EdenteV2, Main, Exploration, bibRecord, 007493

Impressions of Grandmother

Identifieur interne : 007493 ( Main/Exploration ); précédent : 007492; suivant : 007494

Impressions of Grandmother

Auteurs : Carol Rambo

Source :

Journal of contemporary ethnography [ 0891-2416 ] ; 2005-10.

RBID : ISTEX:613013EA002DD80A1AF3191BC54F2A48F6058E67

Descripteurs français

Wicri :
- topic : Ethnographie.

English descriptors

KwdEn :
- Account format, African american families, Aunt kathy, Autoethnographic, Autoethnographic portrait, Autoethnographic sketch, Carol, Castilian heritage, Celluloid, Chicago press, Child development, Contemporary ethnography, Contemporary ethnography october, Deviant behavior, Dining room, Disabled mother, Ethnography, Family structure, Feminist praxis, Good impression, Grandmother, Grandmother triads, Identity formation, John butler, Langston hughes, Lifeless body, More work, Much time, Multiple reflections, Mystic sketchpad, Nervous wreck, October, Older woman, Other meanings, Positive spaces, Processual nature, Qualitative inquiry, Rambo, Rambo impressions, Rambo ronai, Romance novels, Sanitary belts, School seniors, Small frame, Sous rature, Subjective experience, Survey research, Viewfinder.
Teeft :
- Account format, African american families, Aunt kathy, Autoethnographic, Autoethnographic portrait, Autoethnographic sketch, Carol, Castilian heritage, Celluloid, Chicago press, Child development, Contemporary ethnography, Contemporary ethnography october, Deviant behavior, Dining room, Disabled mother, Ethnography, Family structure, Feminist praxis, Good impression, Grandmother, Grandmother triads, Identity formation, John butler, Langston hughes, Lifeless body, More work, Much time, Multiple reflections, Mystic sketchpad, Nervous wreck, October, Older woman, Other meanings, Positive spaces, Processual nature, Qualitative inquiry, Rambo, Rambo impressions, Rambo ronai, Romance novels, Sanitary belts, School seniors, Small frame, Sous rature, Subjective experience, Survey research, Viewfinder.

Abstract

Through the use of a layered account format, the author sketches, through a juxtapositioning of vignettes and impressions, an autoethnographic portrait of her grandmother. Derrida’s concepts such as the “mystic writing pad,” “differance,” and “sous rature” serve as frames through which to gaze at the emergent nature of identity formation across time. Various aspects of the author’s grandmother’s character, positive, negative, and shades of gray, are illustrated through descriptions of drawing. Through reflexivity, she will show how some of the impressions her grandmother left with her manifest in her. Derrida’s concepts, the layered account format, and drawing, serve individually as viewfinders that offer snapshots of her grandmother and her but, taken together, build up traces and impressions that merge and blend into an illustration of identity as a process and thus an autoethnographic portrait.

Url:

https://api.istex.fr/document/613013EA002DD80A1AF3191BC54F2A48F6058E67/fulltext/pdf

DOI: 10.1177/0891241605279079

Affiliations:

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Le document en format XML

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<term>Castilian heritage</term>
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<term>Contemporary ethnography</term>
<term>Contemporary ethnography october</term>
<term>Deviant behavior</term>
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<term>Disabled mother</term>
<term>Ethnography</term>
<term>Family structure</term>
<term>Feminist praxis</term>
<term>Good impression</term>
<term>Grandmother</term>
<term>Grandmother triads</term>
<term>Identity formation</term>
<term>John butler</term>
<term>Langston hughes</term>
<term>Lifeless body</term>
<term>More work</term>
<term>Much time</term>
<term>Multiple reflections</term>
<term>Mystic sketchpad</term>
<term>Nervous wreck</term>
<term>October</term>
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<term>Positive spaces</term>
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<term>Survey research</term>
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<term>Castilian heritage</term>
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<term>Child development</term>
<term>Contemporary ethnography</term>
<term>Contemporary ethnography october</term>
<term>Deviant behavior</term>
<term>Dining room</term>
<term>Disabled mother</term>
<term>Ethnography</term>
<term>Family structure</term>
<term>Feminist praxis</term>
<term>Good impression</term>
<term>Grandmother</term>
<term>Grandmother triads</term>
<term>Identity formation</term>
<term>John butler</term>
<term>Langston hughes</term>
<term>Lifeless body</term>
<term>More work</term>
<term>Much time</term>
<term>Multiple reflections</term>
<term>Mystic sketchpad</term>
<term>Nervous wreck</term>
<term>October</term>
<term>Older woman</term>
<term>Other meanings</term>
<term>Positive spaces</term>
<term>Processual nature</term>
<term>Qualitative inquiry</term>
<term>Rambo</term>
<term>Rambo impressions</term>
<term>Rambo ronai</term>
<term>Romance novels</term>
<term>Sanitary belts</term>
<term>School seniors</term>
<term>Small frame</term>
<term>Sous rature</term>
<term>Subjective experience</term>
<term>Survey research</term>
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<front><div type="abstract" xml:lang="en">Through the use of a layered account format, the author sketches, through a juxtapositioning of vignettes and impressions, an autoethnographic portrait of her grandmother. Derrida’s concepts such as the “mystic writing pad,” “differance,” and “sous rature” serve as frames through which to gaze at the emergent nature of identity formation across time. Various aspects of the author’s grandmother’s character, positive, negative, and shades of gray, are illustrated through descriptions of drawing. Through reflexivity, she will show how some of the impressions her grandmother left with her manifest in her. Derrida’s concepts, the layered account format, and drawing, serve individually as viewfinders that offer snapshots of her grandmother and her but, taken together, build up traces and impressions that merge and blend into an illustration of identity as a process and thus an autoethnographic portrait.</div>
</front>
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Impressions of Grandmother

Impressions of Grandmother

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri