SanteMusiqueV1, Main, Corpus, bibRecord, 000490

Perception of synchronization in singing ensembles.

Identifieur interne : 000490 ( Main/Corpus ); précédent : 000489; suivant : 000491

Perception of synchronization in singing ensembles.

Auteurs : Sara D'Amario ; Helena Daffern ; Freya Bailes

Source :

PloS one [ 1932-6203 ] ; 2019.

RBID : pubmed:31188896

English descriptors

KwdEn :
- Adult (MeSH), Auditory Perception (physiology), Female (MeSH), Humans (MeSH), Male (MeSH), Music (MeSH), Singing (physiology), Voice Quality (physiology).
MESH :
- physiology : Auditory Perception, Singing, Voice Quality.
- Adult, Female, Humans, Male, Music.

Abstract

Recent investigations analysing synchronization in singing ensembles have shown that the precision of synchronization during singing duo performances is better in the presence of visual contact between the singers than without. Research has also shown that synchronisation improves with practice across rehearsals in a newly formed singing quintet. However, whether listeners' perceptions of synchronization reflect the different patterns of synchronization that were observed during ensemble performance with and without visual contact and across rehearsals has not yet been investigated. This study aims to analyse the perception of the synchronization associated with altered visual contact and amount of rehearsal during singing duo and quintet performances respectively, for listeners with different levels of musical expertise. A set of fifty-eight singing recordings selected from duo and quintet ensemble performances, collected from previous investigations of interpersonal synchrony, was presented to 33 listeners, including non-experts (university students with little or no music training), performers in the group (singers who performed the pieces used for the study), and other musicians (advanced music students). Participants were required to listen to each trial and judge the level of "togetherness" on a sliding scale from zero to 100. Results show that listeners, irrespective of their musical training and performance experience, perceived differences in the synchronization in the duo tokens depending on the presence/absence of visual contact between singers; on the other hand, the smaller asynchrony patterns measured across rehearsals in the singing quintet recordings were not perceived. This study contributes to our understanding of perceptions of synchronization by individuals with different levels of musical expertise, and underscores the perceptual salience of synchronization, regardless of musical experience.

