1741-4326 < 1741-7260 < 1741-7279

Facettes :

List of bibliographic references indexed by 1741-7260

Number of relevant bibliographic references: 96.
[50-70] [0 - 20][0 - 50][70-90]

Ident.	Authors (with country if any)	Title
002789 (1998)	Reinhard Strohm	Dramatic dualities: Metastasio and the tradition of the opera pair
002930 (1997)	Paul Corneilson	Reconstructing the Mannheim court theatre
002950 (1997)	William Weber	Did people listen in the 18th century?
002A74 (1996)	Curtis Price ; William M. S. Rasmussen	Musical images in a portrait of Teresa Blount
002C15 (1995)	Michael Burden	‘Gallimaufry’ at Covent Garden Purcell's The Fairy-Queen in 1946
002E08 (1994)	Curtis Price	Dido and Aeneas: questions of style and evidence
002F13 (1993)	David Charlton	‘A maître d'orchestre… conducts’: new and old evidence on French practice
002F21 (1993)	Antonia Banducci	Staging a tragédie en musique: A 1748 promptbook of Campra's Tancrède
002F28 (1993)	Nicholas Anderson	Rameau in the recording studio: A survey of recordings of French Baroque opera
002F38 (1993)	Lois Rosow	Making connections: thoughts on Lully's entr'actes
003050 (1992)	Bruce Wood ; Andrew Pinnock	‘Unscarr’d by turning times'?: The dating of Purcell's Dido and Aeneas
003054 (1992)	Mark Goldie	The earliest notice of Purcell's Dido and Aeneas
003073 (1992)	Andrew Porter	Mozart on the modern stage
003081 (1992)	John Platoff	How original was Mozart?: Evidence from opera buffa
003104 (1992)	Michael Talbot	BOOKS
003108 (1992)	Daniel E. Freeman	An 18th-century singer's commission of ‘baggage’ arias
003198 (1991)	Patricia Lewy Gidwitz [États-Unis]	‘Ich bin die erste Sängerin’ Vocal profiles of two Mozart sopranos
003215 (1991)	Thomas Bauman	MOZART AND HIS SINGERS: Mozart's Belmonte
003221 (1991)	Donald Burrows ; Robert D. Hume	George I, the Haymarket Opera Company and Handel's Water Music
003350 (1990)	Andrew Pinnock	Play into opera: Purcell's The Indian Queen
003367 (1990)	Judith Milhous ; Curtis Price	Harpsichords in the London theatres, 1697–1715

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