Iannis Xenakis. The electroacoustic music
Identifieur interne : 000015 ( Hal/Corpus ); précédent : 000014; suivant : 000016Iannis Xenakis. The electroacoustic music
Auteurs : Makis SolomosSource :
English descriptors
- mix :
Abstract
Xenakis’ electroacoustic works are relatively few in his whole production, but they are very important. Indeed, most of them punctuate the history of electroacoustic music as masterpieces full of originality and innovation. As they are composed at important moments of Xenakis’ evolution, these works can also be analyzed to understand the various aspects of his musical, theoretical, aesthetic and interdisciplinary thought: research on noise, granular theory, experimentations on spatialization, inter-artistic realizations… This book stems from an international symposium organized in May 2012 by Musidanse (University Paris 8), which hosted forty researchers (musicologists, composers ...) —among them many internationally recognized Xenakis’ specialists. It contains seventeen papers from the symposium and two other papers. It testifies to the extraordinary richness and vitality of Xenakis’ studies.Articles by: Andrea Arcella – Stefano Silvestri, Agostino Di Scipio, Dimitris Exarchos, Reinhold Friedl, Anastasia Georgaki, Benoît Gibson, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Mikhail Malt, Adriano Monteiro – Said Bonduki, Kostas Paparrigopoulos, Gérard Pape, Isabel Pires, Curtis Roads, Makis Solomos, Charles Turner
Url:
Links to Exploration step
Hal:hal-01789708Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Iannis Xenakis. The electroacoustic music</title>
<title xml:lang="fr">Iannis Xenakis. La musique électroacoustique</title>
<author><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
<affiliation><hal:affiliation type="laboratory" xml:id="struct-188359" status="VALID"> <orgName>Esthétiques, musicologie, danse et créations musicales - MUSIDANSE</orgName>
<desc> <address> <addrLine>2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine>
<country key="FR"></country>
</address>
</desc>
<listRelation> <relation name="EA1572" active="#struct-11141" type="direct"></relation>
</listRelation>
<tutelles><tutelle name="EA1572" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID"> <orgName>Université Paris 8 Vincennes-Saint-Denis</orgName>
<orgName type="acronym">UP8</orgName>
<desc> <address> <addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.univ-paris8.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">HAL</idno>
<idno type="RBID">Hal:hal-01789708</idno>
<idno type="halId">hal-01789708</idno>
<idno type="halUri">https://hal.archives-ouvertes.fr/hal-01789708</idno>
<idno type="url">https://hal.archives-ouvertes.fr/hal-01789708</idno>
<date when="2015">2015</date>
<idno type="wicri:Area/Hal/Corpus">000015</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en">Iannis Xenakis. The electroacoustic music</title>
<title xml:lang="fr">Iannis Xenakis. La musique électroacoustique</title>
<author><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
<affiliation><hal:affiliation type="laboratory" xml:id="struct-188359" status="VALID"> <orgName>Esthétiques, musicologie, danse et créations musicales - MUSIDANSE</orgName>
<desc> <address> <addrLine>2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine>
<country key="FR"></country>
</address>
</desc>
<listRelation> <relation name="EA1572" active="#struct-11141" type="direct"></relation>
</listRelation>
<tutelles><tutelle name="EA1572" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID"> <orgName>Université Paris 8 Vincennes-Saint-Denis</orgName>
<orgName type="acronym">UP8</orgName>
<desc> <address> <addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.univ-paris8.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
</affiliation>
</author>
</analytic>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="mix" xml:lang="en"><term>Xenakis</term>
