Lemma 4 : Haptic input + auditory display = musical instrument?
Identifieur interne :
000A69 ( PascalFrancis/Corpus );
précédent :
000A68;
suivant :
000A70
Lemma 4 : Haptic input + auditory display = musical instrument?
Auteurs : Paul VickersSource :
-
Lecture notes in computer science [ 0302-9743 ] ; 2006.
RBID : Francis:08-0032200
Descripteurs français
- Pascal (Inist)
- Aide handicapé,
Assistance utilisateur,
Perception,
Acoustique audio,
Instrument musique,
Acoustique musicale,
Guide onde multimode,
Système homme machine,
Interface utilisateur,
Sensibilité tactile,
Affichage,
Musique,
Geste,
Audition,
..
English descriptors
- KwdEn :
- Audio acoustics,
Display,
Gesture,
Handicapped aid,
Hearing,
Man machine system,
Multimode waveguide,
Music,
Musical acoustics,
Musical instrument,
Perception,
Tactile sensitivity,
User assistance,
User interface.
Abstract
In this paper we look at some of the design issues that affect the success of multimodal displays that combine acoustic and haptic modalities. First, issues affecting successful sonification design are explored and suggestions are made about how the language of electroa-coustic music can assist. Next, haptic interaction is introduced in the light of this discussion, particularly focusing on the roles of gesture and mimesis. Finally, some observations are made regarding some of the issues that arise when the haptic and acoustic modalities are combined in the interface. This paper looks at examples of where auditory and haptic interaction have been successfully combined beyond the strict confines of the human-computer application interface (musical instruments in particular) and discusses lessons that may be drawn from these domains and applied to the world of multimodal human-computer interaction. The argument is made that combined haptic-auditory interaction schemes can be thought of as musical instruments and some of the possible ramifications of this are raised.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
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| A05 | | | | @2 4129 |
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| A08 | 01 | 1 | ENG | @1 Lemma 4 : Haptic input + auditory display = musical instrument? |
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| A09 | 01 | 1 | ENG | @1 Haptic and audio interaction design : First international workshop, HAID 2006, Glasgow, UK, August 31-September 1, 2006 : proceedings |
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| A11 | 01 | 1 | | @1 VICKERS (Paul) |
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| A12 | 01 | 1 | | @1 MCGOOKIN (David) @9 ed. |
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| A12 | 02 | 1 | | @1 BREWSTER (Stephen) @9 ed. |
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| A14 | 01 | | | @1 Northumbria University, School of Computing, Engineering, and Information Sciences, Pandon Building, Camden St @2 Newcastle upon Tyne NE2 1XE @3 GBR @Z 1 aut. |
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| A20 | | | | @1 56-67 |
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| A21 | | | | @1 2006 |
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| A23 | 01 | | | @0 ENG |
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| A26 | 01 | | | @0 3-540-37595-3 |
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| A43 | 01 | | | @1 INIST @2 16343 @5 354000153642100060 |
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| A44 | | | | @0 0000 @1 © 2008 INIST-CNRS. All rights reserved. |
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| A45 | | | | @0 28 ref. |
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| A47 | 01 | 1 | | @0 08-0032200 |
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| A60 | | | | @1 P @2 C |
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| A61 | | | | @0 A |
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| A64 | 01 | 1 | | @0 Lecture notes in computer science |
|---|
| A66 | 01 | | | @0 DEU |
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| A66 | 02 | | | @0 USA |
|---|
