A semiotic approach to the design of non-speech sounds
Identifieur interne :
000A50 ( PascalFrancis/Curation );
précédent :
000A49;
suivant :
000A51
A semiotic approach to the design of non-speech sounds
Auteurs : Emma Murphy [
Royaume-Uni] ;
Antti Pirhonen [
Finlande] ;
Graham Mcallister [
Royaume-Uni] ;
WAI YU [
Royaume-Uni]
Source :
-
Lecture notes in computer science [ 0302-9743 ] ; 2006.
RBID : Pascal:08-0032206
Descripteurs français
- Pascal (Inist)
- Aide handicapé,
Assistance utilisateur,
Perception,
Sémiotique,
Acoustique audio,
Interface utilisateur,
Sémiologie,
Préférence,
Recommandation,
Méthode élément fini,
Traitement parole,
..
- Wicri :
English descriptors
- KwdEn :
- Audio acoustics,
Finite element method,
Handicapped aid,
Perception,
Preference,
Recommendation,
Semiology,
Semiotics,
Speech processing,
User assistance,
User interface.
Abstract
In the field of auditory display there is currently a lack of theoretical support for the design of non-speech sounds as elements of a user interface. Sound design methods are often based on ad hoc choices or the personal preferences of the designer. A method is proposed in this paper based on a semiotic approach to the design of non-speech sounds. In this approach, the design process is conceptualised by referring to structural semiotics, acknowledging the unique qualities of non-speech sounds, as a mode of conveying information. This method is based on a rich use scenario presented to a design panel. A case study where the design method has been applied is presented and evaluated. Finally recommendations for a practical design method are presented supported by this empirical investigation.
pA |
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A05 | | | | @2 4129 |
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A08 | 01 | 1 | ENG | @1 A semiotic approach to the design of non-speech sounds |
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A09 | 01 | 1 | ENG | @1 Haptic and audio interaction design : First international workshop, HAID 2006, Glasgow, UK, August 31-September 1, 2006 : proceedings |
---|
A11 | 01 | 1 | | @1 MURPHY (Emma) |
---|
A11 | 02 | 1 | | @1 PIRHONEN (Antti) |
---|
A11 | 03 | 1 | | @1 MCALLISTER (Graham) |
---|
A11 | 04 | 1 | | @1 WAI YU |
---|
A12 | 01 | 1 | | @1 MCGOOKIN (David) @9 ed. |
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A12 | 02 | 1 | | @1 BREWSTER (Stephen) @9 ed. |
---|
A14 | 01 | | | @1 Sonic Arts Research Centre, Queen's University of Belfast @2 Belfast BT7 INN, Northern Ireland @3 GBR @Z 1 aut. @Z 3 aut. @Z 4 aut. |
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A14 | 02 | | | @1 Department of Computer Science & Information Systems P.O.Box 35, University of Jyväskylä @2 40014 @3 FIN @Z 2 aut. |
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A21 | | | | @1 2006 |
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C01 | 01 | | ENG | @0 In the field of auditory display there is currently a lack of theoretical support for the design of non-speech sounds as elements of a user interface. Sound design methods are often based on ad hoc choices or the personal preferences of the designer. A method is proposed in this paper based on a semiotic approach to the design of non-speech sounds. In this approach, the design process is conceptualised by referring to structural semiotics, acknowledging the unique qualities of non-speech sounds, as a mode of conveying information. This method is based on a rich use scenario presented to a design panel. A case study where the design method has been applied is presented and evaluated. Finally recommendations for a practical design method are presented supported by this empirical investigation. |
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C03 | 03 | X | FRE | @0 Perception @5 03 |
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C03 | 03 | X | ENG | @0 Perception @5 03 |
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C03 | 03 | X | SPA | @0 Percepción @5 03 |
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C03 | 04 | X | FRE | @0 Sémiotique @5 06 |
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C03 | 04 | X | ENG | @0 Semiotics @5 06 |
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C03 | 04 | X | SPA | @0 Semiótica @5 06 |
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C03 | 05 | 3 | FRE | @0 Acoustique audio @5 07 |
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C03 | 05 | 3 | ENG | @0 Audio acoustics @5 07 |
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C03 | 06 | X | FRE | @0 Interface utilisateur @5 15 |
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C03 | 06 | X | SPA | @0 Interfase usuario @5 15 |
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C03 | 07 | X | FRE | @0 Sémiologie @5 18 |
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C03 | 07 | X | ENG | @0 Semiology @5 18 |
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C03 | 07 | X | SPA | @0 Semiología @5 18 |
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C03 | 08 | X | FRE | @0 Préférence @5 19 |
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C03 | 08 | X | ENG | @0 Preference @5 19 |
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C03 | 08 | X | SPA | @0 Preferencia @5 19 |
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C03 | 09 | X | FRE | @0 Recommandation @5 20 |
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C03 | 09 | X | ENG | @0 Recommendation @5 20 |
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C03 | 09 | X | SPA | @0 Recomendación @5 20 |
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C03 | 10 | X | FRE | @0 Méthode élément fini @5 23 |
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C03 | 10 | X | ENG | @0 Finite element method @5 23 |
---|
C03 | 10 | X | SPA | @0 Método elemento finito @5 23 |
---|
C03 | 11 | X | FRE | @0 Traitement parole @5 24 |
---|
C03 | 11 | X | ENG | @0 Speech processing @5 24 |
---|
C03 | 11 | X | SPA | @0 Tratamiento palabra @5 24 |
---|
C03 | 12 | X | FRE | @0 . @4 INC @5 82 |
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N21 | | | | @1 052 |
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N44 | 01 | | | @1 OTO |
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N82 | | | | @1 OTO |
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|
pR |
A30 | 01 | 1 | ENG | @1 International Workshop on Haptic and Audio Interaction Design @2 1 @3 Glasgow GBR @4 2006 |
---|
|
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