"The Art : Interface of an intercultural citizenship From the Agreement of Noumea to Kaleutopia"
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Auteurs : Florence Rortais [France]Source :
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Abstract
This Art and Art Sciences Thesis places the Art at the heart of the societal and political research of a citizenship in New Caledonia. Indeed, it postulates that Art, observed and experienced at the edges of heterogeneous fields, is used as an interface for an intercultural citizenship. In this way, this Thesis is a creation research which, to verify its own postulate, was linked to three concepts based on a south-south point of view: the identity, the identity representation and the identity recognition. To structure these experimentations, this creation research was based on three artistic and cultural points that are clearly highlighted by the Agreement of Noumea. These points are: -the protection of the patrimony and its development, -the teaching and artistic practices and -the creation, the artistic dissemination and circulation of work. They led to six experimentations which allow this creation research to reveal an Oceanian fact and the interstitial culture present in New-Caledonia. The creation of these six interfaces also enabled, in an imaginative way, the creation of intercultural bridges from which it is possible to build a society that is more harmonious, in particular a democracy which accepts the plurality like a notebook with codes to build a better place: a Kaleutopia.
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The creation of these six interfaces also enabled, in an imaginative way, the creation of intercultural bridges from which it is possible to build a society that is more harmonious, in particular a democracy which accepts the plurality like a notebook with codes to build a better place: a Kaleutopia.</div></front></TEI><hal api="V3"> <titleStmt> <title xml:lang="en">"The Art : Interface of an intercultural citizenship From the Agreement of Noumea to Kaleutopia"</title> <title xml:lang="fr">"L'Art : Interface d'une citoyenneté interculturelle De l'accord de Nouméa à la Kaleutopia"</title> <author role="aut"> <persName> <forename type="first">Florence</forename> <surname>Rortais</surname> </persName> <email type="md5">61684f94c1aea8074eed4e7d40fb7ed9</email> <email type="domain">gmail.com</email> <idno type="halauthorid">480624</idno> <affiliation ref="#struct-136101"></affiliation> </author> <editor role="depositor"> <persName> <forename>Florence</forename> <surname>Rortais</surname> </persName> <email type="md5">61684f94c1aea8074eed4e7d40fb7ed9</email> <email type="domain">gmail.com</email> </editor> </titleStmt> <editionStmt> <edition n="v1" type="current"> <date type="whenSubmitted">2010-04-21 04:56:18</date> <date type="whenModified">2018-01-05 14:14:13</date> <date type="whenReleased">2010-04-21 10:52:42</date> <date type="whenProduced">2009-12-08</date> <date type="whenEndEmbargoed">2010-04-21</date> <ref type="file" target="https://tel.archives-ouvertes.fr/tel-00474844/document"> <date notBefore="2010-04-21"></date> </ref> <ref type="file" n="1" target="https://tel.archives-ouvertes.fr/tel-00474844/file/Annexe1.TheseFR.pdf"> <date notBefore="2010-04-21"></date> </ref> <ref type="file" n="0" target="https://tel.archives-ouvertes.fr/tel-00474844/file/Annexe_3.TheseFR.pdf"> <date notBefore="2010-04-21"></date> </ref> <ref type="file" n="0" target="https://tel.archives-ouvertes.fr/tel-00474844/file/Annexe_2.TheseFR.pdf"> <date notBefore="2010-04-21"></date> </ref> <ref type="file" n="0" target="https://tel.archives-ouvertes.fr/tel-00474844/file/These.FR.2010.pdf"> <date notBefore="2010-04-21"></date> </ref> <ref type="file" n="0" target="https://tel.archives-ouvertes.fr/tel-00474844/file/Annexe_4.TheseFR.pdf"> <date notBefore="2010-04-21"></date> </ref> </edition> <respStmt> <resp>contributor</resp> <name key="150611"> <persName> <forename>Florence</forename> <surname>Rortais</surname> </persName> <email type="md5">61684f94c1aea8074eed4e7d40fb7ed9</email> <email type="domain">gmail.com</email> </name> </respStmt> </editionStmt> <publicationStmt> <distributor>CCSD</distributor> <idno type="halId">tel-00474844</idno> <idno type="halUri">https://tel.archives-ouvertes.fr/tel-00474844</idno> <idno type="halBibtex">rortais:tel-00474844</idno> <idno type="halRefHtml">domain_other. Université Michel de Montaigne - Bordeaux III, 2009. Français</idno> <idno type="halRef">domain_other. Université Michel de Montaigne - Bordeaux III, 2009. Français</idno> </publicationStmt> <seriesStmt> <idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno> <idno type="stamp" n="UBX3-T">Thèses de l'Université Bordeaux 3</idno> </seriesStmt> <notesStmt></notesStmt> <sourceDesc> <biblStruct> <analytic> <title