OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO
Identifieur interne : 000512 ( PascalFrancis/Curation ); précédent : 000511; suivant : 000513OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO
Auteurs : Valeria De LuccaSource :
- Collection de l'Ecole française de Rome [ 0223-5099 ] ; 2012.
Descripteurs français
English descriptors
Abstract
Following the vicissitudes of the libretto of Alcasta by Giovanni Filippo Apolloni, this study reveals a tightly-woven network of exchanges between the Roman aristocracy and the world of public Venetian opera during the 1660s and 1670s. The results of my research suggest a reconsideration of the role of the local aristocracy in the establishment of the first public theater at Rome, pointing out the contribution of the Chigis and the Colonnas to the setting up of the Tordinona Theater and the choice of its repertory. Finally, by offering a detailed, clear image of the relations between Rome and Venice in the second half of the seventeenth century, this contribution proposes to re-situate Rome in a central position in the Italian peninsula, not only for the reception of Venetian opera, but also for its production and circulation.
pA |
|
---|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000024
Links to Exploration step
Francis:14-0068297Curation
No country items
Valeria De Lucca<affiliation><wicri:noCountry>no FA14</wicri:noCountry>
</affiliation>
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="ITA" level="a">OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO</title>
<author><name sortKey="De Lucca, Valeria" sort="De Lucca, Valeria" uniqKey="De Lucca V" first="Valeria" last="De Lucca">Valeria De Lucca</name>
<affiliation><wicri:noCountry>no FA14</wicri:noCountry>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">14-0068297</idno>
<date when="2012">2012</date>
<idno type="stanalyst">FRANCIS 14-0068297 INIST</idno>
<idno type="RBID">Francis:14-0068297</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000024</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000512</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="ITA" level="a">OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO</title>
<author><name sortKey="De Lucca, Valeria" sort="De Lucca, Valeria" uniqKey="De Lucca V" first="Valeria" last="De Lucca">Valeria De Lucca</name>
<affiliation><wicri:noCountry>no FA14</wicri:noCountry>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Collection de l'Ecole française de Rome</title>
<title level="j" type="abbreviated">Collect. Ec. fr. Rome</title>
<idno type="ISSN">0223-5099</idno>
<imprint><date when="2012">2012</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Collection de l'Ecole française de Rome</title>
<title level="j" type="abbreviated">Collect. Ec. fr. Rome</title>
<idno type="ISSN">0223-5099</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>History</term>
<term>Italy</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Histoire</term>
<term>Italie</term>
</keywords>
<keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Italie</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Histoire</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Following the vicissitudes of the libretto of Alcasta by Giovanni Filippo Apolloni, this study reveals a tightly-woven network of exchanges between the Roman aristocracy and the world of public Venetian opera during the 1660s and 1670s. The results of my research suggest a reconsideration of the role of the local aristocracy in the establishment of the first public theater at Rome, pointing out the contribution of the Chigis and the Colonnas to the setting up of the Tordinona Theater and the choice of its repertory. Finally, by offering a detailed, clear image of the relations between Rome and Venice in the second half of the seventeenth century, this contribution proposes to re-situate Rome in a central position in the Italian peninsula, not only for the reception of Venetian opera, but also for its production and circulation.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0223-5099</s0>
</fA01>
<fA03 i2="1"><s0>Collect. Ec. fr. Rome</s0>
</fA03>
<fA05><s2>466</s2>
</fA05>
<fA08 i1="01" i2="1" l="ITA"><s1>OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO</s1>
</fA08>
<fA09 i1="01" i2="1" l="FRE"><s1>LA MUSIQUE À ROME AU XVII<sup>e</sup>
SIÈCLE : ÉTUDES ET PERSPECTIVES DE RECHERCHE</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>DE LUCCA (Valeria)</s1>
</fA11>
<fA12 i1="01" i2="1"><s1>GIRON-PANEL (Caroline)</s1>
<s9>ed.</s9>
</fA12>
<fA12 i1="02" i2="1"><s1>GOULET (Anne-Madeleine)</s1>
<s9>ed.</s9>
</fA12>
<fA15 i1="01"><s1>Département de la Musique, Bibliothèque nationale de France</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</fA15>
<fA15 i1="02"><s1>Venetian Centre for Baroque Music</s1>
<s3>ITA</s3>
<sZ>1 aut.</sZ>
</fA15>
<fA15 i1="03"><s1>CNRS, Centre de musique baroque de Versailles</s1>
<s3>FRA</s3>
<sZ>2 aut.</sZ>
</fA15>
<fA20><s2>341-353, 474 [14 p.]</s2>
</fA20>
<fA21><s1>2012</s1>
</fA21>
<fA23 i1="01"><s0>FRE</s0>
</fA23>
<fA24 i1="01"><s0>eng</s0>
</fA24>
<fA43 i1="01"><s1>INIST</s1>
<s2>24123</s2>
<s5>354000505895150130</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2014 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA47 i1="01" i2="1"><s0>14-0068297</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Collection de l'Ecole française de Rome</s0>
</fA64>
<fA66 i1="01"><s0>ITA</s0>
</fA66>
<fA68 i1="01" i2="1" l="ENG"><s1>Opera and patronage between Rome and Venice in the second half of the seventeenth century</s1>
</fA68>
<fC01 i1="01" l="ENG"><s0>Following the vicissitudes of the libretto of Alcasta by Giovanni Filippo Apolloni, this study reveals a tightly-woven network of exchanges between the Roman aristocracy and the world of public Venetian opera during the 1660s and 1670s. The results of my research suggest a reconsideration of the role of the local aristocracy in the establishment of the first public theater at Rome, pointing out the contribution of the Chigis and the Colonnas to the setting up of the Tordinona Theater and the choice of its repertory. Finally, by offering a detailed, clear image of the relations between Rome and Venice in the second half of the seventeenth century, this contribution proposes to re-situate Rome in a central position in the Italian peninsula, not only for the reception of Venetian opera, but also for its production and circulation.</s0>
</fC01>
<fC02 i1="01" i2="R"><s0>527868</s0>
<s1>IV</s1>
</fC02>
<fC02 i1="02" i2="R"><s0>527</s0>
</fC02>
<fC03 i1="01" i2="R" l="FRE"><s0>Histoire</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="R" l="ENG"><s0>History</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="R" l="FRE"><s0>Italie</s0>
<s2>NG</s2>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="R" l="ENG"><s0>Italy</s0>
<s2>NG</s2>
<s5>02</s5>
</fC03>
<fN21><s1>097</s1>
</fN21>
<fN44 i1="01"><s1>OTO</s1>
</fN44>
<fN82><s1>OTO</s1>
</fN82>
</pA>
</standard>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000512 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000512 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= PascalFrancis |étape= Curation |type= RBID |clé= Francis:14-0068297 |texte= OPERA E MECENATISMO TRA ROMA E VENEZIA NELLA SECONDA METÀ DEL SEICENTO }}
This area was generated with Dilib version V0.6.21. |