Parody in art from the sixties to our times
Identifieur interne : 000070 ( Main/Curation ); précédent : 000069; suivant : 000071Parody in art from the sixties to our times
Auteurs : Juliette Bertron [France]Source :
Descripteurs français
English descriptors
Abstract
The word parody has been coined during classical antiquity and has since been considered mostly as a literary genre or figure. Nevertheless, numerous plastic artists are making use of its forms, processes and connotations. During the 1960s decade, the advent of consumerism and its effects on the work of art duplicability gave a new rise to parody. Reproducibility allowed the transformation of history of arts into a vast repertoire in which one may draw to create from and thus, offered a fertile ground for parodic creation. This study focuses on understanding why and how such a wide range of artists are taking advantage of parody for personal or contextual ends from the 1960s to nowadays. The first part of this study is articulated around the precise definition of the term and a chronological view of the parodic art since the middle of the 19th century, from the Salons caricaturaux to postmodernism including historical avant- gardes. The notions of playfulness, comic and satiric will be discussed in the second part, in order to grasp the multiple shades of parody. The third and last part is devoted to the specular aspect of parody that leads to a questioning of the artistic institutions and aims to unveil the artistic practices themselves. Across these pages, parody appears as an ambivalent process, oscillating between mauvais genre and sophistication, childishness and elitism, barrenness and creative rebirth, destitution and admiration, outrage and tribute.
Url:
Links toward previous steps (curation, corpus...)
- to stream Hal, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000108
- to stream Hal, to step Curation: Pour aller vers cette notice dans l'étape Curation :000108
- to stream Hal, to step Checkpoint: Pour aller vers cette notice dans l'étape Curation :000064
- to stream Main, to step Merge: Pour aller vers cette notice dans l'étape Curation :000070
Links to Exploration step
Hal:tel-01291149Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Parody in art from the sixties to our times</title>
<title xml:lang="fr">De la parodie dans l'art des années 1960 à nos jours</title>
<author><name sortKey="Bertron, Juliette" sort="Bertron, Juliette" uniqKey="Bertron J" first="Juliette" last="Bertron">Juliette Bertron</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-745" status="OLD"> <orgName>Centre Georges Chevrier. Ordre et désordre dans l'histoire des sociétés (UMR5605)</orgName>
<orgName type="acronym">CGC</orgName>
<date type="start">1995-01-01</date>
<date type="end">2011-12-31</date>
<desc> <address> <addrLine>Université de Bourgogne - 4 Bvd Gabriel - 21000 DIJON</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://tristan.u-bourgogne.fr/CGC.html</ref>
</desc>
<listRelation> <relation active="#struct-300270" type="direct"></relation>
<relation name="UMR5605" active="#struct-441569" type="direct"></relation>
</listRelation>
<tutelles><tutelle active="#struct-300270" type="direct"><org type="institution" xml:id="struct-300270" status="VALID"> <orgName>Université de Bourgogne</orgName>
<orgName type="acronym">UB</orgName>
<desc> <address> <addrLine>Maison de l'université - Esplanade Érasme - BP 27877 - 21078 Dijon cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.u-bourgogne.fr/</ref>
</desc>
</org>
</tutelle>
<tutelle name="UMR5605" active="#struct-441569" type="direct"><org type="institution" xml:id="struct-441569" status="VALID"> <idno type="IdRef">02636817X</idno>
<idno type="ISNI">0000000122597504</idno>
<orgName>Centre National de la Recherche Scientifique</orgName>
<orgName type="acronym">CNRS</orgName>
<date type="start">1939-10-19</date>
<desc> <address> <country key="FR"></country>
</address>
<ref type="url">http://www.cnrs.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
<placeName><settlement type="city">Dijon</settlement>
<region type="region" nuts="2">Région Bourgogne</region>
</placeName>
<orgName type="university">Université de Bourgogne</orgName>
<orgName type="institution" wicri:auto="newGroup">Université de Bourgogne Franche-Comté</orgName>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">HAL</idno>
<idno type="RBID">Hal:tel-01291149</idno>
<idno type="halId">tel-01291149</idno>
<idno type="halUri">https://tel.archives-ouvertes.fr/tel-01291149</idno>
<idno type="url">https://tel.archives-ouvertes.fr/tel-01291149</idno>
<date when="2014-11-28">2014-11-28</date>
<idno type="wicri:Area/Hal/Corpus">000108</idno>
<idno type="wicri:Area/Hal/Curation">000108</idno>
<idno type="wicri:Area/Hal/Checkpoint">000064</idno>
