Evaluating the Dynamic Stochastic Synthesis
Identifieur interne : 000479 ( Main/Exploration ); précédent : 000478; suivant : 000480Evaluating the Dynamic Stochastic Synthesis
Auteurs : P. Hoffmann [Allemagne]Source :
- Notes scientifiques - Publications du L.M.A.
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- Pascal (Inist)
English descriptors
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Abstract
As a follow-up of the seminal paper "Implementing the Dynamic Stochastic Synthesis", written from an engineer's perspective and presented at JIM96, this paper discusses the aesthetic implications of Xenakis' composition algorithm in the context of algorithmic computer art. Some more thorough reflections can now be presented to issues concerning the aesthetics of machine music, computer generated sound, and automated composition. The categories of Non-Standard Synthesis, "Sonological Emergence", and "Non-Deterministic Composition" prove extremely helpful in discussing Xenakis' approach. Some of the most prominent features of his automated compositions will be discussed before this background: his specific way of exploiting probability fluctuations for musical purposes, his deliberate use of quantization noise in sound synthesis, and the emergence of stochastic microtonal scales.
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