"L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix
Identifieur interne : 000581 ( PascalFrancis/Corpus ); précédent : 000580; suivant : 000582"L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix
Auteurs : Joël LoehrSource :
- Littérature : (Paris. 1971) [ 0047-4800 ] ; 2002.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Malraux himself used the metaphor of the opera (music and libretto) to describe his novels, while it appears that as the characters in his novels multiply and as their narratives complexify, the analogy becomes more and more exact. A close reading of "Man's Hope" reveals it to be constructed along musical principles defining three movements-and linking epic scope to operatic breath.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
pA |
|
---|
Format Inist (serveur)
NO : | FRANCIS 523-03-10310 INIST |
---|---|
FT : | "L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix |
ET : | (Malraux' "Man's Hope": Epic or opera?) |
AU : | LOEHR (Joël) |
DT : | Publication en série; Niveau analytique |
SO : | Littérature : (Paris. 1971); ISSN 0047-4800; France; Da. 2002; No. 127; Pp. 40-70; Abs. anglais |
LA : | Français |
EA : | Malraux himself used the metaphor of the opera (music and libretto) to describe his novels, while it appears that as the characters in his novels multiply and as their narratives complexify, the analogy becomes more and more exact. A close reading of "Man's Hope" reveals it to be constructed along musical principles defining three movements-and linking epic scope to operatic breath. |
CC : | 523186; 523 |
FD : | France; Siècle 20; Malraux (A.); Ecriture romanesque; Structure musicale; Epopée; Opéra; Polyphonie (musique); Intertextualité; Voix narrative; Style narratif; Espoir (L') |
ED : | France; Century 20; Malraux (A.); Novelistic writing; Musical structure; Epic; Opera; Polyphony (music); Intertextuality; Narrative voice; Narrative style |
LO : | INIST-23970.354000104918930040 |
ID : | 523 |
Links to Exploration step
Francis:523-03-10310Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="fr" level="a">"L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix</title>
<author><name sortKey="Loehr, Joel" sort="Loehr, Joel" uniqKey="Loehr J" first="Joël" last="Loehr">Joël Loehr</name>
<affiliation><wicri:noCountry>no AF</wicri:noCountry>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">523-03-10310</idno>
<date when="2002">2002</date>
<idno type="stanalyst">FRANCIS 523-03-10310 INIST</idno>
<idno type="RBID">Francis:523-03-10310</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000581</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="fr" level="a">"L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix</title>
<author><name sortKey="Loehr, Joel" sort="Loehr, Joel" uniqKey="Loehr J" first="Joël" last="Loehr">Joël Loehr</name>
<affiliation><wicri:noCountry>no AF</wicri:noCountry>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Littérature : (Paris. 1971)</title>
<title level="j" type="abbreviated">Littérature : (Paris, 1971)</title>
<idno type="ISSN">0047-4800</idno>
<imprint><date when="2002">2002</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Littérature : (Paris. 1971)</title>
<title level="j" type="abbreviated">Littérature : (Paris, 1971)</title>
<idno type="ISSN">0047-4800</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Century 20</term>
<term>Epic</term>
<term>France</term>
<term>Intertextuality</term>
<term>Malraux (A.)</term>
<term>Musical structure</term>
<term>Narrative style</term>
<term>Narrative voice</term>
<term>Novelistic writing</term>
<term>Opera</term>
<term>Polyphony (music)</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>France</term>
<term>Siècle 20</term>
<term>Malraux (A.)</term>
<term>Ecriture romanesque</term>
<term>Structure musicale</term>
<term>Epopée</term>
<term>Opéra</term>
<term>Polyphonie (musique)</term>
<term>Intertextualité</term>
<term>Voix narrative</term>
<term>Style narratif</term>
<term>Espoir (L')</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Malraux himself used the metaphor of the opera (music and libretto) to describe his novels, while it appears that as the characters in his novels multiply and as their narratives complexify, the analogy becomes more and more exact. A close reading of "Man's Hope" reveals it to be constructed along musical principles defining three movements-and linking epic scope to operatic breath.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0047-4800</s0>
</fA01>
<fA03 i2="1"><s0>Littérature : (Paris, 1971)</s0>
</fA03>
<fA06><s2>127</s2>
</fA06>
<fA08 i1="01" i2="1" l="FRE"><s1>"L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>LOEHR (Joël)</s1>
</fA11>
<fA20><s1>40-70</s1>
</fA20>
<fA21><s1>2002</s1>