xml:lang="en">"The Art : Interface of an intercultural citizenship From the Agreement of Noumea to Kaleutopia"</title> <title xml:lang="fr">"L'Art : Interface d'une citoyenneté interculturelle De l'accord de Nouméa à la Kaleutopia"</title> <author role="aut"> <persName> <forename type="first">Florence</forename> <surname>Rortais</surname> </persName> <email type="md5">61684f94c1aea8074eed4e7d40fb7ed9</email> <email type="domain">gmail.com</email> <idno type="halauthorid">480624</idno> <affiliation ref="#struct-136101"></affiliation> </author> </analytic> <monogr> <imprint> <date type="dateDefended">2009-12-08</date> </imprint> <authority type="institution">Université Michel de Montaigne - Bordeaux III</authority> <authority type="school">Ecole Doctorale Interdisciplinaire des Langues et des Cultures</authority> <authority type="supervisor">Sylviane Leprun(sylviane.leprun@orange.fr)</authority> <authority type="jury">PR Jean-Pierre Augustin</authority> <authority type="jury">PR Pierre Bidart (rapporteur)</authority> <authority type="jury">PR Alain Jeannel</authority> <authority type="jury">PR Bernard Rigo (rapporteur)</authority> </monogr> </biblStruct> </sourceDesc> <profileDesc> <langUsage> <language ident="fr">French</language> </langUsage> <textClass> <keywords scheme="author"> <term xml:lang="fr">Art</term> <term xml:lang="fr">citoyenneté interculturelle</term> <term xml:lang="fr">Esthétique océanienne</term> <term xml:lang="fr">Art contemporain océanien.</term> <term xml:lang="ro">Intercultural citizenship</term> <term xml:lang="ro">Oceanian esthetic</term> <term xml:lang="ro">Oceanian contemporary art.</term> </keywords> <classCode scheme="halDomain" n="other">domain_other</classCode> <classCode scheme="halDomain" n="shs">Humanities and Social Sciences</classCode> <classCode scheme="halTypology" n="THESE">Theses</classCode> </textClass> <abstract xml:lang="en">This Art and Art Sciences Thesis places the Art at the heart of the societal and political research of a citizenship in New Caledonia. Indeed, it postulates that Art, observed and experienced at the edges of heterogeneous fields, is used as an interface for an intercultural citizenship. In this way, this Thesis is a creation research which, to verify its own postulate, was linked to three concepts based on a south-south point of view: the identity, the identity representation and the identity recognition. To structure these experimentations, this creation research was based on three artistic and cultural points that are clearly highlighted by the Agreement of Noumea. These points are: -the protection of the patrimony and its development, -the teaching and artistic practices and -the creation, the artistic dissemination and circulation of work. They led to six experimentations which allow this creation research to reveal an Oceanian fact and the interstitial culture present in New-Caledonia. The creation of these six interfaces also enabled, in an imaginative way, the creation of intercultural bridges from which it is possible to build a society that is more harmonious, in particular a democracy which accepts the plurality like a notebook with codes to build a better place: a Kaleutopia.</abstract> <abstract xml:lang="fr">Cette Thèse d‟Art et de Sciences de l‟Art place l‟Art au cœur de la recherche sociétale et politique d‟une citoyenneté en Nouvelle-Calédonie. En effet, elle postule que l‟Art, observé et expérimenté dans des intermédialités de terrains hétéroclites, sert d‟interface à une citoyenneté interculturelle. En ce sens, cette Thèse est une recherche création qui pour vérifier son postulat, s‟est articulée autour de trois concepts compris d‟un point de vue sud-sud : l‟identité, la représentation identitaire et la reconnaissance identitaire. Pour structurer ses expérimentations, cette recherche création s‟est appuyée sur trois points artistiques et culturels sur lesquels l‟accord de Nouméa insiste particulièrement. Ils sont : -la protection du patrimoine et sa mise en valeur, -les enseignements et les pratiques artistiques et -la création, la diffusion artistique et la circulation des œuvres. Ils ont donné lieu à six expérimentations qui permettent à cette recherche création de révéler un fait océanien et la culture interstitielle présentes en Nouvelle-Calédonie. La création de ces six interfaces a également permis, de manière imagée, la mise en place de ponts interculturels. Ponts interculturels à partir desquels cette thèse a cherché à construire une société plus harmonieuse, en l‟occurrence une démocratie qui accepte la pluralité comme un répertoire de codes nouveaux pour construire un lieu où il fait bon vivre : une Kaleutopia.</abstract> </profileDesc> </hal></record>Pour manipuler ce document sous Unix (Dilib)
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