| Ident. | Authors (with country if any) | Title |
|---|
| 000001 (2018) |
Kongmeng Liew [Singapour, Japon] ; Permagnus Lindborg [Singapour] ; Ruth Rodrigues [Singapour] ; Suzy J. Styles [Singapour] | Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting |
| 000006 (2017) |
Patrick Georges | Western classical music development: a statistical analysis of composers similarity, differentiation and evolution |
| 000008 (2016) |
Kirk N. Olsen [Australie] ; Roger T. Dean [Australie] ; Yvonne Leung [Australie] | What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics |
| 000023 (2015) |
Makis Solomos [France] | Iannis Xenakis. The electroacoustic music |
| 000039 (2013) |
Simon Shaw-Miller | State of Play: Visual Culture and Music |
| 000041 (2013) |
Martin Dostál [République tchèque] | Evolutionary Music Composition |
| 000057 (2012) |
Ian Dickson | Towards a Grammatical Analysis of Scelsi's Late Music |
| 000069 (2012) |
Frédérick Duhautpas [France] ; Renaud Meric [France] ; Makis Solomos [France] | Expressiveness and Meaning in the Electroacoustic Music of Iannis Xenakis. The case of La Légende d'Eer |
| 000074 (2011) |
Scot Gresham-Lancaster [États-Unis] | Relationships of sonification to music and sound art |
| 000077 (2011) |
Cecília Reis [Portugal] ; Viriato M. Marques [Portugal] ; J. A. Tenreiro Machado [Portugal] | Music and Evolutionary Computation |
| 000081 (2011) |
Peter Gena [États-Unis] | Apropos sonification: a broad view of data as music and sound |
| 000124 (2009) |
Giovanni Guanti [Italie] | Teaching the Aesthetics of Music Today |
| 000128 (2009) |
Jerrold Levinson [États-Unis] | Philosophy and Music |
| 000129 (2009) |
Gérard Milmeister [Suisse] | Overview of Music Theories |
| 000131 (2009) |
Alessandra Capanna [Italie] | Music and Architecture: A Cross between Inspiration and Method |
| 000132 (2009) |
Alessandra Capanna [Italie] | Music and Architecture: A Cross between Inspiration and Method |
| 000162 (2008) |
Nick Prior [Royaume-Uni] | Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music |
| 000164 (2008) |
Ana Dubnjakovic | Electroacoustic music updating the library collection |
| 000165 (2008) |
Lydia Ayers [République populaire de Chine, Hong Kong] | Computer Music Synthesis and Composition |
| 000166 (2008) |
Caroline Traube [Canada] | Book Review: Musimathics: The Mathematical Foundations of Music |
| 000182 (2007) |
John Barron [États-Unis] | ■ The New Blue Music: Changes in Rhythm & Blues, 1950-1959. By Richard J. Ripani. University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492; 601-432-6205; fax, 601-432-6217; www.upress .state.ms.us. 2006. 261 pp. Music examples, appendix, notes, bibliography, index. Hardcover, $50.00; paperback, $20.00 |
| 000183 (2007) |
Jann Howell [Niger] | ■ Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. By Kelley Harness. University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637; 800-621-2736; fax, 800-621-8476; www.press .chicago.edu. 2006. 408 pp. Black-and-white illustrations, music examples, color plates, appendixes, bibliography, index. Hardcover, $45.00 |
| 000184 (2007) |
Geary Larrick [Niger] | ■ A Concise History of Western Music. By Paul Griffiths. Cambridge University Press, 32 Avenue of the Americas, New York, NY 10013; 212-337-5057; www.cambridge.org/us/. 2006. 360 pp. Glossary, reading and listening lists, index. Hardcover, $35.00 |
| 000200 (2006) |
Evaggelia Vagopoulou | Xenakis: His Life in Music. By James Harley. pp. xii + 279. (Routledge, New York and London, 2004, £55. ISBN 0-415-97145-4.) |
| 000202 (2006) |
Simon Shaw Miller | Visual Music and the Case for Rigorous Thinking |
| 000205 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 000262 (2005) |
Robert P. Morgan | The Cambridge History of Twentieth-Century Music. Ed. by Nicholas Cook and Anthony Pople. pp. xviii + 818. (Cambridge University Press, Cambridge, 2004, £100. ISBN 0-521-66256-7.) |
| 000263 (2005) |
Arnold Whittall [Royaume-Uni] | Review: Modernism and Music: An Anthology of Sources |
| 000271 (2005) |
Makis Solomos [France] | Cellular automata in Xenakis's music. Theory and Practice |
| 000375 (2003) |
Jean Maruani [France] ; Roland Lefebvre [France] ; Marja Rantanen [France] | Science and Music: From the Music of the Depths to the Music of the Spheres |
| 000376 (2003) |
Christopher Mark | Review: The Voice of Music: Conversations with Composers of Our Time |
| 000378 (2003) |
Christopher Mark | Review: Settling the Score: A Journey through the Music of the 20th Century |
| 000379 (2003) |
Arnold Whittall [Royaume-Uni] | Review: Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer |
| 000380 (2003) |
Robynn J. Stilwell | Review: Moving Music: Dialogues with Music in Twentieth‐Century Ballet |
| 000408 (2002) |
Athanase Papadopoulos [France] | Mathematics and music theory: From pythagoras to rameau |
| 000416 (2001) |
Makis Solomos [France] | The unity of Xenakis’ instrumental and electroacoustic music. The case of “brownian movements” |
| 000445 (2000) |
Tristram Pugin | Through the Spectrum: The New Intimacy in French Music (I) |
| 000450 (2000) |
François Nicolas [France] | Book Review: Fractals in Music. Introductory Mathematics for Musical Analysis |
| 000462 (1999) |
Rebecca Coyle | Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (New Jersey: Prentice-Hall, 1997), 370pp. ISBN 0 13 303231 0; and Paul Theberge, Any Sound You Can Imagine: Making Music/Consuming Technology (New England, Hanover: Wesleyan University Press, 1997), 294pp. ISBN 0 8195 6309 9 |
| 000478 (1998) |
Marcel Mesnage | Book Review: Music. Gestalt and Computing. Studies in Cognitive and Systematic Musicology |
| 000484 (1997) |
Mike Seabrook | ‘Dark Fire’: Simon Holt and his Music |
| 000509 (1996) |
James Pruett [États-Unis] | The Harpur College Music-Computer seminar: A report |
| 000515 (1996) |
Ivan Moody | Mensagens: Portuguese Music in the 20th Century |
| 000516 (1996) |
Mark Delaere | Karel Goeyvaerts: a Belgian Pioneer of Serial, Electronic and Minimal Music |
| 000522 (1996) |
Marie Fulková | Art and Music Correlation |
| 000563 (1993) |
Christopher Fox | British Music at Darmstadt 1982–92 |
| 000587 (1990) |
J.-C. Risset [France] | The Computer, Music, and Sound Models |
| 000603 (1989) |
J.-C. Risset [France] | The Computer, Music, and Sound Models |
| 000618 (1988) |
Richard Barrett | Richard Emsley: A View of his Music |
| 000634 (1987) |
David Drew | Eisler and Austrian Music: Notes for the Almeida Festival |
| 000649 (1986) |
Peter Hill | ‘Authenticity’ in Contemporary Music |
