OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO
Identifieur interne : 000095 ( PascalFrancis/Checkpoint ); précédent : 000094; suivant : 000096OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO
Auteurs : Valeria De LuccaSource :
- Collection de l'Ecole française de Rome [ 0223-5099 ] ; 2012.
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Abstract
Following the vicissitudes of the libretto of Alcasta by Giovanni Filippo Apolloni, this study reveals a tightly-woven network of exchanges between the Roman aristocracy and the world of public Venetian opera during the 1660s and 1670s. The results of my research suggest a reconsideration of the role of the local aristocracy in the establishment of the first public theater at Rome, pointing out the contribution of the Chigis and the Colonnas to the setting up of the Tordinona Theater and the choice of its repertory. Finally, by offering a detailed, clear image of the relations between Rome and Venice in the second half of the seventeenth century, this contribution proposes to re-situate Rome in a central position in the Italian peninsula, not only for the reception of Venetian opera, but also for its production and circulation.
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