List of bibliographic references indexed by Lute
Number of relevant bibliographic references: 55.
[0-50] [
0 - 20][
0 - 50][
50-54][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000005 (2012) |
Kirsten Gibson | The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres |
| 000040 (2010) |
| Index For 2010 |
| 000041 (2010) |
A. L. Babington [Royaume-Uni] | Early British song |
| 000054 (2009) |
C. V. R. Blacker ; David Pinto | Desperately seeking William: portraits of the Lawes brothers in context |
| 000086 (2008) |
| Annual Index |
| 000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
| 000094 (2007) |
Alexandra Williams [Australie] | ‘Bonnie Sweet Recorder’: some issues arising from Arnold Dolmetsch's early English recorder performances |
| 000095 (2007) |
Regula Hohl Trillini [Suisse] | The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender |
| 000138 (2005) |
John Morehen | Thomas East and Music Publishing in Renaissance England. By Jeremy L. Smith. pp. 233. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-5139054.) |
| 000153 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000159 (2005) |
| Annual Index |
| 000183 (2003) |
Ian Harwood | English lute music of ‘Golden Age’ |
| 000201 (2002) |
Pamela Coren | Singing and silence: female personae in the English ayre |
| 000295 (1998) |
Scott Nixon [Royaume-Uni] | THE SOURCES OF MUSICAL SETTINGS OF THOMAS CAREW'S POETRY |
| 000297 (1998) |
| Recordings reviewed |
| 000303 (1998) |
| Main Index |
| 000306 (1998) |
| Books reviewed |
| 000314 (1997) |
Richard Rastall [Royaume-Uni] | Spatial effects in English instrumental consort music, c.1560–1605 |
| 000365 (1994) |
John Irving | MORLEY'S KEYBOARD MUSIC |
| 000396 (1991) |
Mauro Uberti | Vocal techniques in Italy in the second half of the 16th century |
| 000401 (1991) |
David Mateer | RECORDINGS |
| 000443 (1988) |
Tess Knighton | RECORDINGS |
| 000461 (1987) |
Stewart Mccoy | Edward Paston and the textless lute-song |
| 000468 (1986) |
Elizabeth Roche | RECORDINGS |
| 000471 (1986) |
Louise Schleiner | RECENT STUDIES IN POETRY AND MUSIC OF THE ENGLISH RENAISSANCE |
| 000509 (1983) |
Robert Spencer | BOOKS |
| 000510 (1983) |
Jeremy Montagu | BOOKS |
| 000512 (1982) |
William Matheson | Washington, Missouri |
| 000515 (1982) |
Eric Van Tassel | Recordings |
| 000529 (1981) |
Diana Poulton | The black-letter broadside balled and its music |
| 000553 (1979) |
Peter Willsher | Recordings Quarterly checklist |
| 000558 (1979) |
Robert Spencer ; Anthony Rooley | Approaches to PERFORMANCE: The lutenists' view |
| 000565 (1979) |
| A Panoply of Medieval, Renaissance: Instruments for and Baroque Music |
| 000567 (1978) |
John Harley | Two Jacobean songs |
| 000568 (1978) |
Harold Love | The fiddlers on the Restoration stage |
| 000569 (1978) |
Nicholas Kenyon | The Early Music Gazette |
| 000571 (1978) |
Peter Willsher | Recordings: Quarterly checklist—23 |
| 000575 (1978) |
Colin Timms | Music |
| 000576 (1978) |
Joscelyn Godwin | Music |
| 000577 (1978) |
Warwick Edwards | Music |
| 000579 (1978) |
W. L. Brown [Canada] | Lute tablatures |
| 000581 (1978) |
Howard Mayer Brown | CHORAL MUSIC IN THE RENAISSANCE |
| 000609 (1976) |
| Activities |
| 000631 (1974) |
Ian Harwood | An introduction to renaissance viols |
| 000713 (1960) |
Ernest T. Ferand | REVIEWS OF BOOKS |
| 000714 (1960) |
Daniel Heartz | PARISIAN MUSIC PUBLISHING UNDER HENRY II: |
| 000729 (1958) |
John H. Long | SNEAK'S “NOYSE” HEARD AGAIN? |
| 000734 (1957) |
Thurston Dart | LORD HERBERT OF CHERBURY'S LUTE-BOOK |
| 000768 (1952) |
Otto Gombosi | REVIEWS OF RECORDS |
| 000830 (1939) |
Bruce Pattison | NOTES ON EARLY MUSIC PRINTING |
| 000831 (1939) |
Johannes Wolf | EARLY ENGLISH MUSICAL THEORISTS |
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