List of bibliographic references indexed by music
Number of relevant bibliographic references: 79.
[20-40] [
0 - 20][
0 - 50][
40-60]
| Ident. | Authors (with country if any) | Title |
|---|
| 000182 (2007) |
John Barron [États-Unis] | ■ The New Blue Music: Changes in Rhythm & Blues, 1950-1959. By Richard J. Ripani. University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492; 601-432-6205; fax, 601-432-6217; www.upress .state.ms.us. 2006. 261 pp. Music examples, appendix, notes, bibliography, index. Hardcover, $50.00; paperback, $20.00 |
| 000183 (2007) |
Jann Howell [Niger] | ■ Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. By Kelley Harness. University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637; 800-621-2736; fax, 800-621-8476; www.press .chicago.edu. 2006. 408 pp. Black-and-white illustrations, music examples, color plates, appendixes, bibliography, index. Hardcover, $45.00 |
| 000184 (2007) |
Geary Larrick [Niger] | ■ A Concise History of Western Music. By Paul Griffiths. Cambridge University Press, 32 Avenue of the Americas, New York, NY 10013; 212-337-5057; www.cambridge.org/us/. 2006. 360 pp. Glossary, reading and listening lists, index. Hardcover, $35.00 |
| 000200 (2006) |
Evaggelia Vagopoulou | Xenakis: His Life in Music. By James Harley. pp. xii + 279. (Routledge, New York and London, 2004, £55. ISBN 0-415-97145-4.) |
| 000202 (2006) |
Simon Shaw Miller | Visual Music and the Case for Rigorous Thinking |
| 000205 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 000262 (2005) |
Robert P. Morgan | The Cambridge History of Twentieth-Century Music. Ed. by Nicholas Cook and Anthony Pople. pp. xviii + 818. (Cambridge University Press, Cambridge, 2004, £100. ISBN 0-521-66256-7.) |
| 000263 (2005) |
Arnold Whittall [Royaume-Uni] | Review: Modernism and Music: An Anthology of Sources |
| 000271 (2005) |
Makis Solomos [France] | Cellular automata in Xenakis's music. Theory and Practice |
| 000375 (2003) |
Jean Maruani [France] ; Roland Lefebvre [France] ; Marja Rantanen [France] | Science and Music: From the Music of the Depths to the Music of the Spheres |
| 000376 (2003) |
Christopher Mark | Review: The Voice of Music: Conversations with Composers of Our Time |
| 000378 (2003) |
Christopher Mark | Review: Settling the Score: A Journey through the Music of the 20th Century |
| 000379 (2003) |
Arnold Whittall [Royaume-Uni] | Review: Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer |
| 000380 (2003) |
Robynn J. Stilwell | Review: Moving Music: Dialogues with Music in Twentieth‐Century Ballet |
| 000408 (2002) |
Athanase Papadopoulos [France] | Mathematics and music theory: From pythagoras to rameau |
| 000416 (2001) |
Makis Solomos [France] | The unity of Xenakis’ instrumental and electroacoustic music. The case of “brownian movements” |
| 000445 (2000) |
Tristram Pugin | Through the Spectrum: The New Intimacy in French Music (I) |
| 000450 (2000) |
François Nicolas [France] | Book Review: Fractals in Music. Introductory Mathematics for Musical Analysis |
| 000462 (1999) |
Rebecca Coyle | Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (New Jersey: Prentice-Hall, 1997), 370pp. ISBN 0 13 303231 0; and Paul Theberge, Any Sound You Can Imagine: Making Music/Consuming Technology (New England, Hanover: Wesleyan University Press, 1997), 294pp. ISBN 0 8195 6309 9 |
| 000478 (1998) |
Marcel Mesnage | Book Review: Music. Gestalt and Computing. Studies in Cognitive and Systematic Musicology |
| 000484 (1997) |
Mike Seabrook | ‘Dark Fire’: Simon Holt and his Music |
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