Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900
Identifieur interne : 000A61 ( Main/Exploration ); précédent : 000A60; suivant : 000A62Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900
Auteurs : James KennawaySource :
- Configurations [ 1063-1801 ] ; 2011.
Abstract
Far from being a purely modern idea, the notion of “electric music” was already common in the eighteenth and nineteenth centuries. The shift in thinking about music from cosmic harmony to nervous stimulation made metaphors and speculative theories relating music and electricity irresistible. This essay considers the development of the idea of electric music, looking at its associations with a sexual “body electric.” It will then examine how this conception of music went from being the subject of sympathy to becoming part of a medical critique of music as a dangerous stimulant, with echoes in music criticism and beyond.
Url:
DOI: 10.1353/con.2011.0018
PubMed: 24587689
PubMed Central: 3935454
Affiliations:
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