Acoustics of Chinese traditional theatres
Identifieur interne : 000591 ( PascalFrancis/Corpus ); précédent : 000590; suivant : 000592Acoustics of Chinese traditional theatres
Auteurs : J. Q. WangSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2002-11.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Chinese traditional theatre is unique in the world as an architectural form. The Chinese opera evolved into maturity as early as the Song and Yuan Dynasties, 11th-14th centuries, and Chinese theatrical buildings developed accordingly. As the Chinese opera plays on the principle of imaginary actions, no realistic stage settings are required. But Chinese audiences have placed great demands on vocal performance since ancient times. Pavilion stages that are small in area, open on three sides, and thrusting into the audience area are commonly found in traditional theatres, both the courtyard type and auditorium type. The pavilion stage is backed with a wall and a low ceiling (flat or domed). The stage functions as a reflecting shell, which enhances the sound to the audience and provides self-support to the singer. Numerous theatres of this kind exist and function in good condition to the present time. Acoustical measurements show that the sound strength and clarity in audience areas is satisfactory in moderate size courtyard traditional theatres. [Work supported by NSF.]
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
| pA |
|
|---|
Format Inist (serveur)
| NO : | PASCAL 02-0538205 AIP |
|---|---|
| ET : | Acoustics of Chinese traditional theatres |
| AU : | WANG (J. Q.) |
| AF : | Inst. of Acoust., Tongji Univ., Shanghai 200092, PROC (1 aut.) |
| DT : | Publication en série; Résumé; Niveau analytique |
| SO : | The Journal of the Acoustical Society of America; ISSN 0001-4966; Coden JASMAN; Etats-Unis; Da. 2002-11; Vol. 112; No. 5; p. 2333 |
| LA : | Anglais |
| EA : | Chinese traditional theatre is unique in the world as an architectural form. The Chinese opera evolved into maturity as early as the Song and Yuan Dynasties, 11th-14th centuries, and Chinese theatrical buildings developed accordingly. As the Chinese opera plays on the principle of imaginary actions, no realistic stage settings are required. But Chinese audiences have placed great demands on vocal performance since ancient times. Pavilion stages that are small in area, open on three sides, and thrusting into the audience area are commonly found in traditional theatres, both the courtyard type and auditorium type. The pavilion stage is backed with a wall and a low ceiling (flat or domed). The stage functions as a reflecting shell, which enhances the sound to the audience and provides self-support to the singer. Numerous theatres of this kind exist and function in good condition to the present time. Acoustical measurements show that the sound strength and clarity in audience areas is satisfactory in moderate size courtyard traditional theatres. [Work supported by NSF.] |
| CC : | 001B40C55 |
| FD : | 4355G; Etude expérimentale; Etude théorique |
| ED : | Experimental study; Theoretical study |
| LO : | INIST-129 |
| ID : | 02-0538205 |
Links to Exploration step
Pascal:02-0538205Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Acoustics of Chinese traditional theatres</title><author><name sortKey="Wang, J Q" sort="Wang, J Q" uniqKey="Wang J" first="J. Q." last="Wang">J. Q. Wang</name><affiliation><inist:fA14 i1="01"><s1>Inst. of Acoust., Tongji Univ., Shanghai 200092, PROC</s1><sZ>1 aut.</sZ></inist:fA14></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">INIST</idno><idno type="inist">02-0538205</idno><date when="2002-11">2002-11</date><idno type="stanalyst">PASCAL 02-0538205 AIP</idno><idno type="RBID">Pascal:02-0538205</idno><idno type="wicri:Area/PascalFrancis/Corpus">000591</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Acoustics of Chinese traditional theatres</title><author><name sortKey="Wang, J Q" sort="Wang, J Q" uniqKey="Wang J" first="J. Q." last="Wang">J. Q. Wang</name><affiliation><inist:fA14 i1="01"><s1>Inst. of Acoust., Tongji Univ., Shanghai 200092, PROC</s1><sZ>1 aut.</sZ></inist:fA14></affiliation></author></analytic><series><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno><imprint><date when="2002-11">2002-11</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title><title level="j" type="abbreviated">J. Acoust. Soc. Am.</title><idno type="ISSN">0001-4966</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term><term>Theoretical study</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>4355G</term><term>Etude expérimentale</term><term>Etude théorique</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Chinese traditional theatre is unique in the world as an architectural form. The Chinese opera evolved into maturity as early as the Song and Yuan Dynasties, 11th-14th centuries, and Chinese theatrical buildings developed accordingly. As the Chinese opera plays on the principle of imaginary actions, no realistic stage settings are required. But Chinese audiences have placed great demands on vocal performance since ancient times. Pavilion stages that are small in area, open on three sides, and thrusting into the audience area are commonly found in traditional theatres, both the courtyard type and auditorium type. The pavilion stage is backed with a wall and a low ceiling (flat or domed). The stage functions as a reflecting shell, which enhances the sound to the audience and provides self-support to the singer. Numerous theatres of this kind exist and function in good condition to the present time. Acoustical measurements show that the sound strength and clarity in audience areas is satisfactory in moderate size courtyard traditional theatres. [Work supported by NSF.]