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Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900

Identifieur interne : 000B79 ( Ncbi/Merge ); précédent : 000B78; suivant : 000B80

Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900

Source :

Configurations [ 1063-1801 ] ; 2011.

RBID : PMC:3935454

Abstract

Far from being a purely modern idea, the notion of “electric music” was already common in the eighteenth and nineteenth centuries. The shift in thinking about music from cosmic harmony to nervous stimulation made metaphors and speculative theories relating music and electricity irresistible. This essay considers the development of the idea of electric music, looking at its associations with a sexual “body electric.” It will then examine how this conception of music went from being the subject of sympathy to becoming part of a medical critique of music as a dangerous stimulant, with echoes in music criticism and beyond.

Url:

http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3935454

DOI: 10.1353/con.2011.0018
PubMed: 24587689
PubMed Central: 3935454

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PMC:3935454

Le document en format XML

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<author><name sortKey="Kennaway, James" sort="Kennaway, James" uniqKey="Kennaway J" first="James" last="Kennaway">James Kennaway</name>
</author>
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<series><title level="j">Configurations</title>
<idno type="ISSN">1063-1801</idno>
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<imprint><date when="2011">2011</date>
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<front><div type="abstract" xml:lang="en"><p id="P1">Far from being a purely modern idea, the notion of “electric music” was already common in the eighteenth and nineteenth centuries. The shift in thinking about music from cosmic harmony to nervous stimulation made metaphors and speculative theories relating music and electricity irresistible. This essay considers the development of the idea of electric music, looking at its associations with a sexual “body electric.” It will then examine how this conception of music went from being the subject of sympathy to becoming part of a medical critique of music as a dangerous stimulant, with echoes in music criticism and beyond.</p>
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<pmc article-type="research-article"><pmc-comment>The publisher of this article does not allow downloading of the full text in XML form.</pmc-comment>
  <pmc-dir>properties manuscript</pmc-dir>
  <front><journal-meta><journal-id journal-id-type="nlm-journal-id">9416425</journal-id>
<journal-id journal-id-type="pubmed-jr-id">23038</journal-id>
<journal-id journal-id-type="nlm-ta">Configurations</journal-id>
<journal-id journal-id-type="iso-abbrev">Configurations</journal-id>
<journal-title-group><journal-title>Configurations</journal-title>
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<issn pub-type="ppub">1063-1801</issn>
<issn pub-type="epub">1080-6520</issn>
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<article-id pub-id-type="doi">10.1353/con.2011.0018</article-id>
<article-id pub-id-type="manuscript">EMS56901</article-id>
<article-categories><subj-group subj-group-type="heading"><subject>Article</subject>
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<title-group><article-title>Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900</article-title>
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<contrib-group><contrib contrib-type="author"><name><surname>Kennaway</surname>
<given-names>James</given-names>
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<aff id="A1">Durham University</aff>
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<pub-date pub-type="nihms-submitted"><day>17</day>
<month>2</month>
<year>2014</year>
</pub-date>
<pub-date pub-type="ppub"><season>Spring</season>
<year>2011</year>
</pub-date>
<pub-date pub-type="pmc-release"><day>26</day>
<month>2</month>
<year>2014</year>
</pub-date>
<volume>19</volume>
<issue>2</issue>
<fpage>191</fpage>
<lpage>211</lpage>
<pmc-comment>elocation-id from pubmed: 10.1353/con.2011.0018</pmc-comment>
      <permissions><copyright-statement>© 2012 by The Johns Hopkins University Press and the Society for Literature and Science.</copyright-statement>
<copyright-year>2012</copyright-year>
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<self-uri xlink:href="http://muse.jhu.edu/journals/configurations/v019/19.2.kennaway.html"></self-uri>
<abstract><p id="P1">Far from being a purely modern idea, the notion of “electric music” was already common in the eighteenth and nineteenth centuries. The shift in thinking about music from cosmic harmony to nervous stimulation made metaphors and speculative theories relating music and electricity irresistible. This essay considers the development of the idea of electric music, looking at its associations with a sexual “body electric.” It will then examine how this conception of music went from being the subject of sympathy to becoming part of a medical critique of music as a dangerous stimulant, with echoes in music criticism and beyond.</p>
</abstract>
</article-meta>
</front>
</pmc>
<affiliations><list></list>
<tree><noCountry><name sortKey="Kennaway, James" sort="Kennaway, James" uniqKey="Kennaway J" first="James" last="Kennaway">James Kennaway</name>
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   |texte=   Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900
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Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900

Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900

Source :

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki