List of bibliographic references indexed by 1741-7260
Number of relevant bibliographic references: 96.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000D88 (2010) |
Michele Cabrini [États-Unis] | Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata |
| 000E03 (2010) |
Colin Timms [Royaume-Uni] | Rebuilding Adonis |
| 000E28 (2010) |
Graham Sadler [Royaume-Uni] | French opera, ballet and cantata |
| 000E40 (2010) |
David Stuart ; Greg Skidmore | Cavalli's Erismena |
| 000E43 (2010) |
Bruno Forment [Belgique] | An enigmatic souvenir of Venetian opera: Alessandro Piazza's Teatro (1702) |
| 000E44 (2010) |
John A. Rice | An Englishman in Vienna |
| 001093 (2009) |
Michael Burden [Royaume-Uni] | Where did Purcell keep his theatre band? |
| 001119 (2009) |
Bryan White [Royaume-Uni] | Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas |
| 001132 (2009) |
Alejandro Enrique Planchart [Niger] | Du Fay and the style of Molinet |
| 001134 (2009) |
Andrew Pinnock [Royaume-Uni] ; Bruce Wood [Royaume-Uni] | Come, ye sons of artagain: court cross-subsidy for Purcells opera orchestra, 16901695 |
| 001136 (2009) |
| Annual Index |
| 001390 (2008) |
Wendy Heller | The extravagant business of opera |
| 001411 (2008) |
Richard G. King [États-Unis] | How to be an emperor: acting Alexander the Great in opera seria |
| 001412 (2008) |
Beverly Jerold | How composers viewed performers additions |
| 001421 (2008) |
| Annual Index |
| 001424 (2008) |
Andrew Pinnock [Royaume-Uni] ; Bruce Wood [Royaume-Uni] | A mangled chime: the accidental death of the opera libretto in Civil War England |
| 001625 (2007) |
Michael Burden [Royaume-Uni] | To repeat (or not to repeat)? Dance cues in Restoration English opera |
| 001626 (2007) |
John Potter [Royaume-Uni] | The tenorcastrato connection, 17601860 |
| 001828 (2006) |
Andrew V. Jones [Royaume-Uni] | Staging a Handel opera |
| 001829 (2006) |
Geoffrey Burgess | Revisiting Atys: reflections on Les Arts Florissants' production |
| 001831 (2006) |
Graham Sadler | Rameau's ‘theatre of enchantments’ on DVD |
| 001832 (2006) |
Hendrik Schulze | Opera and comedy |
| 001835 (2006) |
Roberto Giuliani | Monteverdi opera on DVD |
| 001846 (2006) |
Andrew Johnstone | ‘High’ clefs in composition and performance |
| 001A70 (2005) |
Dieter Gutknecht [Allemagne] | Performance practice of recitativo secco in the first half of the 18th century |
| 001A80 (2005) |
Miguel-A Ngel Mari N [Espagne] | Music-selling in Boccherini's Madrid |
| 001A92 (2005) |
Stephen Stubbs | Johann Mattheson—the Russian connection: the rediscovery of Boris Goudenow and his other lost operas |
| 001A96 (2005) |
Graham Cummings [Royaume-Uni] | Handel and the confus'd shepherdess: a case study of stylistic eclecticism |
| 001B16 (2005) |
Frans Muller ; Julie Muller | Completing the picture: the importance of reconstructing early opera |
| 001C61 (2004) |
Hendrik Schulze | Review: Seicento opera edited |
| 001C75 (2004) |
Eric Van Tassel | Purcell's operas revisited |
| 001C76 (2004) |
Michael Burden | Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society |
| 001E26 (2003) |
Caryl Clark | Fabricating magic: costuming Salieri's Armida |
| 001E27 (2003) |
Michael F. Robinson | Book reviews |
| 002023 (2002) |
Tanya Kevorkian | The reception of the cantata during Leipzig church services, 1700–1750 |
| 002024 (2002) |
Michael F. Robinson | Spanish opera: Emilio Casares Rodicio and Alvaro Torrente eds., La ópera in España e Hispanoamérica |
| 002025 (2002) |
David Hunter | Senesino disobliges Caroline, Princess of Wales, and Princess Violante of Florence |
| 002027 (2002) |
Anthony R. Deldonna [États-Unis] | Production practices at the Teatro di San Carlo, Naples, in the late 18th century |
| 002028 (2002) |
Bryan White | Grabu's Albion and Albanius and the operas of Lully |
| 002029 (2002) |
Thomas Mcgeary | Farinelli and the Duke of Leeds: ‘tanto mio amico e patrone particolare’ |
| 002267 (2001) |
Xavier Cervantes ; Thomas Mcgeary | Handel, Porpora and the ‘Windy Bumm’ |
| 002433 (2000) |
David Hunter | Patronizing Handel, inventing audiences: The intersections of class, money, music and history |
| 002610 (1999) |
Laurie H. Ongley | The reconstruction of an 18th-century basso group |
| 002765 (1998) |
Michael Burden | ‘Twittering and trilling’: Swedish reaction to Metastasio |
| 002770 (1998) |
Roger Savage | Staging an opera: letters from the Cesarian poet |
| 002774 (1998) |
Wendy Heller | Reforming Achilles:gender, opera seria and the rhetoric of the enlightened hero |
| 002777 (1998) |
Don Neville | Opera or ortorio?: Metastasio's sacred opere serie |
| 002779 (1998) |
Beth L. Glixon | Music for the gods?: A dispute concerning Francesco Lucio‘s Gl’amori di Alessandro Magno, e di Rossane |
| 002780 (1998) |
Michael Burden | Mother Hubbard's cupboard: early opera in Opera Grove |
| 002781 (1998) |
José-Máximo Leza | Metastasio on the Spanish stage: Operatic adaptations in the public theatres of Madrid in the 1730s |
| 002789 (1998) |
Reinhard Strohm | Dramatic dualities: Metastasio and the tradition of the opera pair |
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