<term>electroacoustic music</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Xenakis’ electroacoustic works are relatively few in his whole production, but they are very important. Indeed, most of them punctuate the history of electroacoustic music as masterpieces full of originality and innovation. As they are composed at important moments of Xenakis’ evolution, these works can also be analyzed to understand the various aspects of his musical, theoretical, aesthetic and interdisciplinary thought: research on noise, granular theory, experimentations on spatialization, inter-artistic realizations… This book stems from an international symposium organized in May 2012 by Musidanse (University Paris 8), which hosted forty researchers (musicologists, composers ...) —among them many internationally recognized Xenakis’ specialists. It contains seventeen papers from the symposium and two other papers. It testifies to the extraordinary richness and vitality of Xenakis’ studies.Articles by: Andrea Arcella – Stefano Silvestri, Agostino Di Scipio, Dimitris Exarchos, Reinhold Friedl, Anastasia Georgaki, Benoît Gibson, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Mikhail Malt, Adriano Monteiro – Said Bonduki, Kostas Paparrigopoulos, Gérard Pape, Isabel Pires, Curtis Roads, Makis Solomos, Charles Turner</div>
</front>
</TEI>
<hal api="V3"> <titleStmt> <title xml:lang="en">Iannis Xenakis. The electroacoustic music</title>
<title xml:lang="fr">Iannis Xenakis. La musique électroacoustique</title>
<author role="aut"> <persName> <forename type="first">Makis</forename>
<surname>Solomos</surname>
</persName>
<email type="md5">6c7af41aeff54ec7eec6a2ea80e63871</email>
<email type="domain">univ-paris8.fr</email>
<ptr type="url" target="http://musidanse.univ-paris8.fr/spip.php?article1222"></ptr>
<idno type="halauthorid">1557146</idno>
<affiliation ref="#struct-188359"></affiliation>
</author>
<editor role="depositor"> <persName> <forename>Makis</forename>
<surname>Solomos</surname>
</persName>
<email type="md5">6c7af41aeff54ec7eec6a2ea80e63871</email>
<email type="domain">univ-paris8.fr</email>
</editor>
</titleStmt>
<editionStmt> <edition n="v1" type="current"> <date type="whenSubmitted">2018-05-11 12:09:22</date>
<date type="whenModified">2018-05-25 01:35:11</date>
<date type="whenReleased">2018-05-24 10:06:46</date>
<date type="whenProduced">2015</date>
<date type="whenEndEmbargoed">2018-05-11</date>
<ref type="file" target="https://hal.archives-ouvertes.fr/hal-01789708/document"> <date notBefore="2018-05-11"></date>
</ref>
<ref type="file" subtype="publisherAgreement" n="1" target="https://hal.archives-ouvertes.fr/hal-01789708/file/Iannis%20Xenakis%2C%20La%20musique%20e%CC%81lectroacoustique%3A%20The%20elctroacoustic%20Music.pdf"> <date notBefore="2018-05-11"></date>
</ref>
</edition>
<respStmt> <resp>contributor</resp>
<name key="179231"> <persName> <forename>Makis</forename>
<surname>Solomos</surname>
</persName>
<email type="md5">6c7af41aeff54ec7eec6a2ea80e63871</email>
<email type="domain">univ-paris8.fr</email>
</name>
</respStmt>
</editionStmt>
<publicationStmt> <distributor>CCSD</distributor>
<idno type="halId">hal-01789708</idno>
<idno type="halUri">https://hal.archives-ouvertes.fr/hal-01789708</idno>
<idno type="halBibtex">solomos:hal-01789708</idno>
<idno type="halRefHtml">France. 2015</idno>
<idno type="halRef">France. 2015</idno>
</publicationStmt>
<seriesStmt> <idno type="stamp" n="AO-MUSICOLOGIE" p="SHS">AO-MUSICOLOGIE</idno>
<idno type="stamp" n="188359" p="UNIV-PARIS8">188359</idno>
<idno type="stamp" n="UNIV-PARIS8">UNIV-PARIS8</idno>
<idno type="stamp" n="SHS">SHS</idno>
</seriesStmt>
<notesStmt> <note type="audience" n="2">International</note>
<note type="popular" n="0">No</note>
</notesStmt>
<sourceDesc> <biblStruct> <analytic> <title xml:lang="en">Iannis Xenakis. The electroacoustic music</title>
<title xml:lang="fr">Iannis Xenakis. La musique électroacoustique</title>
<author role="aut"> <persName> <forename type="first">Makis</forename>
<surname>Solomos</surname>
</persName>
