Musician effect in cochlear implant simulated gender categorization
Identifieur interne : 000108 ( Pmc/Checkpoint ); précédent : 000107; suivant : 000109Musician effect in cochlear implant simulated gender categorization
Auteurs : Christina D. Fuller ; John J. Galvin ; Rolien H. Free ; Deniz Ba KentSource :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2014.
Abstract
Musicians have been shown to better perceive pitch and timbre cues in speech and music, compared to non-musicians. It is unclear whether this “musician advantage” persists under conditions of spectro-temporal degradation, as experienced by cochlear-implant (CI) users. In this study, gender categorization was measured in normal-hearing musicians and non-musicians listening to acoustic CI simulations. Recordings of Dutch words were synthesized to systematically vary fundamental frequency, vocal-tract length, or both to create voices from the female source talker to a synthesized male talker. Results showed an overall musician effect, mainly due to musicians weighting fundamental frequency more than non-musicians in CI simulations.
Url:
DOI: 10.1121/1.4865263
PubMed: 24606310
PubMed Central: 4109282
Affiliations:
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<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Musician effect in cochlear implant simulated gender categorization</title><author><name sortKey="Fuller, Christina D" sort="Fuller, Christina D" uniqKey="Fuller C" first="Christina D." last="Fuller">Christina D. Fuller</name></author><author><name sortKey="Galvin, John J" sort="Galvin, John J" uniqKey="Galvin J" first="John J." last="Galvin">John J. Galvin</name></author><author><name sortKey="Free, Rolien H" sort="Free, Rolien H" uniqKey="Free R" first="Rolien H." last="Free">Rolien H. Free</name></author><author><name sortKey="Ba Kent, Deniz" sort="Ba Kent, Deniz" uniqKey="Ba Kent D" first="Deniz" last="Ba Kent">Deniz Ba Kent</name></author></titleStmt><publicationStmt><idno type="wicri:source">PMC</idno><idno type="pmid">24606310</idno><idno type="pmc">4109282</idno><idno type="url">http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4109282</idno><idno type="RBID">PMC:4109282</idno><idno type="doi">10.1121/1.4865263</idno><date when="2014">2014</date><idno type="wicri:Area/Pmc/Corpus">000C46</idno><idno type="wicri:Area/Pmc/Curation">000C46</idno><idno type="wicri:Area/Pmc/Checkpoint">000108</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Musician effect in cochlear implant simulated gender categorization</title><author><name sortKey="Fuller, Christina D" sort="Fuller, Christina D" uniqKey="Fuller C" first="Christina D." last="Fuller">Christina D. Fuller</name></author><author><name sortKey="Galvin, John J" sort="Galvin, John J" uniqKey="Galvin J" first="John J." last="Galvin">John J. Galvin</name></author><author><name sortKey="Free, Rolien H" sort="Free, Rolien H" uniqKey="Free R" first="Rolien H." last="Free">Rolien H. Free</name></author><author><name sortKey="Ba Kent, Deniz" sort="Ba Kent, Deniz" uniqKey="Ba Kent D" first="Deniz" last="Ba Kent">Deniz Ba Kent</name></author></analytic><series><title level="j">The Journal of the Acoustical Society of America</title><idno type="ISSN">0001-4966</idno><idno type="e-ISSN">1520-8524</idno><imprint><date when="2014">2014</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en"><p>Musicians have been shown to better perceive pitch and timbre cues in speech and music, compared
to non-musicians. It is unclear whether this “musician advantage” persists under conditions of
spectro-temporal degradation, as experienced by cochlear-implant (CI) users. In this study, gender
categorization was measured in normal-hearing musicians and non-musicians listening to acoustic CI
simulations. Recordings of Dutch words were synthesized to systematically vary fundamental
frequency, vocal-tract length, or both to create voices from the female source talker to a
synthesized male talker. Results showed an overall musician effect, mainly due to musicians
weighting fundamental frequency more than non-musicians in CI simulations.</p></div></front></TEI><pmc article-type="other"><pmc-comment>The publisher of this article does not allow downloading of the full text in XML form.</pmc-comment>
