music < musical < musicale

Facettes :

List of bibliographic references indexed by musical

Number of relevant bibliographic references: 77.
[40-60] [0 - 20][0 - 50][60-76][60-80]

Ident.	Authors (with country if any)	Title
000785 (2012)	Robert J. Zatorre [Canada] ; Shari R. Baum [Canada]	Musical Melody and Speech Intonation: Singing a Different Tune
000813 (2012)	Patrick C. M. Wong [États-Unis] ; Valter Ciocca [Canada] ; Alice H. D. Chan [Singapour] ; Louisa Y. Y. Ha [États-Unis] ; Li-Hai Tan [République populaire de Chine] ; Isabelle Peretz [Canada]	Effects of Culture on Musical Pitch Perception
000831 (2012)	Cheol-Ho Jeong [Danemark] ; Pierre Marie ; Jonas Brunskog ; Claus M Ller Petersen	Audience noise in concert halls during musical performances.
000A37 (2011)	Aniruddh D. Patel [États-Unis]	Why would Musical Training Benefit the Neural Encoding of Speech? The OPERA Hypothesis
000A50 (2011)	Peter J. Rentfrow ; Lewis R. Goldberg ; Daniel J. Levitin	The Structure of Musical Preferences: A Five-Factor Model
000A54 (2011)	Riia Milovanov [Finlande] ; Mari Tervaniemi [Finlande]	The Interplay between Musical and Linguistic Aptitudes: A Review
000A76 (2011)	James Kennaway	Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing
000B53 (2011)	Ana Paula Almeida [Portugal] ; Luis Miguel Girão ; Rolf Gehlhaar [Portugal] ; Paulo Maria Rodrigues [Portugal] ; Helena Rodrigues [Portugal] ; Paulo Neto [Portugal] ; Maria M Nica [Portugal]	Sound=Space Opera: choreographing life within an interactive musical environment
000D53 (2010)	Psyche Loui ; Catherine Y. Wan ; Gottfried Schlaug	NEUROLOGICAL BASES OF MUSICAL DISORDERS AND THEIR IMPLICATIONS FOR STROKE RECOVERY
000D76 (2010)	Seitetsu Kanemura [Japon] ; Hitoshi Tanimukai ; Satoru Tsuneto	Can "steroid switching" improve steroid-induced musical hallucinations in a patient with terminal cancer?
000E49 (2010)	Miranda Stanyon	“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann's Ritter Gluck
001183 (2009)	Jed Wentz	Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique
001238 (2009)	Ivan R. V. Rumanek [Slovaquie]	NOH AS MUSICAL PERFORMANCE WITH REGARD TO HISTORICAL DEVELOPMENT
001335 (2008)	Joe Wolfe [Australie] ; Maëva Garnier [Australie] ; John Smith [Australie]	Vocal tract resonances in speech, singing, and playing musical instruments
001356 (2008)	Julie Jaffee Nagel [États-Unis]	Psychoanalytic and musical perspectives on shame in Donizetti's Lucia Di Lammermoor.
001362 (2008)	Eva Björkner [Suède]	Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics.
001428 (2008)	Ann Colley	Young People's Musical Taste: Relationship With Gender and Gender‐Related Traits
001454 (2008)	Julian Tanner ; Mark Asbridge ; Scot Wortley [Canada]	Our favourite melodies: musical consumption and teenage lifestyles
001502 (2008)	Julie Jaffee Nagel [États-Unis]	PSYCHOANALYTIC AND MUSICAL PERSPECTIVES ON SHAME IN DONIZETTI'S LUCIA Dl LAMMERMOOR
001849 (2006)	Bertha Spies [Afrique du Sud]	The temporal musical sign: In search of extrinsic musical meaning
001A40 (2005)	Don Fader	The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700

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