List of bibliographic references indexed by musical
Number of relevant bibliographic references: 77.
[50-70] [
0 - 20][
0 - 50][
70-76][
70-90]
Ident. | Authors (with country if any) | Title |
---|
000E49 (2010) |
Miranda Stanyon | “Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck |
001183 (2009) |
Jed Wentz | Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique |
001238 (2009) |
Ivan R. V. Rumanek [Slovaquie] | NOH AS MUSICAL PERFORMANCE WITH REGARD TO HISTORICAL DEVELOPMENT |
001335 (2008) |
Joe Wolfe [Australie] ; Maëva Garnier [Australie] ; John Smith [Australie] | Vocal tract resonances in speech, singing, and playing musical instruments |
001356 (2008) |
Julie Jaffee Nagel [États-Unis] | Psychoanalytic and musical perspectives on shame in Donizetti's Lucia Di Lammermoor. |
001362 (2008) |
Eva Björkner [Suède] | Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics. |
001428 (2008) |
Ann Colley | Young People's Musical Taste: Relationship With Gender and Gender‐Related Traits |
001454 (2008) |
Julian Tanner ; Mark Asbridge ; Scot Wortley [Canada] | Our favourite melodies: musical consumption and teenage lifestyles |
001502 (2008) |
Julie Jaffee Nagel [États-Unis] | PSYCHOANALYTIC AND MUSICAL PERSPECTIVES ON SHAME IN DONIZETTI'S LUCIA Dl LAMMERMOOR |
001849 (2006) |
Bertha Spies [Afrique du Sud] | The temporal musical sign: In search of extrinsic musical meaning |
001A40 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
001A44 (2005) |
Eyolf Strem ; Nils Holger Petersen | The Singing of Laude and Musical Sensibilities in Early Seventeenth‐Century Confraternity Devotion: Part II |
001A76 (2005) |
Eli Friedlander | On the Musical Gathering of Echoes of the Voice |
001B09 (2005) |
George Martin | David A. J. Richards: Tragic Manhood and Democracy: Verdi’s Voice and the Powers of Musical Art |
001B20 (2005) |
Shersten Johnson | Britten’s Musical Syllables |
001D45 (2004) |
Tina K. Ramnarine [Royaume-Uni] | Imperial legacies and the politics of musical creativity |
001D53 (2004) |
Thomas George Caracas Garcia [États-Unis] | American views of Brazilian musical culture: Villa-Lobos's Magdalena and Brazilian popular music |
001E69 (2003) |
Ora Frishberg Saloman | Literary and Musical Aspects of the Hero's Romance in Berlioz's Benvenuto Cellini |
002085 (2002) |
Niel Rishoi | Carousel, Rodgers and Hammerstein's Operatic Musical |
002188 (2001-05-04) |
Leo L. Beranek [États-Unis] | Comments on intimacy'' and ITDG concepts in musical performing spaces |
002C83 (1995) |
Tia Denora | The musical composition of social reality? Music, action and reflexivity1 |
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