| Ident. | Authors (with country if any) | Title |
|---|
| 000745 (2012) |
Céline Frigau [France] | Electrifying or Clockwork Singer. Electrical and Mechanical Models of Lyrical Reception in the First Half of the 19th Century |
| 000A92 (2011) |
David Fuller | Dementia at the Opera: The Lion’s Face |
| 000B20 (2011) |
Adrian Daub [États-Unis] | The Power of the Verfluchte Lohe: (Post-)Wagnerian Redheads and the Coherence of the Gesamtkunstwerk in Das Rheingold, Fredigundis, and Irrelohe |
| 000B25 (2011) |
| Cover Page |
| 000D89 (2010) |
Sheila Melvin ; Jindong Cai | Turandot in China: Rejected, Reinterpreted, Reclaimed |
| 000D92 (2010) |
Anna Papaeti | The Stuttgart Ring on DVD: A Review PortfolioStuttgart Opera's Der Ring Des Nibelungen on DVD |
| 000D93 (2010) |
Andrew Moravcsik [États-Unis] | The Stuttgart Ring on DVD: A Review PortfolioEveryday Totalitarianism: Reflections on the Stuttgart Ring |
| 000D94 (2010) |
Weihong Bao [États-Unis] | The Politics of Remediation: Mise-en-scne and the Subjunctive Body in Chinese Opera Film |
| 000D95 (2010) |
Han Shangyi | The Design and Style of Opera Films |
| 000D97 (2010) |
Anna Nisnevich [États-Unis] | Temporary Floods, Eternal Returns: Opera, Technology, and History in Two Films of Alexander Sokurov |
| 000D99 (2010) |
Michael Markham [États-Unis] | Sarrasine's Failure, Campaspe's Lament: Solo Song and the Ends of Material Reproduction |
| 000E02 (2010) |
Fu Jin | Reflections on the Film Forever Enthralled (Mei Lanfang) |
| 000E04 (2010) |
Ling Hon Lam | Reading off the Screen: Toward Cinematic Il-literacy in Late 1950s Chinese Opera Film |
| 000E05 (2010) |
Kristine Harris [États-Unis] | Re-makes/Re-models: The Red Detachment of Women between Stage and Screen |
| 000E07 (2010) |
Emanuele Senici [Royaume-Uni] | Porn Style? Space and Time in Live Opera Videos |
| 000E08 (2010) |
Judith T. Zeitlin | Operatic Ghosts on Screen: The Case of A Test of Love (1958) |
| 000E12 (2010) |
Jiang Qing [États-Unis] | On the Revolution in Peking Opera (Tan Jingju geming) |
| 000E13 (2010) |
Hui Shi [États-Unis] | Notes about Directing Married to a Heavenly Immortal |
| 000E14 (2010) |
Robert Bird [États-Unis] | Modest Musorgsky: Boris Godunov |
| 000E15 (2010) |
Xinyu Dong [États-Unis] | Meeting of the Eyes: Invented Gesture, Cinematic Choreography, and Mei Lanfang's Kun Opera Film |
| 000E18 (2010) |
Michael Talbot [Royaume-Uni] | Martha Feldman: Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy |
| 000E19 (2010) |
Berta Joncus [Royaume-Uni] | Martha Feldman: Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy |
| 000E23 (2010) |
Robert Bryan | Lighting Boris Godunov with Andrei Tarkovsky |
| 000E24 (2010) |
Andrea S. Goldman [États-Unis] | Joshua Goldstein: Drama Kings: Players and Publics in the Re-creation of Peking Opera, 18701937 |
| 000E25 (2010) |
Xiaomei Chen [États-Unis] | Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai |
| 000E26 (2010) |
Roger Parker [Royaume-Uni] | Giuseppe Verdi's Don Carlo(s): Live on DVD |
| 000E30 (2010) |
Barbara Mittler [Allemagne] | Eight Stage Works for 800 Million People: The Great Proletarian Cultural Revolution in MusicA View from Revolutionary Opera |
| 000E32 (2010) |
Melina Esse [États-Unis] | Don't Look Now: Opera, Liveness, and the Televisual |
| 000E33 (2010) |
Christopher Morris [Irlande (pays)] | Digital Diva: Opera on Video |
| 000E35 (2010) |
Jason Mcgrath [États-Unis] | Cultural Revolution Model Opera Films and the Realist Tradition in Chinese Cinema |
| 000E36 (2010) |
| Cover Page |
| 000E37 (2010) |
| Cover Page |
| 000E39 (2010) |
Paola Iovene [États-Unis] | Chinese Operas on Stage and Screen: A Short Introduction |
| 000E41 (2010) |
Mei Lanfang | Befriending Eisenstein on My First Trip to the Soviet Union |
| 000E42 (2010) |
Nicole Huang [États-Unis] | Azalea Mountain and Late Mao Culture |
| 000E46 (2010) |
Paola Iovene ; Judith T. Zeitlin | A Note from the Guest Editors |
| 001091 (2009) |
Nicholas Till [Royaume-Uni] | Wolfgang Amadeus Mozart: Cos fan tutte |
| 001092 (2009) |
Drew Minter [Niger] | Winton Dean: Handel's Operas, 17261741 |
| 001094 (2009) |
Christopher Morris [Irlande (pays)] | Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, eds. Opera and Society in Italy and France from Monteverdi to Bourdieu |
| 001095 (2009) |
Wendy Heller [États-Unis] | Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD |
| 001097 (2009) |
Franco Manfriani [États-Unis] | Toward and Beyond Baroque Opera: Luca Ronconi and the Monteverdi Trilogy |
| 001100 (2009) |
Heather Wiebe [Niger] | The Rake's Progress as Opera Museum |
| 001102 (2009) |
Franco Manfriani | The Fascination with Distance: An Interview with Luca Ronconi |
| 001103 (2009) |
Adrian Daub [États-Unis] | Taceat Mulier in Theatro: Guntram, Schopenhauer, and the Female Voice |
| 001106 (2009) |
Majel Connery [États-Unis] | Peter Maxwell Davies' Worst Nightmare: Staging the Unsacred in the Operas Taverner and Resurrection |
| 001107 (2009) |
Mauro Calcagno | Performing the Self |
| 001108 (2009) |
Bonnie Gordon [États-Unis] | Orfeo's Machines |
| 001110 (2009) |
Marina Frolova-Walker [Royaume-Uni] | Opera and Obsolescence in the Russian Culture Wars |
| 001111 (2009) |
Ernst Krenek [Niger] | On the Situation of Opera 1932 |
| 001112 (2009) |
Robert Savage [Australie] | On Truth and Semblance in an Operatic and Extra-operatic Sense: Michael Tippett's The Midsummer Marriage |
| 001113 (2009) |
Stle Wikshland [Norvège] | Monteverdi's Voices: The Construction of Subjectivity |
