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music < musical < musicale  Facettes :

List of bibliographic references indexed by musical

Number of relevant bibliographic references: 77.
[50-70] [0 - 20][0 - 50][70-76][70-90]
Ident.Authors (with country if any)Title
000E49 (2010) Miranda Stanyon“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck
001183 (2009) Jed WentzGaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique
001238 (2009) Ivan R. V. Rumanek [Slovaquie]NOH AS MUSICAL PERFORMANCE WITH REGARD TO HISTORICAL DEVELOPMENT
001335 (2008) Joe Wolfe [Australie] ; Maëva Garnier [Australie] ; John Smith [Australie]Vocal tract resonances in speech, singing, and playing musical instruments
001356 (2008) Julie Jaffee Nagel [États-Unis]Psychoanalytic and musical perspectives on shame in Donizetti's Lucia Di Lammermoor.
001362 (2008) Eva Björkner [Suède]Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics.
001428 (2008) Ann ColleyYoung People's Musical Taste: Relationship With Gender and Gender‐Related Traits
001454 (2008) Julian Tanner ; Mark Asbridge ; Scot Wortley [Canada]Our favourite melodies: musical consumption and teenage lifestyles
001502 (2008) Julie Jaffee Nagel [États-Unis]PSYCHOANALYTIC AND MUSICAL PERSPECTIVES ON SHAME IN DONIZETTI'S LUCIA Dl LAMMERMOOR
001849 (2006) Bertha Spies [Afrique du Sud]The temporal musical sign: In search of extrinsic musical meaning
001A40 (2005) Don FaderThe ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700
001A44 (2005) Eyolf Strem ; Nils Holger PetersenThe Singing of Laude and Musical Sensibilities in Early Seventeenth‐Century Confraternity Devotion: Part II
001A76 (2005) Eli FriedlanderOn the Musical Gathering of Echoes of the Voice
001B09 (2005) George MartinDavid A. J. Richards: Tragic Manhood and Democracy: Verdi’s Voice and the Powers of Musical Art
001B20 (2005) Shersten JohnsonBritten’s Musical Syllables
001D45 (2004) Tina K. Ramnarine [Royaume-Uni]Imperial legacies and the politics of musical creativity
001D53 (2004) Thomas George Caracas Garcia [États-Unis]American views of Brazilian musical culture: Villa-Lobos's Magdalena and Brazilian popular music
001E69 (2003) Ora Frishberg SalomanLiterary and Musical Aspects of the Hero's Romance in Berlioz's Benvenuto Cellini
002085 (2002) Niel RishoiCarousel, Rodgers and Hammerstein's Operatic Musical
002188 (2001-05-04) Leo L. Beranek [États-Unis]Comments on intimacy'' and ITDG concepts in musical performing spaces
002C83 (1995) Tia DenoraThe musical composition of social reality? Music, action and reflexivity1

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