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Virtual auditorium concepts for exhibition halls

Identifieur interne : 000592 ( PascalFrancis/Corpus ); précédent : 000591; suivant : 000593

Virtual auditorium concepts for exhibition halls

Auteurs : Jack Evans ; Chad Himmel ; Sarah Knight

Source :

RBID : Pascal:02-0538131

Descripteurs français

English descriptors

Abstract

Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

pA  
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A02 01      @0 JASMAN
A03   1    @0 J. Acoust. Soc. Am.
A05       @2 112
A06       @2 5
A08 01  1  ENG  @1 Virtual auditorium concepts for exhibition halls
A11 01  1    @1 EVANS (Jack)
A11 02  1    @1 HIMMEL (Chad)
A11 03  1    @1 KNIGHT (Sarah)
A14 01      @1 JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin, TX 78731-3742 @Z 1 aut. @Z 2 aut. @Z 3 aut.
A20       @2 p. 2312
A21       @1 2002-11
A23 01      @0 ENG
A43 01      @1 INIST @2 129
A44       @0 8100 @1 © 2002 American Institute of Physics. All rights reserved.
A47 01  1    @0 02-0538131
A60       @1 P @3 E
A61       @0 A
A64 01  1    @0 The Journal of the Acoustical Society of America
A66 01      @0 USA
C01 01    ENG  @0 Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.
C02 01  X    @0 001B40C55
C03 01  3  FRE  @0 4355F @2 PAC @4 INC
C03 02  3  FRE  @0 Etude expérimentale
C03 02  3  ENG  @0 Experimental study
C03 03  3  FRE  @0 Etude théorique
C03 03  3  ENG  @0 Theoretical study
N21       @1 316
N47 01  1    @0 0244M000858

Format Inist (serveur)

NO : PASCAL 02-0538131 AIP
ET : Virtual auditorium concepts for exhibition halls
AU : EVANS (Jack); HIMMEL (Chad); KNIGHT (Sarah)
AF : JEAcoustics/Eng. Vib. Acoustics & Noise Solutions, 5806 Mesa Dr., Ste. 380, Austin, TX 78731-3742 (1 aut., 2 aut., 3 aut.)
DT : Publication en série; Résumé; Niveau analytique
SO : The Journal of the Acoustical Society of America; ISSN 0001-4966; Coden JASMAN; Etats-Unis; Da. 2002-11; Vol. 112; No. 5; p. 2312
LA : Anglais
EA : Many communities lack good performance facilities for symphonic music, opera, dramatic and musical arts, but have basic convention, exhibition or assembly spaces. It should be possible to develop performance space environments within large multipurpose facilities that will accommodate production and presentation of dramatic arts. Concepts for moderate-cost, temporary enhancements that transform boxy spaces into more intimate, acoustically articulated venues will be presented. Acoustical criteria and design parameters will be discussed in the context of creating a virtual auditorium within the building envelope. Physical, economic, and logistical limitations affect implementation. Sound reinforcement system augmentation can supplement the room conversion. Acceptable control of reflection patterns, reverberation, and to some extent, ambient noise, may be achieved with an array of nonpermanent reflector and absorber elements. These elements can sculpture an enclosure to approach the shape and acoustic characteristics of an auditorium. Plan and section illustrations will be included.
CC : 001B40C55
FD : 4355F; Etude expérimentale; Etude théorique
ED : Experimental study; Theoretical study
LO : INIST-129
ID : 02-0538131

Links to Exploration step

Pascal:02-0538131

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