DOI: 10.1371/journal.pone.0218162
PubMed: 31188896
PubMed Central: PMC6561579

Links to Exploration step

pubmed:31188896

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Perception of synchronization in singing ensembles.</title>
<author><name sortKey="D Amario, Sara" sort="D Amario, Sara" uniqKey="D Amario S" first="Sara" last="D'Amario">Sara D'Amario</name>
<affiliation><nlm:affiliation>Department of Electronic Engineering, University of York, Heslington, York, United Kingdom.</nlm:affiliation>
</affiliation>
</author>
<author><name sortKey="Daffern, Helena" sort="Daffern, Helena" uniqKey="Daffern H" first="Helena" last="Daffern">Helena Daffern</name>
<affiliation><nlm:affiliation>Department of Electronic Engineering, University of York, Heslington, York, United Kingdom.</nlm:affiliation>
</affiliation>
</author>
<author><name sortKey="Bailes, Freya" sort="Bailes, Freya" uniqKey="Bailes F" first="Freya" last="Bailes">Freya Bailes</name>
<affiliation><nlm:affiliation>School of Music, University of Leeds, Leeds, United Kingdom.</nlm:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">PubMed</idno>
<date when="2019">2019</date>
<idno type="RBID">pubmed:31188896</idno>
<idno type="pmid">31188896</idno>
<idno type="doi">10.1371/journal.pone.0218162</idno>
<idno type="pmc">PMC6561579</idno>
<idno type="wicri:Area/Main/Corpus">000490</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="PubMed">000490</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en">Perception of synchronization in singing ensembles.</title>
<author><name sortKey="D Amario, Sara" sort="D Amario, Sara" uniqKey="D Amario S" first="Sara" last="D'Amario">Sara D'Amario</name>
<affiliation><nlm:affiliation>Department of Electronic Engineering, University of York, Heslington, York, United Kingdom.</nlm:affiliation>
</affiliation>
</author>
<author><name sortKey="Daffern, Helena" sort="Daffern, Helena" uniqKey="Daffern H" first="Helena" last="Daffern">Helena Daffern</name>
<affiliation><nlm:affiliation>Department of Electronic Engineering, University of York, Heslington, York, United Kingdom.</nlm:affiliation>
</affiliation>
</author>
<author><name sortKey="Bailes, Freya" sort="Bailes, Freya" uniqKey="Bailes F" first="Freya" last="Bailes">Freya Bailes</name>
<affiliation><nlm:affiliation>School of Music, University of Leeds, Leeds, United Kingdom.</nlm:affiliation>
</affiliation>
</author>
</analytic>
<series><title level="j">PloS one</title>
<idno type="eISSN">1932-6203</idno>
<imprint><date when="2019" type="published">2019</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Adult (MeSH)</term>
<term>Auditory Perception (physiology)</term>
<term>Female (MeSH)</term>
<term>Humans (MeSH)</term>
<term>Male (MeSH)</term>
<term>Music (MeSH)</term>
<term>Singing (physiology)</term>
<term>Voice Quality (physiology)</term>
</keywords>
<keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Auditory Perception</term>
<term>Singing</term>
<term>Voice Quality</term>
</keywords>
<keywords scheme="MESH" xml:lang="en"><term>Adult</term>
<term>Female</term>
<term>Humans</term>
<term>Male</term>
<term>Music</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Recent investigations analysing synchronization in singing ensembles have shown that the precision of synchronization during singing duo performances is better in the presence of visual contact between the singers than without. Research has also shown that synchronisation improves with practice across rehearsals in a newly formed singing quintet. However, whether listeners' perceptions of synchronization reflect the different patterns of synchronization that were observed during ensemble performance with and without visual contact and across rehearsals has not yet been investigated. This study aims to analyse the perception of the synchronization associated with altered visual contact and amount of rehearsal during singing duo and quintet performances respectively, for listeners with different levels of musical expertise. A set of fifty-eight singing recordings selected from duo and quintet ensemble performances, collected from previous investigations of interpersonal synchrony, was presented to 33 listeners, including non-experts (university students with little or no music training), performers in the group (singers who performed the pieces used for the study), and other musicians (advanced music students). Participants were required to listen to each trial and judge the level of "togetherness" on a sliding scale from zero to 100. Results show that listeners, irrespective of their musical training and performance experience, perceived differences in the synchronization in the duo tokens depending on the presence/absence of visual contact between singers; on the other hand, the smaller asynchrony patterns measured across rehearsals in the singing quintet recordings were not perceived. This study contributes to our understanding of perceptions of synchronization by individuals with different levels of musical expertise, and underscores the perceptual salience of synchronization, regardless of musical experience.</div>
