List of bibliographic references indexed by The
Number of relevant bibliographic references: 58.
[0-50] [
0 - 20][
0 - 50][
50-57][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
| 000034 (2010) |
Benjamin Heller [Royaume-Uni] | The ‘Mene Peuple’ and the Polite Spectator: The Individual in the Crowd at Eighteenth-Century London Fairs |
| 000055 (2009) |
Roger Bowers [Royaume-Uni] | Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590–1612 |
| 000087 (2008) |
| Abstracts |
| 000110 (2006) |
Hugh Benham | William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.) |
| 000112 (2006) |
Arnold Whittall [Royaume-Uni] | Treacherous Bonds and Laughing F ire: Politics and Religion in Wagner’s Ring. By Mark Berry. pp. xii + 287. (Ashgate, Aldershot and Burlington, Vt., 2006, £50. ISBN 0-7546-5356-0.) |
| 000122 (2006) |
Oliver Neighbour | Instrumentale Konzeptionen in der Virginalmusik von William Byrd. By Martin Klotz. pp. 579. Tübinger Beiträge zur Musikwissenschaft, 27. (Schneider, Tutzing, 2005, €75. ISBN 3-7952-1169-7.) |
| 000150 (2005) |
David Pinto | Magic and mystery in Gibbons and Dowland |
| 000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000164 (2004) |
Francis Guinle | Repetition as narrative strategy: Ibrāhīm's embassies |
| 000196 (2003) |
David Paisey | German Book Fair Catalogues |
| 000272 (2000) |
Hugh Benham | REVIEWS OF MUSIC |
| 000294 (1998) |
David Skinner | The Byrd Edition; Gradualia II |
| 000300 (1998) |
Gregory S. Johnston [Allemagne] | Polyphonic keyboard accompaniment in the early Baroque: an alternative to basso continuo |
| 000302 (1998) |
John Harley | NEW LIGHT ON WILLIAM BYRD |
| 000309 (1997) |
Bruce I. Miller [États-Unis] | ‘TRIAL BY JURY’, ED. STEVEN LEDBETTER |
| 000311 (1997) |
David Mateer | WILLIAM BYRD'S MIDDLESEX RECUSANCY |
| 000314 (1997) |
Richard Rastall [Royaume-Uni] | Spatial effects in English instrumental consort music, c.1560–1605 |
| 000315 (1997) |
John Caldwell | REVIEWS OF BOOKS |
| 000316 (1997) |
Howard Schott | Pioneer harpsichordists on CD |
| 000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
| 000393 (1992) |
Owen Rees | RECORDINGS |
| 000401 (1991) |
David Mateer | RECORDINGS |
| 000412 (1991) |
Alan Peacock | Economics, cultural values and cultural policies |
| 000414 (1990) |
John Irving | THOMAS TOMKINS'S COPY OF MORLEY'S ‘A PLAIN AND EASY INTRODUCTION TO PRACTICAL MUSIC’ |
| 000422 (1990) |
| Reviews |
| 000452 (1988) |
Joseph Loewenstein | For a History of Literary Property: John Wolfe's Reformation |
| 000455 (1987) |
Ian Harwood | RECORDINGS |
| 000459 (1987) |
Roger Bray | RECORDINGS |
| 000461 (1987) |
Stewart Mccoy | Edward Paston and the textless lute-song |
| 000464 (1986) |
Pamela Jones | Spectacle in Milan: Cesare Negri's torch dances |
| 000505 (1983) |
Arthur W. J. G. Ord-Hume | Ornamentation in mechanical music |
| 000515 (1982) |
Eric Van Tassel | Recordings |
| 000516 (1982) |
John Caldwell | Recordings |
| 000525 (1982) |
Denis Stevens (musicologue) | A Songe of fortie parts, made by Mr. Tallys |
| 000548 (1980) |
Virginia Seiser [États-Unis] | Review sources |
| 000551 (1980) |
Kent Ekberg [États-Unis] | Literary periodicals |
| 000566 (1978) |
Eleanor Selfridge-Field | Vivaldi's esoteric instruments |
| 000593 (1977) |
Warwick Edwards | MUSIC |
| 000612 (1975) |
H. Diack Johnstone | THE GENESIS OF BOYCE'S ‘CATHEDRAL MUSIC’ |
| 000637 (1974) |
Amy M. Charles | Mrs. Herbert's Kitchin Booke |
| 000669 (1969) |
| BOOK REVIEWS |
| 000682 (1967) |
A. Hyatt King [Royaume-Uni] | Reviews |
| 000687 (1966) |
| Professional Materials |
| 000739 (1957) |
| Front Matter |
| 000755 (1955) |
Everett Helm | CARL ORFF |
| 000765 (1952) |
| The Library |
| 000768 (1952) |
Otto Gombosi | REVIEWS OF RECORDS |
| 000796 (1947) |
Hugh M. Miller | “PRETTY WAYES: FOR YOUNG BEGINNERS TO LOOKE ON” |
| 000806 (1944) |
Donald Tovey | THE MUSICAL ANTECEDENTS OF BEETHOVEN'S STYLE |
| 000821 (1941) |
E. R. | REVIEWS OF BOOKS |
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