Evaluating the Dynamic Stochastic Synthesis
Identifieur interne :
000002 ( PascalFrancis/Corpus );
précédent :
000001
Evaluating the Dynamic Stochastic Synthesis
Auteurs : P. HoffmannSource :
-
Notes scientifiques - Publications du L.M.A.
RBID : Pascal:99-0371442
Descripteurs français
English descriptors
Abstract
As a follow-up of the seminal paper "Implementing the Dynamic Stochastic Synthesis", written from an engineer's perspective and presented at JIM96, this paper discusses the aesthetic implications of Xenakis' composition algorithm in the context of algorithmic computer art. Some more thorough reflections can now be presented to issues concerning the aesthetics of machine music, computer generated sound, and automated composition. The categories of Non-Standard Synthesis, "Sonological Emergence", and "Non-Deterministic Composition" prove extremely helpful in discussing Xenakis' approach. Some of the most prominent features of his automated compositions will be discussed before this background: his specific way of exploiting probability fluctuations for musical purposes, his deliberate use of quantization noise in sound synthesis, and the emergence of stochastic microtonal scales.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
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| A08 | 01 | 1 | ENG | @1 Evaluating the Dynamic Stochastic Synthesis |
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| A09 | 01 | 1 | FRE | @1 JIM '98 : journées d'informatique musicale : La Londe les Maures, 5-7 mai 1998 |
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| A11 | 01 | 1 | | @1 HOFFMANN (P.) |
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| A14 | 01 | | | @1 Technische Universität Berlin @3 DEU @Z 1 aut. |
|---|
| A14 | 02 | | | @1 Freie Universität Berlin @3 DEU @Z 1 aut. |
|---|
| A18 | 01 | 1 | | @1 CNRS. Laboratoire de mécanique et d'acoustique @2 Marseille @3 FRA @9 patr. |
|---|
| A20 | | | | @2 [8 p.] |
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| A21 | | | | @1 1998 |
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| A23 | 01 | | | @0 ENG |
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| A26 | 01 | | | @0 2-909669-12-2 |
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| A43 | 01 | | | @1 INIST @2 22473 @5 354000084525010300 |
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| A64 | 01 | 2 | | @0 Notes scientifiques - Publications du L.M.A. |
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| C01 | 01 | | ENG | @0 As a follow-up of the seminal paper "Implementing the Dynamic Stochastic Synthesis", written from an engineer's perspective and presented at JIM96, this paper discusses the aesthetic implications of Xenakis' composition algorithm in the context of algorithmic computer art. Some more thorough reflections can now be presented to issues concerning the aesthetics of machine music, computer generated sound, and automated composition. The categories of Non-Standard Synthesis, "Sonological Emergence", and "Non-Deterministic Composition" prove extremely helpful in discussing Xenakis' approach. Some of the most prominent features of his automated compositions will be discussed before this background: his specific way of exploiting probability fluctuations for musical purposes, his deliberate use of quantization noise in sound synthesis, and the emergence of stochastic microtonal scales. |
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| C03 | 01 | X | ENG | @0 Musical acoustics @5 01 |
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| C03 | 01 | X | SPA | @0 Acústica musical @5 01 |
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| C03 | 02 | X | FRE | @0 Reproduction son @5 02 |
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| C03 | 02 | X | ENG | @0 Sound reproduction @5 02 |
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| C03 | 02 | X | SPA | @0 Reproducción sonido @5 02 |
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| C03 | 03 | 1 | FRE | @0 Acoustique audio @5 03 |
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| C03 | 03 | 1 | ENG | @0 Audio acoustics @5 03 |
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Format Inist (serveur)
| NO : | PASCAL 99-0371442 INIST |
|---|
| FT : | JIM '98 : journées d'informatique musicale : La Londe les Maures, 5-7 mai 1998 |
|---|
| ET : | Evaluating the Dynamic Stochastic Synthesis |
|---|
| AU : | HOFFMANN (P.) |
|---|
| AF : | Technische Universität Berlin/Allemagne (1 aut.); Freie Universität Berlin/Allemagne (1 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Notes scientifiques - Publications du L.M.A.; France; Da. 1998; No. 148; [8 p.]; Bibl. 1 p.1/4 |
|---|
| LA : | Anglais |
|---|
| EA : | As a follow-up of the seminal paper "Implementing the Dynamic Stochastic Synthesis", written from an engineer's perspective and presented at JIM96, this paper discusses the aesthetic implications of Xenakis' composition algorithm in the context of algorithmic computer art. Some more thorough reflections can now be presented to issues concerning the aesthetics of machine music, computer generated sound, and automated composition. The categories of Non-Standard Synthesis, "Sonological Emergence", and "Non-Deterministic Composition" prove extremely helpful in discussing Xenakis' approach. Some of the most prominent features of his automated compositions will be discussed before this background: his specific way of exploiting probability fluctuations for musical purposes, his deliberate use of quantization noise in sound synthesis, and the emergence of stochastic microtonal scales. |
|---|
| CC : | 001B40C75; 001B40C38 |
|---|
| FD : | Acoustique musicale; Reproduction son; Acoustique audio; Synthèse son; Synthèse musique; Composition; Processus stochastique; 4375; 4338 |
|---|
| ED : | Musical acoustics; Sound reproduction; Audio acoustics; Sound synthesis; Music synthesis; Composition; Stochastic process |
|---|
| SD : | Acústica musical; Reproducción sonido; Síntesis sonido; Síntesis música; Composicion; Proceso estocástico |
|---|
| LO : | INIST-22473.354000084525010300 |
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| ID : | 99-0371442 |
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Links to Exploration step
Pascal:99-0371442
Le document en format XML
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