<idno type="wicri:explorRef" wicri:stream="Hal" wicri:step="Checkpoint">000064</idno>
<idno type="wicri:Area/Main/Merge">000070</idno>
<idno type="wicri:Area/Main/Curation">000070</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en">Parody in art from the sixties to our times</title>
<title xml:lang="fr">De la parodie dans l'art des années 1960 à nos jours</title>
<author><name sortKey="Bertron, Juliette" sort="Bertron, Juliette" uniqKey="Bertron J" first="Juliette" last="Bertron">Juliette Bertron</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-745" status="OLD"> <orgName>Centre Georges Chevrier. Ordre et désordre dans l'histoire des sociétés (UMR5605)</orgName>
<orgName type="acronym">CGC</orgName>
<date type="start">1995-01-01</date>
<date type="end">2011-12-31</date>
<desc> <address> <addrLine>Université de Bourgogne - 4 Bvd Gabriel - 21000 DIJON</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://tristan.u-bourgogne.fr/CGC.html</ref>
</desc>
<listRelation> <relation active="#struct-300270" type="direct"></relation>
<relation name="UMR5605" active="#struct-441569" type="direct"></relation>
</listRelation>
<tutelles><tutelle active="#struct-300270" type="direct"><org type="institution" xml:id="struct-300270" status="VALID"> <orgName>Université de Bourgogne</orgName>
<orgName type="acronym">UB</orgName>
<desc> <address> <addrLine>Maison de l'université - Esplanade Érasme - BP 27877 - 21078 Dijon cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.u-bourgogne.fr/</ref>
</desc>
</org>
</tutelle>
<tutelle name="UMR5605" active="#struct-441569" type="direct"><org type="institution" xml:id="struct-441569" status="VALID"> <idno type="IdRef">02636817X</idno>
<idno type="ISNI">0000000122597504</idno>
<orgName>Centre National de la Recherche Scientifique</orgName>
<orgName type="acronym">CNRS</orgName>
<date type="start">1939-10-19</date>
<desc> <address> <country key="FR"></country>
</address>
<ref type="url">http://www.cnrs.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
<placeName><settlement type="city">Dijon</settlement>
<region type="region" nuts="2">Région Bourgogne</region>
</placeName>
<orgName type="university">Université de Bourgogne</orgName>
<orgName type="institution" wicri:auto="newGroup">Université de Bourgogne Franche-Comté</orgName>
</affiliation>
</author>
</analytic>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="mix" xml:lang="en"><term>Caricature</term>
<term>Humor</term>
<term>Irony</term>
<term>Parody</term>
<term>Pastiche</term>
<term>Quotation</term>
<term>Satire</term>
</keywords>
<keywords scheme="mix" xml:lang="fr"><term>Art</term>
<term>Citation</term>
<term>Humour</term>
<term>Ironie</term>
<term>Parodie</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Citation</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">The word parody has been coined during classical antiquity and has since been considered mostly as a literary genre or figure. Nevertheless, numerous plastic artists are making use of its forms, processes and connotations. During the 1960s decade, the advent of consumerism and its effects on the work of art duplicability gave a new rise to parody. Reproducibility allowed the transformation of history of arts into a vast repertoire in which one may draw to create from and thus, offered a fertile ground for parodic creation. This study focuses on understanding why and how such a wide range of artists are taking advantage of parody for personal or contextual ends from the 1960s to nowadays. The first part of this study is articulated around the precise definition of the term and a chronological view of the parodic art since the middle of the 19th century, from the Salons caricaturaux to postmodernism including historical avant- gardes. The notions of playfulness, comic and satiric will be discussed in the second part, in order to grasp the multiple shades of parody. The third and last part is devoted to the specular aspect of parody that leads to a questioning of the artistic institutions and aims to unveil the artistic practices themselves. Across these pages, parody appears as an ambivalent process, oscillating between mauvais genre and sophistication, childishness and elitism, barrenness and creative rebirth, destitution and admiration, outrage and tribute.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Psychologie/explor/BernheimV1/Data/Main/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000070 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Curation/biblio.hfd -nk 000070 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Psychologie |area= BernheimV1 |flux= Main |étape= Curation |type= RBID |clé= Hal:tel-01291149 |texte= Parody in art from the sixties to our times }}
This area was generated with Dilib version V0.6.33. |