ; Lewis R. Goldberg ; Daniel J. Levitin | The Structure of Musical Preferences: A Five-Factor Model |
| 000A54 (2011) |
Riia Milovanov [Finlande] ; Mari Tervaniemi [Finlande] | The Interplay between Musical and Linguistic Aptitudes: A Review |
| 000A76 (2011) |
James Kennaway | Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing |
| 000B53 (2011) |
Ana Paula Almeida [Portugal] ; Luis Miguel Girão ; Rolf Gehlhaar [Portugal] ; Paulo Maria Rodrigues [Portugal] ; Helena Rodrigues [Portugal] ; Paulo Neto [Portugal] ; Maria M Nica [Portugal] | Sound=Space Opera: choreographing life within an interactive musical environment |
| 000D53 (2010) |
Psyche Loui ; Catherine Y. Wan ; Gottfried Schlaug | NEUROLOGICAL BASES OF MUSICAL DISORDERS AND THEIR IMPLICATIONS FOR STROKE RECOVERY |
| 000D76 (2010) |
Seitetsu Kanemura [Japon] ; Hitoshi Tanimukai ; Satoru Tsuneto | Can "steroid switching" improve steroid-induced musical hallucinations in a patient with terminal cancer? |
| 000E49 (2010) |
Miranda Stanyon | “Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck |
