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Virtual auditorium concepts for exhibition halls

Identifieur interne : 000090 ( PascalFrancis/Curation ); précédent : 000089; suivant : 000091

Virtual auditorium concepts for exhibition halls

Auteurs : Jack Evans [États-Unis] ; Chad Himmel [États-Unis] ; Sarah Knight [États-Unis]

Source :

RBID : Pascal:02-0538131

Descripteurs français

English descriptors

Abstract

Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.
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A05       @2 112
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A08 01  1  ENG  @1 Virtual auditorium concepts for exhibition halls
A11 01  1    @1 EVANS (Jack)
A11 02  1    @1 HIMMEL (Chad)
A11 03  1    @1 KNIGHT (Sarah)
A14 01      @1 JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin, TX 78731-3742 @Z 1 aut. @Z 2 aut. @Z 3 aut.
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A21       @1 2002-11
A23 01      @0 ENG
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C01 01    ENG  @0 Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.
C02 01  X    @0 001B40C55
C03 01  3  FRE  @0 4355F @2 PAC @4 INC
C03 02  3  FRE  @0 Etude expérimentale
C03 02  3  ENG  @0 Experimental study
C03 03  3  FRE  @0 Etude théorique
C03 03  3  ENG  @0 Theoretical study
N21       @1 316
N47 01  1    @0 0244M000858

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Pascal:02-0538131

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