Serveur d'exploration sur l'opéra - Exploration (Accueil)

Index « ISSN » - entrée « 0027-4631 »
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List of bibliographic references indexed by 0027-4631

Number of relevant bibliographic references: 306.
[40-60] [0 - 20][0 - 50][60-80]
Ident.Authors (with country if any)Title
002D86 (1994) Daniel HerwitzThe Cook, His Wife, the Philosopher, and the Librettist
002D92 (1994) Laura D. KuhnSynergetic Dynamics in John Cage's Europeras 1 & 2
002D98 (1994) Scott BurnhamMozart's felix culpa: Così fan tutte and the Irony of Beauty
002E21 (1994) Marcia J. CitronA Night at the Cinema: Zeffirelli's Otello and the Genre of Film-Opera
002F33 (1993) Paul John FrandsenPhilip Glass's Akhnaten
002F41 (1993) Ping-Hui LiaoHope, Recollection, Repetition: Turandot Revisited
003075 (1992) Joshua BerrettLouis Armstrong and Opera
003079 (1992) Walter Aaron ClarkIsaac Albéniz's Faustian Pact: A Study in Patronage
003201 (1991) Eric SalzmanWhither American Music Theater?
003328 (1990) James R. Briscoe“To Invent New Forms”: Debussy's Diane au bois
003330 (1990) Rodney Farnsworth“Hither, This Way”: A Rhetorical-Musical Analysis of a Scene from Purcell's King Arthur
003333 (1990) Clifford HindleyWhy Does Miles Die? A Study of Britten's The Turn of the Screw
003336 (1990) Mark A. RadiceTheater Architecture at the Time of Purcell and Its Influence on His “Dramatick Operas”
003349 (1990) Janet MaguirePuccini's Version of the Duet and Final Scene of Turandot
003356 (1990) William A. FroschMoods, Madness, and Music. II. Was Handel Insane?
003360 (1990) Linda Rogols-SiegelLudwig Börne as Music Critic
003470 (1989) Holly EastmanThe Drama of the Passions: Tate and Purcell's Characterization of Dido
003476 (1989) Aubrey S. GarlingtonRichard Strauss's Vier letzte Lieder. The Ultimate opus ultimum
003493 (1989) Kathleen A. AbromeitEthel Smyth, The Wreckers, and Sir Thomas Beecham
003497 (1989) Sandra Corse ; Larry CorseBritten's Death in Venice: Literary and Musical Structures
003658 (1987) Ellen Rennie FlintJean-Jacques Rousseau's Lettre d'un symphoniste de l'aćadémie royal de musique, à ses camamdes dans l'orchestre

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