<front><journal-meta><journal-id journal-id-type="nlm-ta">J Acoust Soc Am</journal-id><journal-id journal-id-type="iso-abbrev">J. Acoust. Soc. Am</journal-id><journal-id journal-id-type="coden">JASMAN</journal-id><journal-title-group><journal-title>The Journal of the Acoustical Society of America</journal-title></journal-title-group><issn pub-type="ppub">0001-4966</issn><issn pub-type="epub">1520-8524</issn><publisher><publisher-name>Acoustical Society of America</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="pmid">24606310</article-id><article-id pub-id-type="pmc">4109282</article-id><article-id pub-id-type="publisher-id">503403JAS</article-id><article-id pub-id-type="publisher-id">1.4865263</article-id><article-id pub-id-type="doi">10.1121/1.4865263</article-id><article-id pub-id-type="publisher-manuscript">EL-13-2199RR</article-id><article-categories><subj-group subj-group-type="heading"><subject>Jasa Express Letters</subject></subj-group></article-categories><title-group><article-title>Musician effect in cochlear implant simulated gender categorization</article-title><alt-title alt-title-type="short-title">Gender characterization by musicians</alt-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Fuller</surname><given-names>Christina D.</given-names></name><xref ref-type="author-note" rid="n1">a)</xref></contrib><contrib contrib-type="author"><name><surname>Galvin</surname><given-names>John J.</given-names><suffix>III</suffix></name><xref ref-type="author-note" rid="n2">b)</xref></contrib><contrib contrib-type="author"><name><surname>Free</surname><given-names>Rolien H.</given-names></name><xref ref-type="author-note" rid="n3">c)</xref></contrib><contrib contrib-type="author"><name><surname>Başkent</surname><given-names>Deniz</given-names></name><xref ref-type="author-note" rid="n3">c)</xref></contrib><aff><institution>University of Groningen, University Medical Center Groningen</institution>, Department of Otorhinolaryngology/Head and Neck Surgery, Groningen,<country>The Netherlands</country><email>c.d.fuller@umcg.nl</email>,<email>jgalvin@ucla.edu</email>,<email>r.h.free@umcg.nl</email>,<email>d.baskent@umcg.nl</email></aff></contrib-group><author-notes><fn id="n1"><label>a)</label><p>Author to whom correspondence should be addressed. Also at: Research School of Behavioral and
Cognitive Neurosciences, University of Groningen, Graduate School of Medical Sciences, Groningen,
The Netherlands.</p></fn><fn id="n2"><label>b)</label><p>Also at: Research School of Behavioral and Cognitive Neurosciences, University of Groningen,
Graduate School of Medical Sciences, Groningen, The Netherlands; Division of Communication and
Auditory Neuroscience, House Research Institute, Los Angeles, CA 957; Department of Head and Neck
Surgery, David Geffen School of Medicine, UCLA, Los Angeles, CA 995-1624.</p></fn><fn id="n3"><label>c)</label><p>Also at: Research School of Behavioral and Cognitive Neurosciences, University of Groningen,
Graduate School of Medical Sciences, Groningen, The Netherlands.</p></fn></author-notes><pub-date pub-type="ppub"><month>3</month><year>2014</year></pub-date><pub-date pub-type="epub"><day>21</day><month>2</month><year>2014</year></pub-date><volume>135</volume><issue>3</issue><fpage seq="1">EL159</fpage><lpage>EL165</lpage><history><date date-type="received"><day>31</day><month>10</month><year>2013</year></date><date date-type="rev-recd"><day>27</day><month>12</month><year>2013</year></date><date date-type="accepted"><day>19</day><month>1</month><year>2014</year></date></history><permissions><copyright-statement>Copyright © 2014 Acoustical Society of America</copyright-statement><copyright-year>2014</copyright-year><copyright-holder>Acoustical Society of America</copyright-holder><license license-type="ccc"><license-p>0001-4966/2014/135(3)/EL159/7/<price>$30.00</price></license-p></license></permissions><abstract><p>Musicians have been shown to better perceive pitch and timbre cues in speech and music, compared
to non-musicians. It is unclear whether this “musician advantage” persists under conditions of
spectro-temporal degradation, as experienced by cochlear-implant (CI) users. In this study, gender
categorization was measured in normal-hearing musicians and non-musicians listening to acoustic CI
simulations. Recordings of Dutch words were synthesized to systematically vary fundamental
frequency, vocal-tract length, or both to create voices from the female source talker to a
synthesized male talker. Results showed an overall musician effect, mainly due to musicians
weighting fundamental frequency more than non-musicians in CI simulations.</p></abstract><funding-group><award-group><award-id award-type="contract">NIH R01-DC004792</award-id></award-group><award-group><award-id award-type="contract">016.096.397</award-id></award-group></funding-group><counts><page-count count="7"></page-count></counts><custom-meta-group><custom-meta><meta-name>crossmark</meta-name><meta-value></meta-value></custom-meta></custom-meta-group></article-meta></front></pmc><affiliations><list></list><tree><noCountry><name sortKey="Ba Kent, Deniz" sort="Ba Kent, Deniz" uniqKey="Ba Kent D" first="Deniz" last="Ba Kent">Deniz Ba Kent</name><name sortKey="Free, Rolien H" sort="Free, Rolien H" uniqKey="Free R" first="Rolien H." last="Free">Rolien H. Free</name><name sortKey="Fuller, Christina D" sort="Fuller, Christina D" uniqKey="Fuller C" first="Christina D." last="Fuller">Christina D. Fuller</name><name sortKey="Galvin, John J" sort="Galvin, John J" uniqKey="Galvin J" first="John J." last="Galvin">John J. Galvin</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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