</fA21>
<fA23 i1="01"><s0>FRE</s0>
</fA23>
<fA24 i1="01"><s0>eng</s0>
</fA24>
<fA43 i1="01"><s1>INIST</s1>
<s2>23970</s2>
<s5>354000104918930040</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2003 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA47 i1="01" i2="1"><s0>523-03-10310</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Littérature : (Paris. 1971)</s0>
</fA64>
<fA66 i1="01"><s0>FRA</s0>
</fA66>
<fA68 i1="01" i2="1" l="ENG"><s1>Malraux' "Man's Hope": Epic or opera?</s1>
</fA68>
<fA99><s0>ref. et notes dissem.</s0>
</fA99>
<fC01 i1="01" l="ENG"><s0>Malraux himself used the metaphor of the opera (music and libretto) to describe his novels, while it appears that as the characters in his novels multiply and as their narratives complexify, the analogy becomes more and more exact. A close reading of "Man's Hope" reveals it to be constructed along musical principles defining three movements-and linking epic scope to operatic breath.</s0>
</fC01>
<fC02 i1="01" i2="I"><s0>523186</s0>
<s1>III</s1>
</fC02>
<fC02 i1="02" i2="I"><s0>523</s0>
</fC02>
<fC03 i1="01" i2="I" l="FRE"><s0>France</s0>
<s2>NG</s2>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="I" l="ENG"><s0>France</s0>
<s2>NG</s2>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="I" l="FRE"><s0>Siècle 20</s0>
<s2>ND</s2>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="I" l="ENG"><s0>Century 20</s0>
<s2>ND</s2>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="I" l="FRE"><s0>Malraux (A.)</s0>
<s2>NF</s2>
<s2>FA</s2>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="I" l="ENG"><s0>Malraux (A.)</s0>
<s2>NF</s2>
<s2>FA</s2>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="I" l="FRE"><s0>Ecriture romanesque</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="I" l="ENG"><s0>Novelistic writing</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="I" l="FRE"><s0>Structure musicale</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="I" l="ENG"><s0>Musical structure</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="I" l="FRE"><s0>Epopée</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="I" l="ENG"><s0>Epic</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="I" l="FRE"><s0>Opéra</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="I" l="ENG"><s0>Opera</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="I" l="FRE"><s0>Polyphonie (musique)</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="I" l="ENG"><s0>Polyphony (music)</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="I" l="FRE"><s0>Intertextualité</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="I" l="ENG"><s0>Intertextuality</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="I" l="FRE"><s0>Voix narrative</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="I" l="ENG"><s0>Narrative voice</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="I" l="FRE"><s0>Style narratif</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="I" l="ENG"><s0>Narrative style</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="I" l="FRE"><s0>Espoir (L')</s0>
<s2>NB</s2>
<s4>INC</s4>
<s5>31</s5>
</fC03>
<fN21><s1>076</s1>
</fN21>
<fN82><s1>PSI</s1>
</fN82>
</pA>
</standard>
<server><NO>FRANCIS 523-03-10310 INIST</NO>
<FT>"L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix</FT>
<ET>(Malraux' "Man's Hope": Epic or opera?)</ET>
<AU>LOEHR (Joël)</AU>
<DT>Publication en série; Niveau analytique</DT>
<SO>Littérature : (Paris. 1971); ISSN 0047-4800; France; Da. 2002; No. 127; Pp. 40-70; Abs. anglais</SO>
<LA>Français</LA>
<EA>Malraux himself used the metaphor of the opera (music and libretto) to describe his novels, while it appears that as the characters in his novels multiply and as their narratives complexify, the analogy becomes more and more exact. A close reading of "Man's Hope" reveals it to be constructed along musical principles defining three movements-and linking epic scope to operatic breath.</EA>
<CC>523186; 523</CC>
<FD>France; Siècle 20; Malraux (A.); Ecriture romanesque; Structure musicale; Epopée; Opéra; Polyphonie (musique); Intertextualité; Voix narrative; Style narratif; Espoir (L')</FD>
<ED>France; Century 20; Malraux (A.); Novelistic writing; Musical structure; Epic; Opera; Polyphony (music); Intertextuality; Narrative voice; Narrative style</ED>
<LO>INIST-23970.354000104918930040</LO>
<ID>523</ID>
</server>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000581 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000581 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= PascalFrancis |étape= Corpus |type= RBID |clé= Francis:523-03-10310 |texte= "L'Espoir" de Malraux : épopée ou opéra ? : l'oreille, la voix }}
This area was generated with Dilib version V0.6.21. |