Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900
Identifieur interne : 000A61 ( Main/Curation ); précédent : 000A60; suivant : 000A62Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900
Auteurs : James KennawaySource :
- Configurations [ 1063-1801 ] ; 2011.
Abstract
Far from being a purely modern idea, the notion of “electric music” was already common in the eighteenth and nineteenth centuries. The shift in thinking about music from cosmic harmony to nervous stimulation made metaphors and speculative theories relating music and electricity irresistible. This essay considers the development of the idea of electric music, looking at its associations with a sexual “body electric.” It will then examine how this conception of music went from being the subject of sympathy to becoming part of a medical critique of music as a dangerous stimulant, with echoes in music criticism and beyond.
Url:
DOI: 10.1353/con.2011.0018
PubMed: 24587689
PubMed Central: 3935454
Links toward previous steps (curation, corpus...)
- to stream Pmc, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000D83
- to stream Pmc, to step Curation: Pour aller vers cette notice dans l'étape Curation :000D83
- to stream Pmc, to step Checkpoint: Pour aller vers cette notice dans l'étape Curation :000280
- to stream Ncbi, to step Merge: Pour aller vers cette notice dans l'étape Curation :000B79
- to stream Ncbi, to step Curation: Pour aller vers cette notice dans l'étape Curation :000B79
- to stream Ncbi, to step Checkpoint: Pour aller vers cette notice dans l'étape Curation :000B79
- to stream Main, to step Merge: Pour aller vers cette notice dans l'étape Curation :000A61
Links to Exploration step
PMC:3935454Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900</title>
<author><name sortKey="Kennaway, James" sort="Kennaway, James" uniqKey="Kennaway J" first="James" last="Kennaway">James Kennaway</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">PMC</idno>
<idno type="pmid">24587689</idno>
<idno type="pmc">3935454</idno>
<idno type="url">http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3935454</idno>
<idno type="RBID">PMC:3935454</idno>
<idno type="doi">10.1353/con.2011.0018</idno>
<date when="2011">2011</date>
<idno type="wicri:Area/Pmc/Corpus">000D83</idno>
<idno type="wicri:Area/Pmc/Curation">000D83</idno>
<idno type="wicri:Area/Pmc/Checkpoint">000280</idno>
<idno type="wicri:Area/Ncbi/Merge">000B79</idno>
<idno type="wicri:Area/Ncbi/Curation">000B79</idno>
<idno type="wicri:Area/Ncbi/Checkpoint">000B79</idno>
<idno type="wicri:doubleKey">1063-1801:2011:Kennaway J:stimulating:music:the</idno>
<idno type="wicri:Area/Main/Merge">000A61</idno>
<idno type="wicri:Area/Main/Curation">000A61</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900</title>
<author><name sortKey="Kennaway, James" sort="Kennaway, James" uniqKey="Kennaway J" first="James" last="Kennaway">James Kennaway</name>
</author>
</analytic>
<series><title level="j">Configurations</title>
<idno type="ISSN">1063-1801</idno>
<idno type="e-ISSN">1080-6520</idno>
<imprint><date when="2011">2011</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass></textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en"><p id="P1">Far from being a purely modern idea, the notion of “electric music” was already common in the eighteenth and nineteenth centuries. The shift in thinking about music from cosmic harmony to nervous stimulation made metaphors and speculative theories relating music and electricity irresistible. This essay considers the development of the idea of electric music, looking at its associations with a sexual “body electric.” It will then examine how this conception of music went from being the subject of sympathy to becoming part of a medical critique of music as a dangerous stimulant, with echoes in music criticism and beyond.</p>
</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000A61 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Curation/biblio.hfd -nk 000A61 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= Main |étape= Curation |type= RBID |clé= PMC:3935454 |texte= Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900 }}
Pour générer des pages wiki
HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Curation/RBID.i -Sk "pubmed:24587689" \ | HfdSelect -Kh $EXPLOR_AREA/Data/Main/Curation/biblio.hfd \ | NlmPubMed2Wicri -a OperaV1
![]() | This area was generated with Dilib version V0.6.21. | ![]() |