</front>
</TEI>
<pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">31188896</PMID>
<DateCompleted><Year>2020</Year>
<Month>03</Month>
<Day>17</Day>
</DateCompleted>
<DateRevised><Year>2020</Year>
<Month>03</Month>
<Day>17</Day>
</DateRevised>
<Article PubModel="Electronic-eCollection"><Journal><ISSN IssnType="Electronic">1932-6203</ISSN>
<JournalIssue CitedMedium="Internet"><Volume>14</Volume>
<Issue>6</Issue>
<PubDate><Year>2019</Year>
</PubDate>
</JournalIssue>
<Title>PloS one</Title>
<ISOAbbreviation>PLoS One</ISOAbbreviation>
</Journal>
<ArticleTitle>Perception of synchronization in singing ensembles.</ArticleTitle>
<Pagination><MedlinePgn>e0218162</MedlinePgn>
</Pagination>
<ELocationID EIdType="doi" ValidYN="Y">10.1371/journal.pone.0218162</ELocationID>
<Abstract><AbstractText>Recent investigations analysing synchronization in singing ensembles have shown that the precision of synchronization during singing duo performances is better in the presence of visual contact between the singers than without. Research has also shown that synchronisation improves with practice across rehearsals in a newly formed singing quintet. However, whether listeners' perceptions of synchronization reflect the different patterns of synchronization that were observed during ensemble performance with and without visual contact and across rehearsals has not yet been investigated. This study aims to analyse the perception of the synchronization associated with altered visual contact and amount of rehearsal during singing duo and quintet performances respectively, for listeners with different levels of musical expertise. A set of fifty-eight singing recordings selected from duo and quintet ensemble performances, collected from previous investigations of interpersonal synchrony, was presented to 33 listeners, including non-experts (university students with little or no music training), performers in the group (singers who performed the pieces used for the study), and other musicians (advanced music students). Participants were required to listen to each trial and judge the level of "togetherness" on a sliding scale from zero to 100. Results show that listeners, irrespective of their musical training and performance experience, perceived differences in the synchronization in the duo tokens depending on the presence/absence of visual contact between singers; on the other hand, the smaller asynchrony patterns measured across rehearsals in the singing quintet recordings were not perceived. This study contributes to our understanding of perceptions of synchronization by individuals with different levels of musical expertise, and underscores the perceptual salience of synchronization, regardless of musical experience.</AbstractText>
</Abstract>
<AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>D'Amario</LastName>
<ForeName>Sara</ForeName>
<Initials>S</Initials>
<Identifier Source="ORCID">0000-0002-5976-0624</Identifier>
<AffiliationInfo><Affiliation>Department of Electronic Engineering, University of York, Heslington, York, United Kingdom.</Affiliation>
</AffiliationInfo>
</Author>
<Author ValidYN="Y"><LastName>Daffern</LastName>
<ForeName>Helena</ForeName>
<Initials>H</Initials>
<AffiliationInfo><Affiliation>Department of Electronic Engineering, University of York, Heslington, York, United Kingdom.</Affiliation>
</AffiliationInfo>
</Author>
<Author ValidYN="Y"><LastName>Bailes</LastName>
<ForeName>Freya</ForeName>
<Initials>F</Initials>
<AffiliationInfo><Affiliation>School of Music, University of Leeds, Leeds, United Kingdom.</Affiliation>
</AffiliationInfo>
</Author>
</AuthorList>
<Language>eng</Language>
<PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType>
<PublicationType UI="D013485">Research Support, Non-U.S. Gov't</PublicationType>
</PublicationTypeList>
<ArticleDate DateType="Electronic"><Year>2019</Year>
<Month>06</Month>
<Day>12</Day>
</ArticleDate>
</Article>
<MedlineJournalInfo><Country>United States</Country>
<MedlineTA>PLoS One</MedlineTA>
<NlmUniqueID>101285081</NlmUniqueID>
<ISSNLinking>1932-6203</ISSNLinking>
