List of bibliographic references indexed by Rome
Number of relevant bibliographic references: 132.
[0-50] [
0 - 20][
0 - 50][
50-70]
Ident. | Authors (with country if any) | Title |
---|
000005 (2012) |
Kirsten Gibson | The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres |
000006 (2012) |
Yael Sela Teichler | My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England |
000007 (2012) |
Richard Wistreich [Royaume-Uni] | Musical materials and cultural spaces |
000010 (2011) |
Arthur F. Marotti ; Steven W. May | Two Lost Ballads of the Armada Thanksgiving Celebration [with texts and illustration] |
000016 (2011) |
Kerry Mccarthy | Philips's 1628 Paradisus and the triumph of the Eucharist |
000018 (2011) |
Matthew Hale ; Graham Raymond ; Catherine Wright | List of publications on the economic and social history of Great Britain and Ireland published in 2010 |
000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
000039 (2010) |
Eleanor Rutherford ; Louise Mcinnes | MedRen 2010 |
000040 (2010) |
| Index For 2010 |
000046 (2009) |
Julia D. Staykova [Canada] | The Augustinian Soliloquies of an Early Modern Reader: A Stylistic Relation of Shakespeare's Hamlet? |
000047 (2009) |
Noel O'Regan [Royaume-Uni] | Sacred music from the long cinquecento |
000048 (2009) |
Majel Connery [États-Unis] | Peter Maxwell Davies' Worst Nightmare: Staging the Unsacred in the Operas Taverner and Resurrection |
000055 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
000059 (2009) |
| Abstracts |
000081 (2008) |
Elizabeth Roche | Italian Baroque sacred music |
000082 (2008) |
David Humphreys [Niger] | George Kirbye's Clemens parody |
000083 (2008) |
Kerry Mccarthy [États-Unis] | Byrd's Patrons at Prayer |
000086 (2008) |
| Annual Index |
000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
000097 (2007) |
Nicole Coonradt | Religion in Early Modern England: Two Recent Commentaries |
000111 (2006) |
Philip Taylor | William Byrd at Duke |
000113 (2006) |
Anna Tedesco | The polychoral tradition |
000117 (2006) |
Peter J. D. Scott | Penitential Petrucci |
000127 (2006) |
| Annual Index |
000134 (2006) |
| Books Received |
000138 (2005) |
John Morehen | Thomas East and Music Publishing in Renaissance England. By Jeremy L. Smith. pp. 233. (Oxford University Press, New York and Oxford, 2003, £45. ISBN 0-19-5139054.) |
000141 (2005) |
Ian Atherton ; David Como [États-Unis] | The Burning of Edward Wightman: Puritanism, Prelacy and the Politics of Heresy in Early Modern England |
000145 (2005) |
Magnus Williamson | Review: The enigmatic Taverner |
000153 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
000154 (2005) |
Shirley Thompson | French Baroque devotions |
000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
000164 (2004) |
Francis Guinle | Repetition as narrative strategy: Ibrāhīm's embassies |
000165 (2004) |
Ralph H. Lutts | Like Manna from God: The American Chestnut Trade in Southwestern Virginia |
000172 (2004) |
| Recent Periodicals |
000186 (2003) |
Oliver Neighbour | Byrd's treatment of verse in his partsongs |
000193 (2003) |
Alan Day [Royaume-Uni] ; Frank Cogliano [Royaume-Uni] ; Robert Mason [Royaume-Uni] ; Jonathan Vance ; Rebecca Earle ; Kenneth Morgan | XI The Americas |
000194 (2003) |
Craig Monson | The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition |
000196 (2003) |
David Paisey | German Book Fair Catalogues |
000198 (2002) |
Peter Holman | An English amateur symphonist: John Marsh, Ian Graham-Jones ed., Symphonies, Part 1: The Salisbury and Canterbury symphonies (1778–1784), Part 2: The Chichester symphonies and finales (1788–1801) |
000199 (2002) |
Roger Lee [Royaume-Uni] | ‘Nice maps, shame about the theory’? Thinking geographically about the economic |
000217 (2001) |
Benjamin Davies | The Historiography of the Reformation, or the reformation of historiography |
000220 (2001) |
Joseph Kerman | The Byrd Edition—in print and on disc |
000228 (2001) |
N.C.F | REVIEWS OF BOOKS |
000233 (2001) |
David Mateer | REVIEW OF BOOKS |
000251 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
000266 (2001) |
| Notes on Recent Publications |
000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
000272 (2000) |
Hugh Benham | REVIEWS OF MUSIC |
000274 (2000) |
Jenny Hodgson | I Fiamminghi |
000286 (1999) |
Marco Bizzarini | Marenzio and Cardinal Luigi d'Este |
000287 (1999) |
Naomi Joy Barker | Frescobaldi attributions |
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