Musician effect in cochlear implant simulated gender categorization
Identifieur interne : 000B84 ( Ncbi/Merge ); précédent : 000B83; suivant : 000B85Musician effect in cochlear implant simulated gender categorization
Auteurs : Christina D. Fuller ; John J. Galvin ; Rolien H. Free ; Deniz Ba KentSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2014.
Abstract
Musicians have been shown to better perceive pitch and timbre cues in speech and music, compared to non-musicians. It is unclear whether this “musician advantage” persists under conditions of spectro-temporal degradation, as experienced by cochlear-implant (CI) users. In this study, gender categorization was measured in normal-hearing musicians and non-musicians listening to acoustic CI simulations. Recordings of Dutch words were synthesized to systematically vary fundamental frequency, vocal-tract length, or both to create voices from the female source talker to a synthesized male talker. Results showed an overall musician effect, mainly due to musicians weighting fundamental frequency more than non-musicians in CI simulations.
Url:
DOI: 10.1121/1.4865263
PubMed: 24606310
PubMed Central: 4109282
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PMC:4109282Le document en format XML
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<author><name sortKey="Fuller, Christina D" sort="Fuller, Christina D" uniqKey="Fuller C" first="Christina D." last="Fuller">Christina D. Fuller</name>
</author>
<author><name sortKey="Galvin, John J" sort="Galvin, John J" uniqKey="Galvin J" first="John J." last="Galvin">John J. Galvin</name>
</author>
<author><name sortKey="Free, Rolien H" sort="Free, Rolien H" uniqKey="Free R" first="Rolien H." last="Free">Rolien H. Free</name>
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<author><name sortKey="Ba Kent, Deniz" sort="Ba Kent, Deniz" uniqKey="Ba Kent D" first="Deniz" last="Ba Kent">Deniz Ba Kent</name>
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<author><name sortKey="Free, Rolien H" sort="Free, Rolien H" uniqKey="Free R" first="Rolien H." last="Free">Rolien H. Free</name>
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<series><title level="j">The Journal of the Acoustical Society of America</title>
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<front><div type="abstract" xml:lang="en"><p>Musicians have been shown to better perceive pitch and timbre cues in speech and music, compared
to non-musicians. It is unclear whether this “musician advantage” persists under conditions of
spectro-temporal degradation, as experienced by cochlear-implant (CI) users. In this study, gender
categorization was measured in normal-hearing musicians and non-musicians listening to acoustic CI
simulations. Recordings of Dutch words were synthesized to systematically vary fundamental
frequency, vocal-tract length, or both to create voices from the female source talker to a
synthesized male talker. Results showed an overall musician effect, mainly due to musicians
weighting fundamental frequency more than non-musicians in CI simulations.</p>
</div>
</front>
</TEI>
<pmc article-type="other"><pmc-comment>The publisher of this article does not allow downloading of the full text in XML form.</pmc-comment>
<front><journal-meta><journal-id journal-id-type="nlm-ta">J Acoust Soc Am</journal-id>
<journal-id journal-id-type="iso-abbrev">J. Acoust. Soc. Am</journal-id>
<journal-id journal-id-type="coden">JASMAN</journal-id>
<journal-title-group><journal-title>The Journal of the Acoustical Society of America</journal-title>
</journal-title-group>
<issn pub-type="ppub">0001-4966</issn>
<issn pub-type="epub">1520-8524</issn>
<publisher><publisher-name>Acoustical Society of America</publisher-name>
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<article-meta><article-id pub-id-type="pmid">24606310</article-id>
<article-id pub-id-type="pmc">4109282</article-id>
<article-id pub-id-type="publisher-id">503403JAS</article-id>
<article-id pub-id-type="publisher-id">1.4865263</article-id>
<article-id pub-id-type="doi">10.1121/1.4865263</article-id>
<article-id pub-id-type="publisher-manuscript">EL-13-2199RR</article-id>
<article-categories><subj-group subj-group-type="heading"><subject>Jasa Express Letters</subject>
</subj-group>
</article-categories>
<title-group><article-title>Musician effect in cochlear implant simulated gender categorization</article-title>
<alt-title alt-title-type="short-title">Gender characterization by musicians</alt-title>