| C01 | 01 | | ENG | @0 In this paper we look at some of the design issues that affect the success of multimodal displays that combine acoustic and haptic modalities. First, issues affecting successful sonification design are explored and suggestions are made about how the language of electroa-coustic music can assist. Next, haptic interaction is introduced in the light of this discussion, particularly focusing on the roles of gesture and mimesis. Finally, some observations are made regarding some of the issues that arise when the haptic and acoustic modalities are combined in the interface. This paper looks at examples of where auditory and haptic interaction have been successfully combined beyond the strict confines of the human-computer application interface (musical instruments in particular) and discusses lessons that may be drawn from these domains and applied to the world of multimodal human-computer interaction. The argument is made that combined haptic-auditory interaction schemes can be thought of as musical instruments and some of the possible ramifications of this are raised. |
|---|
| C02 | 01 | X | | @0 770B05D @1 II |
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| C03 | 01 | X | FRE | @0 Aide handicapé @5 01 |
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| C03 | 01 | X | ENG | @0 Handicapped aid @5 01 |
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| C03 | 01 | X | SPA | @0 Ayuda minusválido @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Assistance utilisateur @5 02 |
|---|
| C03 | 02 | X | ENG | @0 User assistance @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Asistencia usuario @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Perception @5 03 |
|---|
| C03 | 03 | X | ENG | @0 Perception @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Percepción @5 03 |
|---|
| C03 | 04 | 3 | FRE | @0 Acoustique audio @5 06 |
|---|
| C03 | 04 | 3 | ENG | @0 Audio acoustics @5 06 |
|---|
| C03 | 05 | X | FRE | @0 Instrument musique @5 07 |
|---|
| C03 | 05 | X | ENG | @0 Musical instrument @5 07 |
|---|
| C03 | 05 | X | SPA | @0 Instrumento musical @5 07 |
|---|
| C03 | 06 | X | FRE | @0 Acoustique musicale @5 08 |
|---|
| C03 | 06 | X | ENG | @0 Musical acoustics @5 08 |
|---|
| C03 | 06 | X | SPA | @0 Acústica musical @5 08 |
|---|
| C03 | 07 | X | FRE | @0 Guide onde multimode @5 09 |
|---|
| C03 | 07 | X | ENG | @0 Multimode waveguide @5 09 |
|---|
| C03 | 07 | X | SPA | @0 Guía onda multimodo @5 09 |
|---|
| C03 | 08 | X | FRE | @0 Système homme machine @5 10 |
|---|
| C03 | 08 | X | ENG | @0 Man machine system @5 10 |
|---|
| C03 | 08 | X | SPA | @0 Sistema hombre máquina @5 10 |
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| C03 | 09 | X | FRE | @0 Interface utilisateur @5 15 |
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| C03 | 09 | X | ENG | @0 User interface @5 15 |
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| C03 | 09 | X | SPA | @0 Interfase usuario @5 15 |
|---|
| C03 | 10 | X | FRE | @0 Sensibilité tactile @5 18 |
|---|
| C03 | 10 | X | ENG | @0 Tactile sensitivity @5 18 |
|---|
| C03 | 10 | X | SPA | @0 Sensibilidad tactil @5 18 |
|---|
| C03 | 11 | X | FRE | @0 Affichage @5 19 |
|---|
| C03 | 11 | X | ENG | @0 Display @5 19 |
|---|
| C03 | 11 | X | SPA | @0 Visualización @5 19 |
|---|
| C03 | 12 | X | FRE | @0 Musique @5 20 |
|---|
| C03 | 12 | X | ENG | @0 Music @5 20 |
|---|
| C03 | 12 | X | SPA | @0 Música @5 20 |
|---|
| C03 | 13 | X | FRE | @0 Geste @5 21 |
|---|
| C03 | 13 | X | ENG | @0 Gesture @5 21 |
|---|
| C03 | 13 | X | SPA | @0 Gesto @5 21 |
|---|
| C03 | 14 | X | FRE | @0 Audition @5 22 |
|---|
| C03 | 14 | X | ENG | @0 Hearing @5 22 |
|---|
| C03 | 14 | X | SPA | @0 Audición @5 22 |
|---|
| C03 | 15 | X | FRE | @0 . @4 INC @5 82 |
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| N21 | | | | @1 052 |
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| N44 | 01 | | | @1 OTO |
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| N82 | | | | @1 OTO |
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| pR |