</MedlineJournalInfo>
<CitationSubset>IM</CitationSubset>
<MeshHeadingList><MeshHeading><DescriptorName UI="D000328" MajorTopicYN="N">Adult</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D001307" MajorTopicYN="N">Auditory Perception</DescriptorName>
<QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D005260" MajorTopicYN="N">Female</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D008297" MajorTopicYN="N">Male</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D009146" MajorTopicYN="N">Music</DescriptorName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D063346" MajorTopicYN="N">Singing</DescriptorName>
<QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName>
</MeshHeading>
<MeshHeading><DescriptorName UI="D014833" MajorTopicYN="N">Voice Quality</DescriptorName>
<QualifierName UI="Q000502" MajorTopicYN="N">physiology</QualifierName>
</MeshHeading>
</MeshHeadingList>
<CoiStatement>The authors have declared that no competing interests exist.</CoiStatement>
</MedlineCitation>
<PubmedData><History><PubMedPubDate PubStatus="received"><Year>2018</Year>
<Month>09</Month>
<Day>04</Day>
</PubMedPubDate>
<PubMedPubDate PubStatus="accepted"><Year>2019</Year>
<Month>05</Month>
<Day>28</Day>
</PubMedPubDate>
<PubMedPubDate PubStatus="entrez"><Year>2019</Year>
<Month>6</Month>
<Day>13</Day>
<Hour>6</Hour>
<Minute>0</Minute>
</PubMedPubDate>
<PubMedPubDate PubStatus="pubmed"><Year>2019</Year>
<Month>6</Month>
<Day>13</Day>
<Hour>6</Hour>
<Minute>0</Minute>
</PubMedPubDate>
<PubMedPubDate PubStatus="medline"><Year>2020</Year>
<Month>3</Month>
<Day>18</Day>
<Hour>6</Hour>
<Minute>0</Minute>
</PubMedPubDate>
</History>
<PublicationStatus>epublish</PublicationStatus>
<ArticleIdList><ArticleId IdType="pubmed">31188896</ArticleId>
<ArticleId IdType="doi">10.1371/journal.pone.0218162</ArticleId>
<ArticleId IdType="pii">PONE-D-18-26014</ArticleId>
<ArticleId IdType="pmc">PMC6561579</ArticleId>
</ArticleIdList>
<ReferenceList><Reference><Citation>Am J Psychol. 1949 Jul;62(3):315-36</Citation>
<ArticleIdList><ArticleId IdType="pubmed">18134356</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>J New Music Res. 2017 Jul 31;46(4):329-341</Citation>
<ArticleIdList><ArticleId IdType="pubmed">29238387</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>Logoped Phoniatr Vocol. 2019 Dec;44(4):143-158</Citation>
<ArticleIdList><ArticleId IdType="pubmed">29583026</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>J Acoust Soc Am. 1993 Feb;93(2):1038-52</Citation>
<ArticleIdList><ArticleId IdType="pubmed">8445115</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>Front Psychol. 2014 Oct 14;5:1115</Citation>
<ArticleIdList><ArticleId IdType="pubmed">25352813</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>J Voice. 2020 Jan;34(1):159.e1-159.e12</Citation>
<ArticleIdList><ArticleId IdType="pubmed">30104125</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>Can J Psychol. 1978 Mar;32(1):19-31</Citation>
<ArticleIdList><ArticleId IdType="pubmed">728845</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>J Neurosci. 2006 Dec 6;26(49):12708-16</Citation>
<ArticleIdList><ArticleId IdType="pubmed">17151274</ArticleId>
</ArticleIdList>
</Reference>
<Reference><Citation>Front Psychol. 2018 Jul 17;9:1208</Citation>
<ArticleIdList><ArticleId IdType="pubmed">30065685</ArticleId>
</ArticleIdList>
</Reference>
</ReferenceList>
</PubmedData>
</pubmed>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Sante/explor/SanteMusiqueV1/Data/Main/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000490 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/Main/Corpus/biblio.hfd -nk 000490 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Sante
   |area=    SanteMusiqueV1
   |flux=    Main
   |étape=   Corpus
   |type=    RBID
   |clé=     pubmed:31188896
   |texte=   Perception of synchronization in singing ensembles.
}}

Pour générer des pages wiki

HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Corpus/RBID.i   -Sk "pubmed:31188896" \
       | HfdSelect -Kh $EXPLOR_AREA/Data/Main/Corpus/biblio.hfd   \
       | NlmPubMed2Wicri -a SanteMusiqueV1

This area was generated with Dilib version V0.6.38.
Data generation: Mon Mar 8 15:23:44 2021. Site generation: Mon Mar 8 15:23:58 2021

	Serveur d'exploration Santé et pratique musicale
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration Santé et pratique musicale

Perception of synchronization in singing ensembles.

Perception of synchronization in singing ensembles.

Source :

English descriptors

Abstract

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki