List of bibliographic references indexed by Venice
Number of relevant bibliographic references: 112.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000004 (2013) |
Peter Milward [Japon] | Book Reviews - |
| 000005 (2012) |
Kirsten Gibson | The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres |
| 000006 (2012) |
Yael Sela Teichler | My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England |
| 000007 (2012) |
Richard Wistreich [Royaume-Uni] | Musical materials and cultural spaces |
| 000039 (2010) |
Eleanor Rutherford ; Louise Mcinnes | MedRen 2010 |
| 000040 (2010) |
| Index For 2010 |
| 000044 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000052 (2009) |
Raymond G. Siemens [Canada] | Henry VIII as Writer and Lyricist |
| 000055 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
| 000057 (2009) |
| Books Received |
| 000076 (2008) |
Oliver Neighbour [Royaume-Uni] | William Byrd and his Contemporaries: Essays and a Monograph. By Philip Brett and ed. by Joseph Kerman and Davitt Moroney. |
| 000081 (2008) |
Elizabeth Roche | Italian Baroque sacred music |
| 000086 (2008) |
| Annual Index |
| 000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
| 000095 (2007) |
Regula Hohl Trillini [Suisse] | The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender |
| 000107 (2007) |
Roger Savage [Royaume-Uni] | Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ |
| 000111 (2006) |
Philip Taylor | William Byrd at Duke |
| 000113 (2006) |
Anna Tedesco | The polychoral tradition |
| 000120 (2006) |
Tess Knighton | More Iberian discoveries |
| 000127 (2006) |
| Annual Index |
| 000141 (2005) |
Ian Atherton ; David Como [États-Unis] | The Burning of Edward Wightman: Puritanism, Prelacy and the Politics of Heresy in Early Modern England |
| 000153 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000159 (2005) |
| Annual Index |
| 000161 (2005) |
John Milsom | Absorbing Lassus |
| 000162 (2005) |
John Milsom | Absorbing Lassus |
| 000179 (2003) |
Mike Smith | ‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses |
| 000194 (2003) |
Craig Monson | The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition |
| 000196 (2003) |
David Paisey | German Book Fair Catalogues |
| 000198 (2002) |
Peter Holman | An English amateur symphonist: John Marsh, Ian Graham-Jones ed., Symphonies, Part 1: The Salisbury and Canterbury symphonies (1778–1784), Part 2: The Chichester symphonies and finales (1788–1801) |
| 000199 (2002) |
Roger Lee [Royaume-Uni] | ‘Nice maps, shame about the theory’? Thinking geographically about the economic |
| 000251 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
| 000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
| 000283 (1999) |
Hugh Benham ; Linda B. Fairtile | REVIEWS OF MUSIC |
| 000286 (1999) |
Marco Bizzarini | Marenzio and Cardinal Luigi d'Este |
| 000292 (1999) |
| REVIEWS OF BOOKS |
| 000296 (1998) |
Barbara Coeyman | Social dance in the 1668 Feste de Versailles: architecture and performance context |
| 000297 (1998) |
| Recordings reviewed |
| 000303 (1998) |
| Main Index |
| 000306 (1998) |
| Books reviewed |
| 000319 (1997) |
Bonnie J. Blackburn | For whom do the singers sing? |
| 000322 (1997) |
Clemens Goldberg | A listener's odyssey |
| 000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
| 000327 (1996) |
Robert Shay | ‘NATURALIZING’ PALESTRINA AND CARISSIMI IN LATE SEVENTEENTH-CENTURY OXFORD: HENRY ALDRICH AND HIS RECOMPOSITIONS |
| 000328 (1996) |
Margaret Bent | Thomas Walker, 1936–95 |
| 000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
| 000336 (1996) |
Peter Downey | On sounding the trumpet and beating the drum in 17th-century England |
| 000344 (1995) |
Hugh Benham | REVIEWS OF MUSIC |
| 000350 (1995) |
Gilles De Van | Fin de Siècle Exoticism and the Meaning of the Far Away |
| 000374 (1993) |
Michael G. Brennan | SIR CHARLES SOMERSET'S MUSIC BOOKS (1622) |
| 000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
| 000402 (1991) |
Graham Dixon | RECORDINGS |
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