| A30 | 01 | 1 | ENG | @1 International Workshop on Haptic and Audio Interaction Design @2 1 @3 Glasgow GBR @4 2006 |
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Format Inist (serveur)
| NO : | FRANCIS 08-0032200 INIST |
|---|
| ET : | Lemma 4 : Haptic input + auditory display = musical instrument? |
|---|
| AU : | VICKERS (Paul); MCGOOKIN (David); BREWSTER (Stephen) |
|---|
| AF : | Northumbria University, School of Computing, Engineering, and Information Sciences, Pandon Building, Camden St/Newcastle upon Tyne NE2 1XE/Royaume-Uni (1 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Lecture notes in computer science; ISSN 0302-9743; Allemagne; Da. 2006; Vol. 4129; Pp. 56-67; Bibl. 28 ref. |
|---|
| LA : | Anglais |
|---|
| EA : | In this paper we look at some of the design issues that affect the success of multimodal displays that combine acoustic and haptic modalities. First, issues affecting successful sonification design are explored and suggestions are made about how the language of electroa-coustic music can assist. Next, haptic interaction is introduced in the light of this discussion, particularly focusing on the roles of gesture and mimesis. Finally, some observations are made regarding some of the issues that arise when the haptic and acoustic modalities are combined in the interface. This paper looks at examples of where auditory and haptic interaction have been successfully combined beyond the strict confines of the human-computer application interface (musical instruments in particular) and discusses lessons that may be drawn from these domains and applied to the world of multimodal human-computer interaction. The argument is made that combined haptic-auditory interaction schemes can be thought of as musical instruments and some of the possible ramifications of this are raised. |
|---|
| CC : | 770B05D |
|---|
| FD : | Aide handicapé; Assistance utilisateur; Perception; Acoustique audio; Instrument musique; Acoustique musicale; Guide onde multimode; Système homme machine; Interface utilisateur; Sensibilité tactile; Affichage; Musique; Geste; Audition; . |
|---|
| ED : | Handicapped aid; User assistance; Perception; Audio acoustics; Musical instrument; Musical acoustics; Multimode waveguide; Man machine system; User interface; Tactile sensitivity; Display; Music; Gesture; Hearing |
|---|
| SD : | Ayuda minusválido; Asistencia usuario; Percepción; Instrumento musical; Acústica musical; Guía onda multimodo; Sistema hombre máquina; Interfase usuario; Sensibilidad tactil; Visualización; Música; Gesto; Audición |
|---|
| LO : | INIST-16343.354000153642100060 |
|---|
| ID : | 08-0032200 |
|---|
Links to Exploration step
Francis:08-0032200
Le document en format XML
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</keywords><front><div type="abstract" xml:lang="en">In this paper we look at some of the design issues that affect the success of multimodal displays that combine acoustic and haptic modalities. First, issues affecting successful sonification design are explored and suggestions are made about how the language of electroa-coustic music can assist. Next, haptic interaction is introduced in the light of this discussion, particularly focusing on the roles of gesture and mimesis. Finally, some observations are made regarding some of the issues that arise when the haptic and acoustic modalities are combined in the interface. This paper looks at examples of where auditory and haptic interaction have been successfully combined beyond the strict confines of the human-computer application interface (musical instruments in particular) and discusses lessons that may be drawn from these domains and applied to the world of multimodal human-computer interaction. The argument is made that combined haptic-auditory interaction schemes can be thought of as musical instruments and some of the possible ramifications of this are raised.</div>
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<s9>ed.</s9>
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</fC03><fC03 i1="01" i2="X" l="ENG"><s0>Handicapped aid</s0>
<s5>01</s5>
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<s5>07</s5>