<email type="md5">6c7af41aeff54ec7eec6a2ea80e63871</email>
<email type="domain">univ-paris8.fr</email>
<ptr type="url" target="http://musidanse.univ-paris8.fr/spip.php?article1222"></ptr>
<idno type="halauthorid">1557146</idno>
<affiliation ref="#struct-188359"></affiliation>
</author>
</analytic>
<monogr> <meeting> <country key="FR">France</country>
</meeting>
<imprint> <date type="datePub">2015</date>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
<profileDesc> <langUsage> <language ident="fr">French</language>
</langUsage>
<textClass> <keywords scheme="author"> <term xml:lang="en">electroacoustic music</term>
<term xml:lang="en">Xenakis</term>
</keywords>
<classCode scheme="halDomain" n="shs.musiq">Humanities and Social Sciences/Musicology and performing arts</classCode>
<classCode scheme="halTypology" n="DOUV">Directions of work or proceedings</classCode>
</textClass>
<abstract xml:lang="en">Xenakis’ electroacoustic works are relatively few in his whole production, but they are very important. Indeed, most of them punctuate the history of electroacoustic music as masterpieces full of originality and innovation. As they are composed at important moments of Xenakis’ evolution, these works can also be analyzed to understand the various aspects of his musical, theoretical, aesthetic and interdisciplinary thought: research on noise, granular theory, experimentations on spatialization, inter-artistic realizations… This book stems from an international symposium organized in May 2012 by Musidanse (University Paris 8), which hosted forty researchers (musicologists, composers ...) —among them many internationally recognized Xenakis’ specialists. It contains seventeen papers from the symposium and two other papers. It testifies to the extraordinary richness and vitality of Xenakis’ studies.Articles by: Andrea Arcella – Stefano Silvestri, Agostino Di Scipio, Dimitris Exarchos, Reinhold Friedl, Anastasia Georgaki, Benoît Gibson, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Mikhail Malt, Adriano Monteiro – Said Bonduki, Kostas Paparrigopoulos, Gérard Pape, Isabel Pires, Curtis Roads, Makis Solomos, Charles Turner</abstract>
<abstract xml:lang="fr">Les œuvres électroacoustiques de Xenakis ne comptent que pour un dixième environ dans sa production, mais elles sont très importantes. En effet, la plupart d’entre elles jalonnent l’histoire de la musique électroacoustique tels des chefs d’œuvre d’originalité et d’innovation absolues. Composées à des moments-clefs de l’évolution de Xenakis, ces œuvres peuvent aussi s’analyser pour comprendre les divers aspects de sa pensée musicale, théorique, esthétique et interdisciplinaire : recherches sur le bruit, théorie du granulaire, expérimentations en matière de spatialisation, réalisations interartistiques… Ce livre est issu d’un colloque international organisé en 2012 par Musidanse (Université Paris 8), qui a accueilli quarante chercheurs (musicologues, compositeurs…) – dont une partie importante était constituée de spécialistes de Xenakis reconnus internationalement. Il réunit dix sept communications du colloque et deux textes ajoutés ultérieurement. Il témoigne de l’extraordinaire richesse et vitalité des études xenakiennes.Textes de: Andrea Arcella – Stefano Silvestri, Agostino Di Scipio, Dimitris Exarchos, Reinhold Friedl, Anastasia Georgaki, Benoît Gibson, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Mikhail Malt, Adriano Monteiro – Said Bonduki, Kostas Paparrigopoulos, Gérard Pape, Isabel Pires, Curtis Roads, Makis Solomos, Charles Turner</abstract>
</profileDesc>
</hal>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Hal/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000015 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Hal/Corpus/biblio.hfd -nk 000015 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= XenakisV1 |flux= Hal |étape= Corpus |type= RBID |clé= Hal:hal-01789708 |texte= Iannis Xenakis. The electroacoustic music }}
This area was generated with Dilib version V0.6.33. |