"The Art : Interface of an intercultural citizenship From the Agreement of Noumea to Kaleutopia"
Identifieur interne : 000276 ( Main/Merge ); précédent : 000275; suivant : 000277"The Art : Interface of an intercultural citizenship From the Agreement of Noumea to Kaleutopia"
Auteurs : Florence Rortais [France]Source :
Descripteurs français
Abstract
This Art and Art Sciences Thesis places the Art at the heart of the societal and political research of a citizenship in New Caledonia. Indeed, it postulates that Art, observed and experienced at the edges of heterogeneous fields, is used as an interface for an intercultural citizenship. In this way, this Thesis is a creation research which, to verify its own postulate, was linked to three concepts based on a south-south point of view: the identity, the identity representation and the identity recognition. To structure these experimentations, this creation research was based on three artistic and cultural points that are clearly highlighted by the Agreement of Noumea. These points are: -the protection of the patrimony and its development, -the teaching and artistic practices and -the creation, the artistic dissemination and circulation of work. They led to six experimentations which allow this creation research to reveal an Oceanian fact and the interstitial culture present in New-Caledonia. The creation of these six interfaces also enabled, in an imaginative way, the creation of intercultural bridges from which it is possible to build a society that is more harmonious, in particular a democracy which accepts the plurality like a notebook with codes to build a better place: a Kaleutopia.
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<front><div type="abstract" xml:lang="en">This Art and Art Sciences Thesis places the Art at the heart of the societal and political research of a citizenship in New Caledonia. Indeed, it postulates that Art, observed and experienced at the edges of heterogeneous fields, is used as an interface for an intercultural citizenship. In this way, this Thesis is a creation research which, to verify its own postulate, was linked to three concepts based on a south-south point of view: the identity, the identity representation and the identity recognition. To structure these experimentations, this creation research was based on three artistic and cultural points that are clearly highlighted by the Agreement of Noumea. These points are: -the protection of the patrimony and its development, -the teaching and artistic practices and -the creation, the artistic dissemination and circulation of work. They led to six experimentations which allow this creation research to reveal an Oceanian fact and the interstitial culture present in New-Caledonia. The creation of these six interfaces also enabled, in an imaginative way, the creation of intercultural bridges from which it is possible to build a society that is more harmonious, in particular a democracy which accepts the plurality like a notebook with codes to build a better place: a Kaleutopia.</div>
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