List of bibliographic references indexed by 1478-2286
Number of relevant bibliographic references: 391.
[0-50] [
0 - 20][
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50-70]
Ident. | Authors (with country if any) | Title |
---|
000091 (2010) |
| TEM volume 64 issue 251 Cover and Front matter |
000092 (2010) |
| TEM volume 64 issue 251 Cover and Back matter |
000094 (2010) |
Cheong Wai-Ling | PLAINCHANTS AS COLOURED TIME IN MESSIAEN'S ‘COULEURS DE LA CITÉ CÉLESTE’ |
000098 (2010) |
| CD REVIEWS |
000099 (2010) |
| CD AND DVD REVIEWS |
000100 (2010) |
| BOOK REVIEWS |
000101 (2010) |
| BOOK REVIEWS |
000113 (2009) |
| NEWS SECTION |
000115 (2009) |
| FIRST PERFORMANCES |
000116 (2009) |
| FIRST PERFORMANCES |
000117 (2009) |
| FIRST PERFORMANCES |
000118 (2009) |
| FIRST PERFORMANCES |
000156 (2008) |
| First Performances |
000159 (2008) |
| CD REVIEWS |
000160 (2008) |
| CD REVIEWS |
000161 (2008) |
| CD REVIEWS |
000172 (2007) |
John Wheatley | THE SOUND OF ARCHITECTURE |
000174 (2007) |
Bob Gilmore | ON CLAUDE VIVIER'S ‘LONELY CHILD’ |
000176 (2007) |
Eric Smigel ; Veronika Krausas | JAMES TENNEY REMEMBERS: EXCERPTS FROM THE LAST INTERVIEWS |
000177 (2007) |
Christopher Dingle | FORGOTTEN OFFERINGS: MESSIAEN'S FIRST ORCHESTRAL WORKS |
000178 (2007) |
| CD Reviews |
000179 (2007) |
| Book Reviews |
000180 (2007) |
| Book Reviews |
000195 (2006) |
John Talbot | The Collected Letters of Peter Warlock edited by Barry Smith. The Boydell Press, 4-volume set, £200.00. |
000196 (2006) |
Rodney Lister | The Cambridge History of Twentieth Century Music edited by Nicholas Cook and Anthony Pople. Cambridge University Press, £100.00 / $160.00. The Oxford History of Western Music by Richard Taruskin. Oxford University Press, £425.00 / $699.00. |
000197 (2006) |
Arnold Whittall [Royaume-Uni] | Other Planets. The Music of Karlhenz Stockhausen, by Robin Maconie. The Scarecrow Press, Inc, £24.99. |
000198 (2006) |
Paul Conway | Channel 4 |
000221 (2005) |
Keith Potter | Zagreb: ISCM Festival/Zagreb Biennale |
000222 (2005) |
Charles Turner | Xenakis: His Life in Music by James Harley. Routledge, $85.00. |
000223 (2005) |
Bret Johnson | Voices in the Wilderness: American Neo-Romantic Composers by Walter Simmons. Scarecrow Press, $69.95. |
000224 (2005) |
Martin Anderson | Three BBC premières: Dean, Martinsson, Cresswell |
000225 (2005) |
Edward Venn | Thomas Adès's Piano Quintet |
000226 (2005) |
Jill Barlow | The Music of Richard Allain |
000227 (2005) |
| TEMPO MASTERPIECE POLL: THE RESULTS |
000228 (2005) |
Jill Barlow | St Albans: Guy Dagul's ‘Grand Fantasia’ |
000229 (2005) |
Julian Silverman | Polyphony & Complexity: New Music and Aesthetics in the 21st century, Volume 1 edited by Claus-Steffen Mahnkopf, Frank Cox and Wolfram Schurig. Wolke Verlag, Hofheim, £22.00. |
000230 (2005) |
Paul Conway | Pascal Dusapin round-up |
000231 (2005) |
Robert Stein | New York, Carnegie Hall: Sallinen's Eighth Symphony |
000232 (2005) |
Guy Rickards | Music by women composers |
000233 (2005) |
Edward Venn | Maxwell Davies Naxos Quartets 3 and 4 |
000234 (2005) |
Lewis Foreman | Malcolm Arnold: Rogue Genius. The life and music of Britain's most misunderstood composer by Anthony Meredith and Paul Harris. Thames/Elkin, £29.99 |
000235 (2005) |
Jill Barlow | London, St John's Smith Square: Vasari Singers Anniversary commissions |
000236 (2005) |
Martin Anderson | London, Royal Opera House, Covent Garden: Lorin Maazel's ‘1984’ |
000237 (2005) |
Alan Gibbs | London, Morley College and Leighton House: Mátyás Seiber celebrations |
000238 (2005) |
Martin Anderson | London, Conway Hall and Jackson's Lane: Two Graham Williams premières |
000239 (2005) |
Lewis Foreman | London, Barbican: Taneyev Mini-Fest |
000240 (2005) |
Paul Conway | John Tavener round-up |
000241 (2005) |
Benjamin K. Davies | Joan Guinjoan concertos |
000242 (2005) |
Ronit Seter | Jerusalem and Tel-Aviv: Different News from Israel (or, One More Step Toward Peace) — Three Contemporary Music Festivals |
000243 (2005) |
Benjamin K. Davies | FRACTURE AND FORM, ARCHITECTURE AND MUSIC: GUINJOAN'S ‘GAUDÍ’ |
000244 (2005) |
Malcolm Miller ; Martin Anderson | FIVE LONDON REPORTS |
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