</title-group>
<contrib-group><contrib contrib-type="author"><name><surname>Fuller</surname>
<given-names>Christina D.</given-names>
</name>
<xref ref-type="author-note" rid="n1">a)</xref>
</contrib>
<contrib contrib-type="author"><name><surname>Galvin</surname>
<given-names>John J.</given-names>
<suffix>III</suffix>
</name>
<xref ref-type="author-note" rid="n2">b)</xref>
</contrib>
<contrib contrib-type="author"><name><surname>Free</surname>
<given-names>Rolien H.</given-names>
</name>
<xref ref-type="author-note" rid="n3">c)</xref>
</contrib>
<contrib contrib-type="author"><name><surname>Başkent</surname>
<given-names>Deniz</given-names>
</name>
<xref ref-type="author-note" rid="n3">c)</xref>
</contrib>
<aff><institution>University of Groningen, University Medical Center Groningen</institution>
, Department of Otorhinolaryngology/Head and Neck Surgery, Groningen,<country>The Netherlands</country>
<email>c.d.fuller@umcg.nl</email>
,<email>jgalvin@ucla.edu</email>
,<email>r.h.free@umcg.nl</email>
,<email>d.baskent@umcg.nl</email>
</aff>
</contrib-group>
<author-notes><fn id="n1"><label>a)</label>
<p>Author to whom correspondence should be addressed. Also at: Research School of Behavioral and
Cognitive Neurosciences, University of Groningen, Graduate School of Medical Sciences, Groningen,
The Netherlands.</p>
</fn>
<fn id="n2"><label>b)</label>
<p>Also at: Research School of Behavioral and Cognitive Neurosciences, University of Groningen,
Graduate School of Medical Sciences, Groningen, The Netherlands; Division of Communication and
Auditory Neuroscience, House Research Institute, Los Angeles, CA 957; Department of Head and Neck
Surgery, David Geffen School of Medicine, UCLA, Los Angeles, CA 995-1624.</p>
</fn>
<fn id="n3"><label>c)</label>
<p>Also at: Research School of Behavioral and Cognitive Neurosciences, University of Groningen,
Graduate School of Medical Sciences, Groningen, The Netherlands.</p>
</fn>
</author-notes>
<pub-date pub-type="ppub"><month>3</month>
<year>2014</year>
</pub-date>
<pub-date pub-type="epub"><day>21</day>
<month>2</month>
<year>2014</year>
</pub-date>
<volume>135</volume>
<issue>3</issue>
<fpage seq="1">EL159</fpage>
<lpage>EL165</lpage>
<history><date date-type="received"><day>31</day>
<month>10</month>
<year>2013</year>
</date>
<date date-type="rev-recd"><day>27</day>
<month>12</month>
<year>2013</year>
</date>
<date date-type="accepted"><day>19</day>
<month>1</month>
<year>2014</year>
</date>
</history>
<permissions><copyright-statement>Copyright © 2014 Acoustical Society of America</copyright-statement>
<copyright-year>2014</copyright-year>
<copyright-holder>Acoustical Society of America</copyright-holder>
<license license-type="ccc"><license-p>0001-4966/2014/135(3)/EL159/7/<price>$30.00</price>
</license-p>
</license>
</permissions>
<abstract><p>Musicians have been shown to better perceive pitch and timbre cues in speech and music, compared
to non-musicians. It is unclear whether this “musician advantage” persists under conditions of
spectro-temporal degradation, as experienced by cochlear-implant (CI) users. In this study, gender
categorization was measured in normal-hearing musicians and non-musicians listening to acoustic CI
simulations. Recordings of Dutch words were synthesized to systematically vary fundamental
frequency, vocal-tract length, or both to create voices from the female source talker to a
synthesized male talker. Results showed an overall musician effect, mainly due to musicians
weighting fundamental frequency more than non-musicians in CI simulations.</p>
</abstract>
<funding-group><award-group><award-id award-type="contract">NIH R01-DC004792</award-id>
</award-group>
<award-group><award-id award-type="contract">016.096.397</award-id>
</award-group>
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<affiliations><list></list>
<tree><noCountry><name sortKey="Ba Kent, Deniz" sort="Ba Kent, Deniz" uniqKey="Ba Kent D" first="Deniz" last="Ba Kent">Deniz Ba Kent</name>
<name sortKey="Free, Rolien H" sort="Free, Rolien H" uniqKey="Free R" first="Rolien H." last="Free">Rolien H. Free</name>
<name sortKey="Fuller, Christina D" sort="Fuller, Christina D" uniqKey="Fuller C" first="Christina D." last="Fuller">Christina D. Fuller</name>
<name sortKey="Galvin, John J" sort="Galvin, John J" uniqKey="Galvin J" first="John J." last="Galvin">John J. Galvin</name>
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