</div></front></TEI><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0001-4966</s0></fA01><fA02 i1="01"><s0>JASMAN</s0></fA02><fA03 i2="1"><s0>J. Acoust. Soc. Am.</s0></fA03><fA05><s2>112</s2></fA05><fA06><s2>5</s2></fA06><fA08 i1="01" i2="1" l="ENG"><s1>Acoustics of Chinese traditional theatres</s1></fA08><fA11 i1="01" i2="1"><s1>WANG (J. Q.)</s1></fA11><fA14 i1="01"><s1>Inst. of Acoust., Tongji Univ., Shanghai 200092, PROC</s1><sZ>1 aut.</sZ></fA14><fA20><s2>p. 2333</s2></fA20><fA21><s1>2002-11</s1></fA21><fA23 i1="01"><s0>ENG</s0></fA23><fA43 i1="01"><s1>INIST</s1><s2>129</s2></fA43><fA44><s0>8100</s0><s1>© 2002 American Institute of Physics. All rights reserved.</s1></fA44><fA47 i1="01" i2="1"><s0>02-0538205</s0></fA47><fA60><s1>P</s1><s3>E</s3></fA60><fA61><s0>A</s0></fA61><fA64 i1="01" i2="1"><s0>The Journal of the Acoustical Society of America</s0></fA64><fA66 i1="01"><s0>USA</s0></fA66><fC01 i1="01" l="ENG"><s0>Chinese traditional theatre is unique in the world as an architectural form. The Chinese opera evolved into maturity as early as the Song and Yuan Dynasties, 11th-14th centuries, and Chinese theatrical buildings developed accordingly. As the Chinese opera plays on the principle of imaginary actions, no realistic stage settings are required. But Chinese audiences have placed great demands on vocal performance since ancient times. Pavilion stages that are small in area, open on three sides, and thrusting into the audience area are commonly found in traditional theatres, both the courtyard type and auditorium type. The pavilion stage is backed with a wall and a low ceiling (flat or domed). The stage functions as a reflecting shell, which enhances the sound to the audience and provides self-support to the singer. Numerous theatres of this kind exist and function in good condition to the present time. Acoustical measurements show that the sound strength and clarity in audience areas is satisfactory in moderate size courtyard traditional theatres. [Work supported by NSF.]</s0></fC01><fC02 i1="01" i2="X"><s0>001B40C55</s0></fC02><fC03 i1="01" i2="3" l="FRE"><s0>4355G</s0><s2>PAC</s2><s4>INC</s4></fC03><fC03 i1="02" i2="3" l="FRE"><s0>Etude expérimentale</s0></fC03><fC03 i1="02" i2="3" l="ENG"><s0>Experimental study</s0></fC03><fC03 i1="03" i2="3" l="FRE"><s0>Etude théorique</s0></fC03><fC03 i1="03" i2="3" l="ENG"><s0>Theoretical study</s0></fC03><fN21><s1>316</s1></fN21><fN47 i1="01" i2="1"><s0>0244M000932</s0></fN47></pA></standard><server><NO>PASCAL 02-0538205 AIP</NO><ET>Acoustics of Chinese traditional theatres</ET><AU>WANG (J. Q.)</AU><AF>Inst. of Acoust., Tongji Univ., Shanghai 200092, PROC (1 aut.)</AF><DT>Publication en série; Résumé; Niveau analytique</DT><SO>The Journal of the Acoustical Society of America; ISSN 0001-4966; Coden JASMAN; Etats-Unis; Da. 2002-11; Vol. 112; No. 5; p. 2333</SO><LA>Anglais</LA><EA>Chinese traditional theatre is unique in the world as an architectural form. The Chinese opera evolved into maturity as early as the Song and Yuan Dynasties, 11th-14th centuries, and Chinese theatrical buildings developed accordingly. As the Chinese opera plays on the principle of imaginary actions, no realistic stage settings are required. But Chinese audiences have placed great demands on vocal performance since ancient times. Pavilion stages that are small in area, open on three sides, and thrusting into the audience area are commonly found in traditional theatres, both the courtyard type and auditorium type. The pavilion stage is backed with a wall and a low ceiling (flat or domed). The stage functions as a reflecting shell, which enhances the sound to the audience and provides self-support to the singer. Numerous theatres of this kind exist and function in good condition to the present time. Acoustical measurements show that the sound strength and clarity in audience areas is satisfactory in moderate size courtyard traditional theatres. [Work supported by NSF.]</EA><CC>001B40C55</CC><FD>4355G; Etude expérimentale; Etude théorique</FD><ED>Experimental study; Theoretical study</ED><LO>INIST-129</LO><ID>02-0538205</ID></server></inist></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000591 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000591 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= OperaV1
|flux= PascalFrancis
|étape= Corpus
|type= RBID
|clé= Pascal:02-0538205
|texte= Acoustics of Chinese traditional theatres
}}
| This area was generated with Dilib version V0.6.21. |  |