List of bibliographic references indexed by 0027-4224
Number of relevant bibliographic references: 207.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
| 000055 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
| 000057 (2009) |
| Books Received |
| 000074 (2008) |
| ‘Music & Letters’ Awards |
| 000076 (2008) |
Oliver Neighbour [Royaume-Uni] | William Byrd and his Contemporaries: Essays and a Monograph. By Philip Brett and ed. by Joseph Kerman and Davitt Moroney. |
| 000078 (2008) |
Suzanne Cole [Australie] | Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England |
| 000080 (2008) |
Emma Hornby [Royaume-Uni] | The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-Century Aquitaine. By James Grier. |
| 000083 (2008) |
Kerry Mccarthy [États-Unis] | Byrd's Patrons at Prayer |
| 000084 (2008) |
Candace Bailey [Niger] | Blurring the Lines: ‘Elizabeth Rogers hir Virginall Book’ in Context |
| 000085 (2008) |
| Authors of Articles in this Issue |
| 000095 (2007) |
Regula Hohl Trillini [Suisse] | The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender |
| 000100 (2007) |
Oliver Neighbour | Music Manuscripts of George Iliffe from Stanford Hall, Leicestershire, including a New Ascription to Byrd |
| 000104 (2007) |
| Correspondence |
| 000105 (2007) |
| Books Received |
| 000107 (2007) |
Roger Savage [Royaume-Uni] | Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ |
| 000110 (2006) |
Hugh Benham | William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.) |
| 000112 (2006) |
Arnold Whittall [Royaume-Uni] | Treacherous Bonds and Laughing F ire: Politics and Religion in Wagner’s Ring. By Mark Berry. pp. xii + 287. (Ashgate, Aldershot and Burlington, Vt., 2006, £50. ISBN 0-7546-5356-0.) |
| 000115 (2006) |
Oliver Neighbour | Psalmes, Sonets and Songs (1588) |
| 000116 (2006) |
G. Yvonne Kendall | Pills to Purge Melancholy: The Evolution of the English Ballett |
| 000118 (2006) |
| Notes to Contributors |
| 000121 (2006) |
Charles Hiroshi Garrett | Jazz on the River. By William Howland Kenney. pp. xii + 229. (University of Chicago Press, Chicago and London, 2005, £19.50. ISBN 0-226-43733-7.) |
| 000122 (2006) |
Oliver Neighbour | Instrumentale Konzeptionen in der Virginalmusik von William Byrd. By Martin Klotz. pp. 579. Tübinger Beiträge zur Musikwissenschaft, 27. (Schneider, Tutzing, 2005, €75. ISBN 3-7952-1169-7.) |
| 000134 (2006) |
| Books Received |
| 000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
| 000138 (2005) |
John Morehen | Thomas East and Music Publishing in Renaissance England. By Jeremy L. Smith. pp. 233. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-5139054.) |
| 000149 (2005) |
| Notes to Contributors |
| 000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
| 000153 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000157 (2005) |
| Books Received |
| 000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000169 (2004) |
Kerry Mccarthy | William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary |
| 000194 (2003) |
Craig Monson | The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition |
| 000195 (2003) |
Barra Boydell | Review: Irish Classical Recordings: A Discography of Irish Art Music |
| 000203 (2002) |
Hugh Benham | Review: William Byrd, Latin Motets, ii |
| 000204 (2002) |
Christopher R. Wilson | Review: Sacred Hymnes of 3. 4. 5. and 6. Parts (1615) |
| 000205 (2002) |
Christopher R. Wilson | Review: Italian Madrigals Englished (1590) |
| 000227 (2001) |
Alexandra Wilson | REVIEWS OF BOOKS |
| 000228 (2001) |
N.C.F | REVIEWS OF BOOKS |
| 000229 (2001) |
John Morehen | REVIEWS OF BOOKS |
| 000230 (2001) |
John Mcclelland | REVIEWS OF BOOKS |
| 000231 (2001) |
Miguel Ngel Marn | REVIEWS OF BOOKS |
| 000232 (2001) |
Suzanne Aspden | REVIEWS OF BOOKS |
| 000233 (2001) |
David Mateer | REVIEW OF BOOKS |
| 000251 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
| 000253 (2001) |
Ruby Reid Thompson | FRANCIS TREGIAN THE YOUNGER AS MUSIC COPYIST: A LEGEND AND AN ALTERNATIVE VIEW |
| 000257 (2001) |
Stephen Press | DIAGHILEV AND THE TWO VERSIONS OF PROKOFIEV‘S ’CHOUT‘ |
| 000268 (2000) |
Richard Turbet | ‘A MONUMENT OF ENTHUSIASTIC INDUSTRY’: FURTHER LIGHT ON ‘TUDOR CHURCH MUSIC’ |
| 000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
| 000272 (2000) |
Hugh Benham | REVIEWS OF MUSIC |
| 000273 (2000) |
Blake Wilson | REVIEWS OF BOOKS |
| 000283 (1999) |
Hugh Benham ; Linda B. Fairtile | REVIEWS OF MUSIC |
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