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<s5>07</s5>
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<s5>07</s5>
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<s5>08</s5>
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<s5>08</s5>
</fC03><fC03 i1="06" i2="X" l="SPA"><s0>Acústica musical</s0>
<s5>08</s5>
</fC03><fC03 i1="07" i2="X" l="FRE"><s0>Guide onde multimode</s0>
<s5>09</s5>
</fC03><fC03 i1="07" i2="X" l="ENG"><s0>Multimode waveguide</s0>
<s5>09</s5>
</fC03><fC03 i1="07" i2="X" l="SPA"><s0>Guía onda multimodo</s0>
<s5>09</s5>
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<s5>15</s5>
</fC03><fC03 i1="09" i2="X" l="ENG"><s0>User interface</s0>
<s5>15</s5>
</fC03><fC03 i1="09" i2="X" l="SPA"><s0>Interfase usuario</s0>
<s5>15</s5>
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<s5>20</s5>
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<s5>21</s5>
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<s5>21</s5>
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<s5>21</s5>
</fC03><fC03 i1="14" i2="X" l="FRE"><s0>Audition</s0>
<s5>22</s5>
</fC03><fC03 i1="14" i2="X" l="ENG"><s0>Hearing</s0>
<s5>22</s5>
</fC03><fC03 i1="14" i2="X" l="SPA"><s0>Audición</s0>
<s5>22</s5>
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</fC03><fN21><s1>052</s1>
</fN21><fN44 i1="01"><s1>OTO</s1>
</fN44><fN82><s1>OTO</s1>
</fN82><pR><fA30 i1="01" i2="1" l="ENG"><s1>International Workshop on Haptic and Audio Interaction Design</s1>
<s2>1</s2>
<s3>Glasgow GBR</s3>
<s4>2006</s4>
</fA30><server><NO>FRANCIS 08-0032200 INIST</NO>
<ET>Lemma 4 : Haptic input + auditory display = musical instrument?</ET>
<AU>VICKERS (Paul); MCGOOKIN (David); BREWSTER (Stephen)</AU>
<AF>Northumbria University, School of Computing, Engineering, and Information Sciences, Pandon Building, Camden St/Newcastle upon Tyne NE2 1XE/Royaume-Uni (1 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Lecture notes in computer science; ISSN 0302-9743; Allemagne; Da. 2006; Vol. 4129; Pp. 56-67; Bibl. 28 ref.</SO>
<LA>Anglais</LA>
<EA>In this paper we look at some of the design issues that affect the success of multimodal displays that combine acoustic and haptic modalities. First, issues affecting successful sonification design are explored and suggestions are made about how the language of electroa-coustic music can assist. Next, haptic interaction is introduced in the light of this discussion, particularly focusing on the roles of gesture and mimesis. Finally, some observations are made regarding some of the issues that arise when the haptic and acoustic modalities are combined in the interface. This paper looks at examples of where auditory and haptic interaction have been successfully combined beyond the strict confines of the human-computer application interface (musical instruments in particular) and discusses lessons that may be drawn from these domains and applied to the world of multimodal human-computer interaction. The argument is made that combined haptic-auditory interaction schemes can be thought of as musical instruments and some of the possible ramifications of this are raised.</EA>
<CC>770B05D</CC>
<FD>Aide handicapé; Assistance utilisateur; Perception; Acoustique audio; Instrument musique; Acoustique musicale; Guide onde multimode; Système homme machine; Interface utilisateur; Sensibilité tactile; Affichage; Musique; Geste; Audition; .</FD>
<ED>Handicapped aid; User assistance; Perception; Audio acoustics; Musical instrument; Musical acoustics; Multimode waveguide; Man machine system; User interface; Tactile sensitivity; Display; Music; Gesture; Hearing</ED>
<SD>Ayuda minusválido; Asistencia usuario; Percepción; Instrumento musical; Acústica musical; Guía onda multimodo; Sistema hombre máquina; Interfase usuario; Sensibilidad tactil; Visualización; Música; Gesto; Audición</SD>
<LO>INIST-16343.354000153642100060</LO>
<ID>08-0032200</ID>
</server>
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|texte= Lemma 4 : Haptic input + auditory display = musical instrument?
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